Meta banned M.G. Siegler’s WhatsApp account, with no warning and no explanation, after twice banning his Instagram account:

Yes, that’s right, for a third time in as many years, I’ve been banned by Meta. What for? Do you really have to ask? Nobody knows. My suspicion is that it’s directly tied to the claiming of usernames on WhatsApp, which Meta opened up yesterday. After I claimed mine, it seemingly logged me out of my other active instances. And when I went to log back in… boom. Banned.

Siegler lives in Europe, where WhatsApp is the de facto messaging app. Not having a WhatsApp account is like not having a cellphone.

Making matters worse, people can still message Siegler on WhatsApp, but aren’t told he’s not receiving those messages.

Let me just point out that I run a lot of my household through WhatsApp – including childcare. Imagine if there was an issue with a child and someone was frantically trying to get ahold of me and couldn’t because I’ve been banned? Honestly, should that even be legal?

It should not.

When a platform becomes so ubiquitous that it’s effectively become infrastructure that others rely on, it should not be able to ban you or lock you out of your account without clear warnings and a human-led review and appeals process. Even if fraud (or worse) is suspected. It should take significant effort to shut down an account and the burden should be on the provider to prove why it’s necessary, not on the user to argue why it’s not. I would even suggest that cutting access to critical accounts and services should require the corporate equivalent of a court order. Your Apple or Google account, cellphone number, and, yes, your WhatsApp account, have become as essential as a driver’s license or passport and should be equally difficult to suspend, not simply subject to the (likely AI-powered) whims of the account provider.

(Via John Gruber at Daring Fireball, who writes:

I have never seen the appeal of WhatsApp, and would rank iMessage’s dominance here in the U.S. as one of the many reasons I’m so glad to live here.

Like Gruber, I don’t see the appeal of WhatsApp—my most recent message on there is from 2017. I initially refused to use it out of security concerns—it wasn’t end-to-end encrypted—and now I simply refuse to use it on principle: I detest everything associated with Meta and Mark Zuckerberg. Fortunately for me, anyone I communicate with regularly uses an iPhone and Messages. So in addition to Gruber’s appreciation for iMessage’s U.S. dominance, I’m also grateful my friends and family have great taste in phones.)

It’s late in the day, but I’m continuing my annual tradition of sharing Frederick Douglass’ powerful and insightful speech “The Meaning of July Fourth for the Negro” (best known by its most famous sentence, “What, to the American slave, is your 4th of July?”) as read by the late James Earl Jones. It continues to move me despite a dozen or more viewings. It’s also worth reading the speech in its entirety (archived for posterity). As I noted last year, it’s “both eye-opening and depressing,” with “countless passages uncomfortably analogous to our current moment.” Do yourself a favor and read it in a comfy chair. It’s meaty, and deserves a careful and considered review.

Will Bunch, The Philadelphia Inquirer (gift link if needed):

I’d joked with my editors earlier in the week that I might lose my columnist license (not an actual thing, although maybe it should be) if my piece that runs on the weekend of the United States Semiquincentennial wasn’t a Big Think essay on what the American Experiment all means — to the extent that anyone can actually think through the fireworks, traffic jams, and 100-degree temperatures.

That’s when it hit me. That was exactly the column Donald Trump was counting on from me and every other opinion writer in America ahead of Independence Day. The 47th president needed a week when the pundits put on their wide-angle lenses and put away the magnifying glasses, while his “forgotten Americans” headed off to the beach or the fireworks show, or gorged themselves on six hours of World Cup soccer every day, and stopped watching the news.

An international jewel thief needs to create a distraction. Because if you’d been paying attention during the nation’s summer vacation week, you’d have seen that Trump is robbing us blind.

The amount by which Trump is robbing us blind is detailed in a “federally mandated financial disclosure form” released ahead of the Fourth of July weekend, showing that Trump “earned” $2.2 billion in 2025, an astounding amount for anyone, but for a sitting president is criminal—quite literally, I’m certain. It’s shocking but not surprising that Trump has corruptly leveraged the presidency to enrich himself, his family, and his cronies—and is doing so blatantly and in the open. Bunch details the jaw-dropping scope of Trump’s grift, before pivoting to memories of America’s 200th celebration and “a new hopeful yearning.” He ends by asking:

How do we celebrate a 250-year slow-bending of the arc of the moral universe without losing our focus on the ongoing crime scene at 1600 Pennsylvania Avenue? […]

Don’t let the president hijack the Fourth of July to rob the focus from what matters most, the things we need to write and discuss and march against every week: his unprecedented criminality.

