A lovely reminiscence from former Cubs outfielder Doug Glanville on how Ryne Sandberg’s “quiet confidence” during a minor league rehab stint subtly shaped his big league career:

But for me, I focused on something more personal. He was calm, intentional. He looked casual on the outside, but he cared. He was competitive, and he led by example, without having to say anything. No speeches, just a line or two of advice in private that carried more weight than a locker room address.

It gave me the freedom to challenge the labels I had been given, realizing that maybe those who assign labels are actually the lazy ones. Too impatient to take the time to really understand and get to know a player. Sure, it is important to listen and accept feedback, but I have always found it a stretch to accuse someone of not caring. Especially if the accusation is based solely on volume.

The following year, I made the 40-man MLB roster for spring training in Arizona. Fortunately, the Cubs put my locker next to Sandberg’s. I had a front-row seat to his routine. And long before I fully understood his work ethic, I took comfort in knowing you can be true to yourself and still add value to your team, and to your own performance.

Published a month ago, but made painfully poignant following Ryno’s passing.

Patrick Mooney, writing for The Athletic on Monday:

Ryne Sandberg, an iconic player for generations of Chicago Cubs fans and a distinguished member of the National Baseball Hall of Fame, died Monday at the age of 65 from metastatic prostate cancer, the team announced. Sandberg passed away at his home, surrounded by his family, the Cubs shared.

Jay Cohen, AP:

Sandberg announced in January 2024 that he had been diagnosed with metastatic prostate cancer. He had chemotherapy and radiation treatments, and then said in August 2024 that he was cancer-free.

But he posted on Instagram on Dec. 10 that his cancer had returned and spread to other organs. He announced this month that he was still fighting, while “looking forward to making the most of every day with my loving family and friends.”

Absolutely Fuck Cancer.

Eli Ong, WGN, Chicago’s Very Own broadcast home of the Cubs:

In all, Sandberg played 15 seasons on the North Side and finished his career as a Cub in 1997. By the time he hung up his cleats, he had become a ten-time all-star, nine-time Gold Glove winner (all consecutively), a seven-time Silver Slugger, and the 1990 home run derby champion (the same season he led the NL in home runs).

Growing up in New York in the mid-’80s and early ’90s, I watched “Ryno” play a lot against my beloved Mets. He was one of the best-hitting, best-fielding second basemen of my youth—much to our great frustration.

He played the game hard, he played it right, and he played it with “respect,” as he called it in his wonderful Hall of Fame induction speech:

Everything I am today, everything I have today, everything I will ever be is because of the game of baseball. Not the game you see on TV or in movies—Baseball. The one we all know. The one we played with whiffle ball bats, pretending to be Yaz or Fisk or Rose, in dirt fields and in alleys. We all know that game. The game fit me because it was right, it was all about doing things right. If you played the game the right way, played the game for the team, good things would happen. That’s what I loved most about the game, how a ground out to second with a man on second and nobody out was a great thing. Respect.

[…]

I was taught you never, ever disrespect your opponent or your teammates or your organization or your manager and never, ever your uniform. Make a great play? Act like you’ve done it before. Get a big hit? Look for the third base coach and get ready to run the bases. Hit a home run? Put your head down, drop the bat, run around the bases, because the name on the front is a lot more important than the name on the back. That’s respect.

Today’s players could learn a lot about “respect” from Ryno.

My condolences to his family, friends, and fans.

Ilia Werner (Design Lovers on YouTube) wonders:

What is it about [glass] that makes tech giants return to it again and again? […]

Glass is not a part of our evolutionary environment.

Werner answers:

We are drawn to glass because it masterfully combines a primal, sensory lure with a sophisticated cognitive tool, all wrapped in the perfect metaphor for our digital age.

A short, thought-provoking perspective on the seemingly cyclical nature of glass (and glassy) user interfaces—from Aqua to Windows Aero to iOS 7 (a surprising but valid inclusion), and now, Apple’s Liquid Glass.

Adam Aaronson:

The International Bartenders Association, or IBA, maintains a list of official cocktails, ones they deem to be “the most requested recipes” at bars all around the world. It’s the closest thing the bartending industry has to a canonical list of cocktails […]

As of 2025, there are 102 IBA official cocktails, and as of July 12, 2025, I’ve had every one of them.

The journey has taken me to some interesting places, and now that it’s done, I have a little story to tell for each cocktail. I’m not gonna tell you all 102 stories, but I do want to debrief the experience. Drinking all 102 cocktails turned out to be unexpectedly tricky, and for reasons you’ll soon understand, I might be one of the first people in the world to do it.

This is my kind of project, and I’m disappointed that I didn’t think to do it myself.

I’ve tossed back a mere 43 of the current 102 IBA cocktails, a disappointing showing for a self-described cocktail enthusiast. This, of course, must and will be corrected. Many of the cocktails I’m missing are variations on a theme, with ingredients I have or can easily procure. The rest will require dedication—though I’m unsure if I’ll be able to achieve a 100% completion any time soon, considering the challenges Aaronson describes for his “final boss” cocktail: the IBA Tiki, which requires a pair of Cuban rums unavailable—legally, anyway—in the U.S.