Yours truly last June, on the then-recently announced Trump phone:

I fully expect this phone will never ship.

Dominic Preston at The Verge, today:

12 months, 16 days, 21 hours, and 54 minutes after I first heard about Trump Mobile’s T1 Phone 8002 (gold version), I’m finally holding one in my own hands.

Journalists started receiving Trump phones in early June. Some early pre-orders also started shipping around that time, and regular orders, like Preston’s, are starting to arrive.

Well, color me embarrassed.

I suppose an apology is in order for doubting the Trump Organization’s ability to ship this phone (and only nine months late).

It’s not exactly a state-of-the-art phone. iFixit revealed it’s a gold-painted HTC U24 Pro—a two-year-old device “designed in China, made in China, with the vast majority of parts sourced from China.” So much for “Made in America.”

YouTuber Quinn Nelson (Snazzy Labs) also bought the device. In his unboxing and review video, he outlines the overall cheap feel of the product and packaging (his phone shipped with a broken fingerprint sensor, the “Quick Start” guide was printed on what seems to be a home printer with low toner, and his SIM card arrived separately in a hand-addressed envelope, for example).

I’m sure the suckers—I’m sorry, loyal Americans—who buy this phone will be thrilled once it finally arrives at their doorstep.

Rex Huppke, in an opinion piece for USA Today:

Like my good friends in the Republican Party, I fear any kind of democratic socialist as well as any progressives who are actually progressive. They all seem far too fixated on helping “the people.” Blech.

Via Heidi Li Feldman, who calls it satire, though I wouldn’t bet against it being a transcript.

Jack Loftus, McSweeney’s:

Originalism has never meant being chained to the original words. That is a childish misunderstanding promoted by people who think “shall” means “shall” and “all” means “all.” Real originalism means asking what the Founders would have wanted if they had lived long enough to become furious about anchor babies.

Jay Willis at Balls and Strikes, regarding the Supreme Court’s recent 6-3 ruling that allows states to exclude transgender athletes from women’s sports:

Generally speaking, when the fifth paragraph of a Supreme Court opinion contains the phrase “biological males who identify as females,” it is safe to assume that the author is not working toward a ruling that respects the dignity or existence of trans people.

The Brett Kavanaugh-penned majority opinion is riddled with “anti-trans rhetoric,” plus, from Clarence Thomas, “an opportunity to be cruel to trans people in public”:

Perhaps the most revealing opinion in B.P.J. comes from Justice Clarence Thomas, whose concurrence includes what are (at least for now) the most gleefully transphobic lines committed to the pages of the United States Reports. “A man does not have a legal right to compete against women just because he believes that he is a woman,” Thomas wrote. “Men and boys with gender dysphoria are not women or girls, even if they believe that they are.” He closed with language that tracks the vile transphobic talking point that transgender people do not exist: To use language that obscures the “reality” of “biological” sex, Thomas wrote, “is to lie to the public.”

Hila Keren, also at Balls and Strikes, on the stunning “stereotype-laden” opinion that’s “laced with condescension for women athletes”:

The Court’s opinion does not just convey the conservatives’ disrespect for trans athletes, though. At times, its portrayals of cis girls in sports almost read as a younger version of the tradwives idealized by the religious right. Kavanaugh’s opinion amplified not only girls’ “inherent” physical inferiority in terms of “height, weight, strength, speed, endurance, and jumping ability,” but also their supposed inability to handle fairness, safety, and competitive issues, and a general struggle to cope with “debilitating disadvantage.”

The ruling itself is awful, and the language used to justify it is especially appalling.

Elie Mystal at The Nation (email-gated; Apple News+ link), regarding Tuesday’s Supreme Court birthright citizenship ruling:

The ruling is a victory, to the extent that upholding a bedrock principle hard-coded into the Constitution for more than 150 years is what passes for a “win” these days. But the ruling was far closer than it should have been. There were a number of dissents, and when you read those dissents, the ruling looks less like the final word and more like the prologue to what will be a long and ugly attempt to write xenophobia and bigotry back into the Constitution.

Birthright citizenship is a law whose meaning and history is so clear and obvious that opposition to it divulges more about the opposers. See also voting rights and slavery.