Aaronson catalogs each cocktail by name recognition (well-known, medium, obscure) and by ingredient availability (easy, medium, hard) to identify which ones you’re likely to find at any halfway decent cocktail bar, and which ones you’ll have to hunt for—a very handy cheat-sheet!

One takeaway from Aaronson’s exercise: I need to start keeping lists.

(Via Nick Heer at Pixel Envy.)

Gil Duran at FrameLab:

Trump’s MAGA movement now faces a profound cognitive crisis. Their leader has violated the central promise of their political identity—the promise to reveal hidden truths and expose child sex abusers. But the conspiratorial frame he taught them makes it impossible to simply accept this as ordinary political disappointment.

Instead, they must choose between two equally destabilizing options: abandon the conspiratorial thinking that has become central to their identity, or turn that conspiratorial thinking against Trump himself.

[…]

This is why fighting conspiracy theories with facts doesn’t work. Facts are interpreted through frames, and frames shape how facts are understood. When someone is thinking conspiratorially, contradictory evidence just becomes proof of how deep the conspiracy goes.

Another take on the slow implosion of the MAGA world view. It’s delightful watching MAGAts contort themselves in their support for—or opposition to—releasing the Epstein files.

U.S. citizen Wilmer Chavarria, traveling on a U.S. passport, was detained at a U.S. port of entry for… no apparent reason. From Lola Duffort at Vermont Public:

What followed, according to Chavarria, who has been a U.S. citizen since 2018, was “nothing short of surreal and the definition of psychological terror.” The educator said he was separated from his husband, Cyrus Dudgeon, and interrogated by multiple agents over the course of four to five hours.

Chavarria said he was asked whether his marriage was real, whether he was really a school superintendent, and questioned about everything he had done while out of the country. And again and again, he said agents demanded that he hand over the passwords to his phone and district-issued laptop.

There’s no explanation of why Chavarria was stopped at the border, nor why they demanded access to his devices. Coincidentally, I’m sure, he’s a gay man from a Central American country.

Chavarria said he’s had students of color ask him in the past whether they should be worried when they cross the border into the United States. In the case of U.S. citizens, he’s always assured them they had “nothing to worry about.”

“Clearly, this is a change for me in my understanding, and now I’m no longer giving that advice,” he said. “From my own experience, I know that they should be worried.”

The article includes this important reminder:

A U.S. citizen cannot be denied entry into the United States because they refuse to give customs officials the passwords to their devices. But that can prolong an individual’s interrogation, and officials can then seize those devices and hold on to them long after someone has left the airport.

Border agents can keep your phone and try intimidating you, but they can’t force you to unlock it—and they can’t prevent you from entering the country. Again, if you’re an American citizen, you do not need to unlock your device just because you were asked to. You can just say no (Nancy would be proud).

Back in April, the AARP wrote 6 Things You Can Do to Secure Your Phone as You Reenter the Country After Traveling. What world are we living in that the AARP is warning its audience of the dangers of traveling to the U.S.?

Grandpa, tell me again about the “sanctity of citizenship”?

The Customs and Border Patrol offered Chavarria one final insult:

For years, Chavarria has been a member of CBP’s Global Entry program, which allows frequent travelers that undergo a special background check expedited clearance at ports of entry. As he was boarding a flight back to Vermont, he received an email notifying him that his permission to be in Global Entry had been revoked.

The reason? He did “not meet program eligibility requirements.”

Pettiness as policy. Slow. Fucking. Clap.

Thom Hartmann, at The Hartmann Report:

To begin: if you want everything around the Epstein furor to make sense, all you have to understand is that Donald Trump has been leading a cult.

Like Jim Jones did. Like Charles Manson did. Like Rajneesh did here in Oregon. Unlike Manson, but more like Rajneesh and Jim Jones, however, Trump’s cult is fairly large and preexisted his appearance on the scene. And that’s part of his problem.

It’s large enough to have in it three kinds of people.

The three being “true believers,” “facilitators,” and “the true believers who have suddenly seen a crack in reality.” Of these “former true believers” Hartmann writes:

Once they saw the light through that crack — saw the real world — they realized that they were being lied to.

When a cult is on the verge of collapse, these kinds of people become more and more numerous as more and more people begin to wake up from the cult leader’s trance.

At that point, they turn on the cult leader the way a spurned lover turns on the previous object of their affection. They become angry and vengeful. They demand answers. They want to know how they got sucked in and why: “Who did this to me? And to whose benefit?”

This is how Donald Trump’s world is disintegrating right now, and the danger is that, like Jim Jones, Charles Manson, and Rajaneesh, he may destroy a lot of lives when he goes down.

With Trump’s grip on his cult (and his reality) slipping away, the people who puppeted him into power—Rupert Murdoch’s Fox “News” especially—may be looking to cut him loose before he takes them down with him. Given Trump’s incredibly ill-advised $10 billion lawsuit against the Murdoch-owned Wall Street Journal, that moment may be sooner than we think.