This 6–3 ruling comes with strong dissents (including from Brett Kavanaugh, part of the purported majority), which lay out “the road map for how Trump or future bigots might get around the Citizenship Clause.” Mystal dismantles each of the dissenters’ points (from an absurd redefinition of “domiciled” to an incredibly xenophobic reinterpretation of the history of American immigration), but notes that we’re a long way from this being settled law:

From where I sit, birthright citizenship is now poised to replace abortion as the litmus test for future Republican judicial appointments, with Barbara replacing Roe as the case Republicans insist must be overturned.

Logic and the Constitution won this round, but the fight has only just begun.

Elizabeth Tai counts herself a member of a “dying” cultural cohort, the “English-educated Chinese in Malaysia”:

I am what many Malaysians would call a banana: Chinese, but more proficient in English.

To others, I’m not “banana” enough, because by some freak of geography and luck, I can converse badly in Mandarin and in a rare form of Hokkien, the northern version spoken in Penang. But that doesn’t mean I’m Chinese enough for the Chinese-educated, who still firmly consider me a banana because I can’t read well, nor have I read the Chinese classics. So I exist in a weird in-between place.

Tai’s story is about her hope of seeing “the next generation of Chinese in Malaysia” adopting more Chinese language and culture while maintaining their western influences, thus eliminating the weird middle ground where she finds herself.

While Tai’s experience and perspective is specific to her cultural background, I found myself nodding along in recognition. I, being West Indian-born and American-raised, resonated with her sense of feeling both culturally part and apart. In middle- and high school, I was never “American” enough, while on summer trips back home I’d become “too American.” In my adulthood, I was both “too Black” and “not Black enough.” To some, I was merely Black on the outside, white on the inside—an Oreo, to use a term that, unlike Tai’s Asian “banana,” no Black person has ever called themselves.

I imagineed that our youth of today are more culturally cross-pollinated than ever in our history. I regularly witness my group of friends navigate these cultural intersections: the daughter of a half-West Indian, half-Chinese dad and Vietnamese mom embracing every aspect of her several cultures; the two kids of a Chinese-Malaysian mom and French-Canadian dad enrolled in a Chinese immersion school; or the daughter of a Jewish mom and Catholic dad choosing to celebrate her bat mitzvah. Our young people will be more culturally attuned than any previous generation. The kids, as they say, are alright.

Pete Buttigieg (regrettably on Substack):

You’ve probably heard of “swatting.” It’s a cruel and dangerous kind of hoax that has started happening more frequently in recent years. Someone anonymously calls 911 with a false report of imminent danger, such as a hostage situation, at the home of a public figure. Law enforcement swarms the house, guns drawn, terrifying the unsuspecting homeowner and family and sometimes even leading to deaths or injuries in the confusion. It’s happened to dozens of lawmakers, judges, celebrities, and others. (When I was in the Cabinet, someone attempted to do this to our home, but fortunately the hoax was quickly detected.) It’s become enough of a problem that the FBI now has a dedicated database to track such incidents.

Now imagine the same concept, but with Child Protective Services instead of a SWAT team. Hadn’t thought of that? Me neither, until a few days ago when a police officer and a CPS worker showed up at our home and politely asked to speak with me.

An anonymous caller accused Buttigieg of committing “unspeakable violent crimes” that purportedly put his twin four-year-olds in danger. The children were separated from their parents for a day and subjected to a “forensic interview” with CPS workers.

Calling the cops as an intimidation tactic is a clear abuse of law enforcement, whether against a public figure or a private citizen, and the perpetrators are unrepentantly evil. That it’s often effective is a scathing indictment of our state of policing.

Buttigieg’s anger comes through, but he’s remarkably restrained in his retelling of this violation against him and his family. I would not have managed such self-control. I’d be seething and prepared to go scorched earth on the person making such a reckless and baseless accusation. I would get medieval on their ass.

Basic Apple Guy:

Since the debut of OS X 10.9 Mavericks in 2013, Apple has released 14 versions of macOS bearing the names of beaches, mountain ranges, islands, valleys, and landmarks from across the Golden State.

But what exactly is a Mavericks? Where is Sonoma? And how many Mac users could point to where Ventura or Tahoe on a map?

Curious myself, I decided to trace the history and real-world locations behind every California-inspired macOS release and the wallpapers used to market the them to the world. Enjoy.