From Monday’s The Daily Show: Trump’s Epstein doodle defense, Stephen Colbert’s cancellation, and a rousing, gospel-inspired, f-bomb-laden musical number.

Do not watch if there are sensitive ears nearby.

Apple Newsroom:

Apple today unveiled AppleCare One, a new way for customers to cover multiple Apple products with one simple plan. For just $19.99 per month, customers can protect up to three products in one plan, with the option to add more at any time for $5.99 per month for each device. With AppleCare One, customers receive one-stop service and support from Apple experts across all of the Apple products in their plan for simple, affordable peace of mind. Starting tomorrow, customers in the U.S. can sign up for AppleCare One directly on their iPhone, iPad, or Mac, or by visiting their nearest Apple Store.

Launching Thursday. At $20–$32 a month ($240–$384 annualized, but there’s no annual pricing), this is a solid deal for the set of Apple customers who both buy AppleCare and have multiple high-priced devices.

(The AppleCare page is already updated with AppleCare One details for each product. I love that the AppleCare One tile updates to show the selected product in combination with two other devices. I appreciate these little details.)

Not all customers benefit from AppleCare One. The cost of AppleCare+ for an iPhone 16e, iPad mini, and Mac mini (all minimally specced) is $17 a month ($10, $3.50, $3.50) or $170 a year ($100, $35, $35).

However, if you own a pair of Apple headphones—from the least expensive AirPods 4 ($15 a month) up—AppleCare One becomes a great deal.

But the absolute screaming deal is for Apple Vision Pro owners: AppleCare+ for this $3,500 device starts at $25 a month ($250 a year). If you have a pair of AirPods or an Apple Vision Pro (or both!) AppleCare One becomes a no-brainer decision.

I use my iPhone caseless. When I’m asked why, my answer is “AppleCare is my case.”

I don’t get AppleCare+ on all my devices, just the ones most likely to be damaged or which cost a fortune to repair. I’m currently paying for five devices—iPhone, MacBook Pro, iPad Pro, AirPods Pro, and Apple Vision Pro—making AppleCare One a clear win.

Apple has consistently looked to Services to boost its bottom line (to the tune of $100 billion annually). Services revenue set all-time highs in both the first and second quarters this year, with double-digit growth in that second quarter, and the upcoming earnings report is likely to tell a similar story. AppleCare One will no doubt drive further growth.

I suspect both customers and Wall Street will cheer this new offering.

Apple Newsroom:

Apple today announced the expansion of Apple Retail into the Kingdom of Saudi Arabia with the launch of the Apple Store online and Apple Store app, introducing support directly from Apple in Arabic for the very first time. The arrival of the online store marks a new era for customers in Saudi Arabia, who will be able to shop Apple’s full range of products with exceptional service delivered by Apple’s talented, dedicated team members.

And:

Apple announced its plans to begin opening the first of several flagship Apple Store locations in Saudi Arabia starting in 2026. As part of this expansion, Apple is in the initial stages of planning an iconic retail store coming to Diriyah, a UNESCO World Heritage site.

This is the fruition of Apple’s Saudi Arabia retail expansion plans announced in December. Before today, Saudi Arabian customers relied on Apple Authorized Resellers and Service Providers—no direct Apple sales or support. Quite remarkable for a country of nearly thirty-five million people.

Apple also announced support for “Buy Now Pay Later” service Tamara, Saudi Arabia’s first fintech unicorn.

Apple customers have apparently been missing out on quite a lot until now: Apple Store Online brings Personal Setup and shopping support, the Apple Trade In program, AppleCare+, the Apple Education Store, Mac configure-to-order options, personalized Apple Watch case and band combinations, and engraving in Arabic and English on products that support engraving. I think this warrants a well-earned أخيراً! (finally!).

This Slate piece from 2013 is especially relevant in light of the tragic drowning death of Malcolm-Jamal Warner.

If you spend time on or near the water (hint: that’s all of us) then you should make sure that you and your crew know what to look for whenever people enter the water. […]

Drowning is almost always a deceptively quiet event. The waving, splashing, and yelling that dramatic conditioning (television) prepares us to look for is rarely seen in real life.

The Instinctive Drowning Response—so named by Francesco A. Pia, Ph.D., is what people do to avoid actual or perceived suffocation in the water. And it does not look like most people expect. There is very little splashing, no waving, and no yelling or calls for help of any kind.

There are several signs of the Instinctive Drowning Response—that someone is drowning—including:

• An inability to call out for help. (“Breathing must be fulfilled before speech occurs.”)
• Their mouths alternately sink below and reappear above the surface of the water. (They “are not above the surface of the water long enough for them to exhale, inhale, and call out for help.”)
• An inability to wave for help. (“Nature instinctively forces them to extend their arms laterally and press down on the water’s surface… so they can lift their mouths out of the water to breathe.”)
• An inability to control their arms (that is, voluntary movements like “waving for help, moving toward a rescuer, or reaching out for a piece of rescue equipment”).
• “Their bodies remain upright in the water, with no evidence of a supporting kick.” (They “can only struggle on the surface of the water from 20 to 60 seconds before submersion occurs.”)

There are several other details to watch for—details that could save a loved one. I urge you to take a few minutes to read the Slate article and educate yourself. As it notes:

Sometimes the most common indication that someone is drowning is that they don’t look like they’re drowning. They may just look like they are treading water and looking up at the deck. One way to be sure? Ask them, “Are you all right?” If they can answer at all—they probably are. If they return a blank stare, you may have less than 30 seconds to get to them. And parents—children playing in the water make noise. When they get quiet, you get to them and find out why.

Be safe.

Associated Press reports this terrible news:

Malcolm-Jamal Warner, who as teenage son Theo Huxtable on “The Cosby Show,” was central to a cultural phenomenon that helped define the 1980s, died at age 54 in an accidental drowning in Costa Rica, authorities there said Monday.

I’m gutted. And such a harrowing way to go.

Malcolm-Jamal Warner as Theo Huxtable was like the brother I never got a chance to meet but always knew what he was up to. Almost exactly one year younger than me, Warner’s Theo and I grew up together, two Black male Brooklynites navigating our teenage and young adult years. I often saw myself reflected in Theo—our overconfidence undercut by our awkwardness, intelligence tempered by academic anxiety, even our mutual slovenliness—everything about Warner’s Theo felt familiar, relatable, and real—albeit a more heightened, absurd, and infinitely funnier reality.

Kevin Fallon at The Daily Beast:

Theo was a conduit for the modern teenager in the ’80s and ’90s: a sense of entitlement and arrogance permeating the usual haplessness that accompany coming of age. That it rang so true—hilarious, endearing, and often profound—is because of the performance of Malcolm-Jamal Warner.

Watching scenes of Warner from The Cosby Show—as difficult as it was given what we know of its namesake—reminded me of just how incredibly talented he was, with boundless energy, impeccable timing, and irresistible charm.

A truly tragic loss.

See also: The New York Times obituary and The Rolling Stone tribute to Warner’s most memorable moment on the show.

From Myke Hurley’s “State of the Workflow” series on the Cortex podcast (Overcast, Apple Podcasts):

Myke interviews John Gruber of Daring Fireball. They take a deep-dive into how John’s writing takes shape – from capturing ideas and drafting articles to the meticulous editing behind his influential work.

This was a fantastic interview. Gruber started writing at Daring Fireball in 2002, about a year after I started at Apple, and I’ve been reading him since day 1. He’s very prolific and very influential within the Apple community. I’ve always been curious about his writing process, which allows him to churn out piece after interesting piece—but especially so now, early in my second year of public writing as I find my voice, a rhythm, and an audience.

It was revelatory to hear that several of my challenges, from procrastination to word obsession, mirror his own. I was especially chuffed to learn that our writing processes are similar. Asked “Do you agonize over word choice?”, Gruber answers:

I have always, I mean, literally since childhood, always tried to write my final draft right off the bat. Especially the longer the article, the more editing I do for myself. But I can’t bring myself to write other than thinking that I’m just going to start typing with the first word and get to the final word and just hit publish.

Like, the canonical ideal for me would be to not even proofread and just write what I think it’s going to be and hit return. So I, at every step, every single word of the way, am trying to pick the right word. And so yes, I obsess over word choice.

This is almost exactly how I write—and have for as long as I can recall. My goal (rarely achieved): Write straight through, as perfectly as possible, and publish. Start with a thesis—often just an emotional reaction—and write until I’ve exhausted the idea I’m pursuing, agonizing over each word, sentence, and paragraph as I go. Allow the act of writing to determine what needs to be written—How can I know what I think until I see what I say? I’ve rarely had success using outlines or bullet points to write, because the words I want to write I can only find by writing them. Bits and bobs become full sentences, which turn into complete paragraphs, and suddenly I’m not outlining, I’m writing. As Gruber says:

Don’t prepare to do the thing, just do it. I just need to sit down and start writing. And anything that feels like I’m working on the article, if I’m working on the article at all, I might as well just start writing it.

“Writing is thinking on paper.”

Olbermann (again) shares his distaste for Colbert, this time in response to Paramount’s cancellation of Colbert’s The Late Show. Consider it a counterpoint of sorts. His critique starts at about the 15:53 mark. (Also available on Overcast and Apple Podcasts.)

Stephen Colbert is not an honest broker. He is not a sincere guy. He is not worthy of your trust, and the more I reflect on it, the more I think there was something to the old conservative theory about the Comedy Central show, that he was not some liberal pretending to be a stupid conservative, a really dumb Bill O’Reilly, who kept stepping on rakes, that he was a conservative, pretending to be a stupid conservative, so he could surreptitiously counter liberal narratives in a liberal space, and counter, more importantly, things like reality, and facts, and Democrats.

He details his early experiences with Colbert and rails against Colbert’s treatment of David Letterman’s staff after taking over the late-night slot.

It’s clearly personal. I wonder what Colbert thinks of Olbermann?

John Gruber, at Daring Fireball (under the biblical title “Curse Not the King”):

In the way that fish take water for granted, Americans take true freedom of speech and freedom of the press for granted. It’s the culture we were born into, the air we breathe. And to my mind, the fiercest and most effective form of criticism — especially political — is mockery. Mark Twain, America’s first great (and perhaps still greatest) humorist, said, “Against the assault of laughter, nothing can stand.”

No one in Russian media mocks Vladimir Putin, lest they find themselves falling out one of Russia’s easily-fallen-out-of windows. No one in Chinese media mocks Xi Jinping. Back in 2017 the CCP went as far as to censor images of Winnie the Pooh, because Xi resembles Pooh so clearly, and people naturally find that amusing. Trump, clearly, has authoritarian instincts and desires, but US media — print, web, podcasts, YouTube, social, and TV — has been replete with unrelenting mockery aimed at him. There’s no better example of that than late night talk shows: Colbert on CBS, Jimmy Kimmel on ABC, Seth Meyers on NBC, Jon Stewart and his fellow hosts on The Daily Show at Comedy Central, John Oliver and Bill Maher on HBO. Vociferous, unrelenting critics of Trump, all of them. (And it works both ways: Greg Gutfield’s Gutfield! is a ratings success at 10:00pm for Fox News.)

That’s been one of the canaries I’ve been monitoring in the Trump 2.0 drift-into-authoritarianism coal mine. So long as Trump is getting skewered by comedians on major TV channels nightly, in some sense, we’re doing OK.

But while our Constitution and cultural fabric protect our media from government interference, there’s no such protection from ownership interference.

Solid piece—well researched, with terrific framing. Gruber really captures much of my shock, anger, and frustration when I learned of Colbert’s cancellation.

While I stopped watching late-night shows years ago, Colbert’s was the one show whose clips I’d catch semi-regularly. He was funny, nerdy, and we were (seemingly) politically aligned.

I could (if I squint really hard) understand Paramount firing Colbert if they were unhappy with his performance—or his politics—but to also end The Late Show is astonishingly short-sighted, and screams of pretext, a desire from Paramount to punish (silence) Colbert, while providing (in-)sufficient cover for doing so: “We’re not getting rid of Colbert; we’re exiting the late-night business!” It reeks of political animus disguised as an economic choice.

Thirty years of history, evaporated, just like that.

OpenAI:

ChatGPT can now do work for you using its own computer, handling complex tasks from start to finish.

You can now ask ChatGPT to handle requests like “look at my calendar and brief me on upcoming client meetings based on recent news,” “plan and buy ingredients to make Japanese breakfast for four,” and “analyze three competitors and create a slide deck.” ChatGPT will intelligently navigate websites, filter results, prompt you to log in securely when needed, run code, conduct analysis, and even deliver editable slideshows and spreadsheets that summarize its findings.

At the core of this new capability is a unified agentic system. It brings together three strengths of earlier breakthroughs: Operator’s⁠ ability to interact with websites, deep research’s⁠ skill in synthesizing information, and ChatGPT’s intelligence and conversational fluency.

ChatGPT carries out these tasks using its own virtual computer, fluidly shifting between reasoning and action to handle complex workflows from start to finish, all based on your instructions.

The site showcases several compelling video demos (but not, alas, the all-MLB-ballparks example from the intro video).

ChatGPT agent is available to Pro, Plus, and Team users (though it hasn’t shown up on my Plus account yet due to high Pro demand).

Dashiell Wood reviews Donkey Kong Bananza for TechRadar (“Donkey Kong Bananza is a must-have Nintendo Switch 2 game and worthy Super Mario Odyssey successor”):

Donkey Kong Bananza is a brilliant showcase of the power of the Nintendo Switch 2, thanks to its crisp visuals and showstopping destruction, and the hundreds of collectibles will provide tens of hours of entertainment even after the credits roll for those willing to put the time in.

It’s a worthy Super Mario Odyssey successor in almost every regard, and if Nintendo can keep this level of quality up with future Nintendo Switch 2 releases, it’s clear that the console will have a long and successful run just like its predecessor.

The “verdict”:

Donkey Kong Bananza is the greatest Nintendo Switch 2 title to date, delivering an incredible destruction system that showcases the power of the new system. It’s visually impressive and, while the story isn’t anything to write home about, benefits from charming and expressive voice acting and animations. Throw in a seemingly endless stream of collectibles and secrets, and you have a meaty adventure that’s a delight to explore.

See also Scott Stein’s review for CNet, which describes the game as “Mario and Zelda Smashed Together,” calling it “the best reason to buy a Switch 2 yet.”

I’m doubly excited.

It’s been a week since Nvidia topped, then closed above the $4 trillion market cap mark, and I’m still having a hard time wrapping my mind around “a graphics card company” becoming the first to achieve this milestone. Some analysts are already anticipating a $5 trillion market cap.

When Nvidia hit $3 trillion—just a year ago!—I linked to a story detailing their near-collapse in 1995. I remain awed by their resilience, but also skeptical of the AI frothiness that’s driving their valuation. 

Tripp Mickle, in his New York Times coverage, notes:

Nvidia’s rise is reminiscent of dot-com era titans like Cisco and Juniper Networks, which built the equipment that ran communications networks for the internet. Cisco’s shares increased more than a thousandfold between its initial public offering in 1990 and 2000, when it briefly became the world’s most valuable company.

What Mickle doesn’t say is that Cisco, valued at more than $550 billion at the height of the dotcom era, is worth only $270 billion today.

Nor does he mention that Juniper Networks was at the time valued at over $40 billion, with a share price over $244. It was acquired earlier this month by Hewlett Packard for $14 billion, or $39.95 a share.

I’m not predicting a similar trajectory for Nvidia—that would be foolhardy—but this unprecedented rise from $1 trillion to $4 trillion in two years gives me pause.

Of course, I also didn’t buy Nvidia at $45 like I was told to, so perhaps don’t come to me for stock advice.

No doubt I’ll be writing a “$5 trillion valuation” piece within the year.

KPBS Midday Edition in San Diego featured two local theatre groups—Uprise Theatre and Voces Unidas/Voices United—using improv to educate their community about their rights in the face of ICE raids. (Listen in Overcast or Apple Podcasts.)

Annie Rios, Uprise Theatre:

Uprise Theatre is a nonprofit organization here. It is rooted and run out of southeast San Diego in particular. We use art and activist lawyering to disrupt systems of oppression and reclaim power with the people. And that’s a really fancy way of saying that we use a lot of different creative and artistic techniques to educate and empower folks about their constitutional legal rights, especially as it pertains to law enforcement.

Guillermo Mendez, Voces Unidas/Voices United:

What we do is people’s theatre in action. […] Our job in theater is to put it on stage. The tears, the sweat, the blood, the death, the laughter, all the things that go on in the working class community, all our struggles—put it on the stage. But in this also, how we can figure out how to use theater, improvisation and teaching and working with the community, how to address this particular moment, how to address this fascism that’s in our community.

The conversation was deeply inspiring and it got me thinking of different ways I could use my theatre and improv background to get involved with a similar effort. A wonderful use of the performing arts to empower communities.

(Via Ronzilla.)

Lauren Feiner, The Verge:

A week after Elon Musk’s Grok dubbed itself “MechaHitler” and spewed antisemitic stereotypes, the US government has announced a new contract granting the chatbot’s creator, xAI, up to $200 million to modernize the Defense Department.

I guess Elon and Donald made up.

The contract announcement from the Chief Digital and Artificial Intelligence Office (CDAO) is light on details, but says the deals will help the DoD “develop agentic AI workflows across a variety of mission areas.” Alongside the contract award, xAI announced “Grok for Government,” which it says will supply “frontier AI products” to the US. In addition to the DoD contract, xAI says other federal agencies will now be able to purchase its tools via the General Services Administration (GSA) schedule. The company plans to work on new products for government customers, like custom models focused on national security, applications for healthcare and science use cases, and models accessible in classified environments.

Me, using ChatGPT earlier today:

ChatGPT 🤖: In AP style, dammit (with an “e”) is considered the standard spelling when used in print. 

🤦🏽‍♂️: I’m sorry?

🤖: Yes—you read that right. In AP style, the standard spelling is “dammit” (with an e), not “damnit.”

🤦🏽‍♂️: Where is there an “e” in “dammit”?

🤖: There is no actual “e” in dammit. I wasn’t saying there’s an “e” in the word itself—I was contrasting the two spellings (dammit vs. damnit)… The word is spelled dammit. No “e” beyond the one in dam.

Yeah, the government’s gonna be just fine under AI control.

Marcy Wheeler at Empty Wheel offers a terrific teardown of Trump’s “Truth” Social attack on Rosie O’Donnell, the media’s inability (or unwillingness) to identify the reason for it, and what his later Epstein follow-up says about Trump’s slipping “super power”:

Rosie O’Donnell made a powerful moral critique of Trump, and as that critique was bearing out, he responded to it by asserting to have power over her, power he doesn’t have. And rather than focusing on or even mentioning that moral critique — or even continuing to focus on the many ways the Trump Administration did exacerbate the flood — those who disseminated his tweet gaped in horror at his spectacular display of power, without identifying it as an attempt to avoid being held accountable.

[…]

Trump’s ability to command and direct attention — his ability to rupture context and redirect attention to his own claims of authority — is his super power. It is how he has attained and remained in government; it is how he has beat back scandals that would have doomed others.

And that super power has been failing him as his DOJ and FBI reversed course on past fevered promises to disclose everything about the Epstein scandal.

That’s what, I have tried to argue, has always been missing from reporting on this exchange: how badly Trump flubbed a role, suppressing coverage by bullying a journalist, that is second nature to him.

The illogic of Trump’s long post about the Epstein Files—they don’t exist, are a hoax created by Democrats to hurt him, which they haven’t released, and he doesn’t want to be seen—has turned the MAGA world on its head.

I want to say, this will be fun to watch, but Trump’s approach to bad news is to take drastic, destabilizing actions as a means to distract. That he’s losing some of his ability to do that in this instance is great, but I’m worried about what bomb he’ll drop next—literally or figuratively.

Andrew Liszewski at The Verge, earlier this week:

Google is introducing a new Gmail feature for those feeling overwhelmed by an onslaught of subscription emails in their inboxes. The Manage subscriptions view shows a list of emails delivered through active subscriptions, automatically sorted with the most frequent senders at the top, next to individual one-click links that will unsubscribe you from their mailing lists.

You can find the new feature by clicking the navigation bar in the top left corner of your Gmail inbox and selecting Manage subscriptions from the menu that appears. If you don’t see it yet, it’s being introduced on the web version of Gmail starting today, the Android mobile app starting on July 14th, and the iOS app starting on July 21st, but it could take a couple of weeks for it to show up for all users. It will be available for all personal Google accounts, Google Workspace customers, and Workspace Individual Subscribers in “select countries.”

Color me surprised to find this feature already available to me on iOS a week and a half earlier than expected (Gmail version 6.0.250622). This is a regular Gmail account, nothing special about it as far as I know (except maybe it’s been around a while).

This is especially welcome on this particular Gmail account, as it’s my “bulk email” account, so it has a lot of subscriptions.

The feature works exactly as described, but more useful than the unsubscribing itself is seeing just how many marketing emails I get from businesses I no longer use. (Sorry Atoms.)

Alexandra Marquez and Lindsey Pipia, reporting on the crazy for NBC News:

President Donald Trump on Saturday threatened to take away comedian Rosie O’Donnell’s U.S. citizenship, something that he cannot legally do, reigniting a decadeslong feud between the pair.

“Cannot legally do” is doing a lot of heavy lifting here.

Trump’s insane threat was announced where he issues all of his official proclamations: “Truth” Social:

Because of the fact that Rosie O’Donnell is not in the best interests of our Great Country, I am giving serious consideration to taking away her Citizenship. She is a Threat to Humanity, and should remain in the wonderful Country of Ireland, if they want her. GOD BLESS AMERICA!

1. The President of the United States doesn’t have the power to strip anyone of their citizenship.
2. Shouldn’t such a threat be impeachable?
3. Rosie O’Donnell gave a masterclass in how to respond to Trump. Just chef’s kiss perfection.

The media is treating Trump’s outburst as something worthy of debate—as though there’s a legitimate question of whether or not the President of the United States of America can just decide to revoke an American’s citizenship—rather than with outright ridicule, and a reminder that these diatribes are meant to distract from a very bad news cycle.

O’Donnell, however, understood her assignment and clapped back, hard—not once:

the president of the usa has always hated the fact that i see him for who he is - a criminal con man sexual abusing liar out to harm our nation to serve himself - this is why i moved to ireland - he is a dangerous old soulless man with dementia who lacks empathy compassion and basic humanity- i stand in direct opposition all he represents- so do millions of others - u gonna deport all who stand against ur evil tendencies - ur a bad joke who cant form a coherent sentence #nevertrump

… but twice:

hey donald –

you’re rattled again? 18 years later and I still live rent-free in that collapsing brain of yours.

you call me a threat to humanity –but I’m everything you fear:a loud womana queer womana mother who tells the truthan american who got out of the country b4 u set it ablaze

you build walls –I build a life for my autistic kid in a country where decency still exists

you crave loyalty –I teach my children to question power

you sell fear on golf courses –I make art about surviving trauma

you lie, you steal, you degrade –I nurture, I create, I persist

you are everything that is wrong with america –and I’m everything you hate about what’s still right with it

you want to revoke my citizenship?go ahead and try, king joffrey with a tangerine spray tan

i’m not yours to silencei never was

🇮🇪 rosie

—with her second Instagram post featuring a photo of Trump with his arm around Jeffrey Epstein.

I’m pretty sure Trump is now a blubbering mess in a corner of the White House.

I mean, more than usual.

The first half of Debbie Millman’s July 2023 interview with Alan Dye—Apple’s VP of Human Interface Design—is a gauzy look back at his career, before pivoting in the second half to his time at Apple. It reminded me that Dye started, not in user interface design, but in the world of glossy print, packaging, and brand marketing. He was initially hired onto Apple’s Marcom (Marketing Communications) team to work on iPod and iTunes marketing.

Liquid Glass is, as much as anything else, a branding exercise: it exists—at least in part—to differentiate Apple devices in print, web, and video marketing.

The back half (around the 30-minute mark) focuses more on Dye’s career at Apple, leading up to the introduction of Apple Vision Pro in June 2023. 

I was struck by this question:

Debbie Millman: You also started to expand your capabilities beyond branding and advertising. You created films, a cool paper line. You published little art books made by the individual designers in the studio that you then sold in the stores. And for those, you said that there were no boundaries, no brief and no restraints. So it gave the designers a chance to be challenged. Was that a terrifying experience? A designer with no rules?

I was hoping for an answer that acknowledged that there are always rules (of form, materials, engineering, time, etc.) even when none were stated. Instead, Dye gives a non-answer answer that sort of alludes to that but lacks real substance:

Well, rules are helpful, but I think everyone had their own set of passions. Everyone deeply understood kind of the ethos of Kate Spade and of Jack Spade and the kind of sense of humor and the irreverence. So I think because we were careful about who was in the studio, everybody contributed all these amazing ideas.

I got the sense Dye has a disdain for “rules,” relying instead on intuition and brand awareness.

The first version of Liquid Glass was a usability mess. Beautiful on a website and in videos, but not great in the real world. My understanding is that Dye (like Jony Ive before him) doesn’t have an “editor” to rein him in. He may well be operating without boundaries again. I wonder if that changes under Tim Cook—or gets worse?

(To be fair, beta 3 significantly improved legibility, at the expense of the flashier, glassier version showcased at WWDC.)

Later in the interview, Millman asks, “What does human interface design actually mean?”

So human interface design at Apple is really, our team is responsible for designing how everyone interacts with our products, the experience of using an Apple product. And so we could call it interaction design. We like human interface because that’s really what it’s all about, is how people interact with Apple products. So of course, a big part of that is how our products look and how they feel, and maybe what’s on the screen. But again, we don’t think about it at that level first. In other words, of course we care about how things look, how the interface looks, but we really are mostly focused on what our products do, first and foremost, how they work. And so the most amazing part about what it is that we do is that we not only define how a product works, but also what a product is and what it ought to do. And that’s a really privileged position to be in.

I understand he’s riffing on Steve Jobs’ quote that design is “not just what it looks like and feels like. Design is how it works” (he touches on it a few moments earlier), and that, as designers, they look at the whole widget. But “and maybe what’s on the screen” is a hell of a thing to hear from the head of Apple’s user interface team.

Millman later asks about Dye’s involvement with the 2023 iOS 7 redesign, and what the “jump in disciplines and skills” (from graphic design to human interface design) was like:

When Jony and I took over design more holistically beyond just industrial design, but also software design, he had a really clear vision for where he wanted to take the software design, and that was to move away from the sort of more glossy 3D look and feel to something much more, I would say minimal. And so I had a great relationship with Jony. It was a very ambitious project to redesign an entire operating system in short order. So I came over and joined what was an exceptional team that was already off and running on this. Yeah, I was very lucky to be part of an amazing team.

And it was very much trial by fire because along the way, while I think I was bringing my point of view and my craft and my kind of graphic design skills to this amazing team, I was also very quickly learning about interaction design, how applications are designed, how we think about user experience at Apple. In a lot of ways, it was trial by fire, and I still had my day job […]

I was still doing the Marcom work for iPhone and the rest of it, but it was a really special time. And how lucky are we as designers that we get to learn, right?

And for me, this is a really steep learning curve, but it was an amazing time, and I learned a lot from that team.

Even though I was on the inside at the time, I wasn’t disclosed on the redesign. I remember hearing about Dye’s move over to the UI team, and the concerns expressed by several coworkers that a “marketing guy” was designing the UI. When I first saw iOS 7, I remember thinking it looked like a magazine print design.

Turns out I was right.

Main link is to the podcast’s home at PRX. It’s also available in Overcast (my podcast player of choice) and Apple Podcasts.

Quotes are from PRINT Magazine’s transcript. They haven’t been edited except to spell Jony Ive’s name correctly.

Nick Miroff profiles ICE agents and officers for The Atlantic (Apple News+ link):

Officers and agents have spent much of the past five months clocking weekends and waking up at 4 a.m. for predawn raids. Their top leaders have been ousted or demoted, and their supervisors—themselves under threat of being fired—are pressuring them to make more and more arrests to meet quotas set by the Trump adviser Stephen Miller. Having insisted for years that capturing criminals is its priority, ICE is now shelving major criminal investigations to prioritize civil immigration arrests, grabbing asylum seekers at their courthouse hearings, handcuffing mothers as their U.S.-citizen children cry, chasing day laborers through Home Depot parking lots. As angry onlookers attempt to shame ICE officers with obscenities, and activists try to dox them, officers are retreating further behind masks and tactical gear.

“It’s miserable,” one career ICE official told me. He called the job “mission impossible.”

Pete Prodoehl on Mastodon:

Oh sure, ICE is miserable… but could we make them even more miserable?

The headline implies poor morale because of the evil these agents are doing, but it’s as much about them feeling underpaid and unappreciated while they commit evil. Most of these folks seem otherwise fine being the baddies.

A common theme of my conversations was dissatisfaction with the White House’s focus on achieving 1 million deportations annually, a goal that many ICE employees view as logistically unrealistic and physically exhausting. The agency has never done more than a quarter of that number in a single year. But ICE’s top officials are so scared of being fired—the White House has staged two purges already—that they don’t push back, another official told me.

Today’s version of “I was just following orders” is “I was just making a living.”

I also enjoyed this little dig at Kristi Noem:

While tagging along on a predawn operation early this year, Noem posted live updates on social media, blowing the team’s cover for the rest of the day.

This administration is filled with some of the dumbest people on Earth.