I recall these OS naming announcements fondly. It was always a hoot to hear the tales of the “crack marketing team,” especially as I knew several of them. Those of us not disclosed on the new names would place bets on the new name ahead of release and be sorely disappointed when it wasn’t Oxnard, Fresno, or Chico. (Though I think macOS Napa or Pismo are still future options.)

Come for the history, stay for the photos of a very young Craig Federighi.

Sometimes the headline is enough.

Gerrymandle is a daily challenge game, à la Wordle:

You are in charge of drawing the district lines for the elections.

Your goal: gerrymander the map to ensure one color wins. It’s surprisingly harder than I expected and it took a few games to recognize the “cracking” and “packing” patterns needed to create an optimal map. I bet our politicians are infuriatingly good at this game.

Andrew Singleton at McSweeney’s explains the “inner workings” of AI companies, with “examples to help the average layperson understand the business side of AI.” Example 3:

Jenny owns a crematorium. John’s propane company gives her a $20 billion investment in return for 5 percent of her operation. Jenny throws $10 billion into the incinerator, then pays John $10 billion to buy propane to burn that money to ashes. John reports that his AI investments have generated $10 billion in revenue this quarter and that he owns 5 percent of a $100 billion business.

Paresh Dave and Lauren Goode reporting for Wired (Apple News+):

Meta left potentially sensitive information collected from employee laptops accessible to anyone inside the company, according to an internal security notice seen by WIRED and three current employees familiar with the issue.

The data, which was collected as part of a divisive initiative to train artificial intelligence models, is believed to include keystrokes, mouseclicks, and content displayed on the computer screens of Meta's US employees.

As I’ve previously snarked, “I never thought leopards would surveil me,” sobs woman working for the Leopards Surveilling People Company. (A confession: When I read this story, I laughed so hard my Apple Watch gave me a “Loud Environment” warning.)

The leaked employee data, stored in “45,000 hive tables,” exposes—

[…] employee activity such as “full prompts and transcriptions, private conversations, people and performance data,” according to documents viewed by WIRED.

Dave and Goode continue:

In an internal post responding to employees’ questions on Monday seen by WIRED, Andrew Bosworth, Meta’s chief technology officer, said that the tracking program’s implementation had fallen short of the standards outlined in its privacy review and that findings from the incident would be shared. “Here we had misconfigured ACLs [access control lists] and we need to understand how that happened, track down every data access and understand it,” Bosworth wrote.

A couple of months ago, Bosworth told employees concerned about potential data leaks that the tracking program is “tightly controlled” and uses the same protection standards, storage systems, and access controls as other sensitive datasets, according to internal posts seen by WIRED.

It’s comforting knowing that the vast trove of sensitive data collected by Meta across Facebook, Instagram, Threads, WhatsApp, and Messenger is as tightly controlled as employee keystrokes.

Jeff Carillo, for SFGate, on Friday:

On Thursday, Department of Justice assistant attorney general Harmeet K. Dhillon announced that the department’s Equal Employment Opportunity Commission (EEOC) will be investigating MLB after the league issued warnings to the three players who wrote Bible verses on their Pride Night caps, citing possible religious discrimination.

You may recall my commentary on this brouhaha last week. It’s now national news, because the Trump regime wants to curdle this country into an anti-LGBT Christofascist state (more than it already was), and any signs of opposition, no matter how tepid, must be crushed.

“The three players expressed their opposition to MLB’s pro-Pride orthodoxy by inscribing Bible verses on their rainbow-colored hats,” Dhillon wrote in a letter to MLB commissioner Rob Manfred. “The Civil Rights Act prohibits MLB and its franchises from unreasonably burdening the rights of players with religious objections to serving as the League’s vehicle for pro-Pride messages.” […]

Dhillon concluded the letter by saying the department will use "all available means to hold employers accountable for violating the religious rights of their employees.”

Pretty brazen invoking the Civil Rights Act.

Here’s the thing, though: MLB didn’t warn the players for writing bible verses on their caps. The players were warned for writing on their caps, period. Any type of writing on MLB uniforms is prohibited by the Major League Collective Bargaining Agreement. It’s stated plainly. From Attachment 19, Uniform Regulations, section A. Uniform Dress Policy:

[…] No alterations, writing or illustrations, other than as authorized herein, are to be made to any part of the uniform.

And from section H. Adornments and Markings:

[…] A Player may not write, attach, affix, embroider or otherwise display nicknames or messages on apparel or playing equipment […]

MLB was forced to issue a new statement explaining this:

“To be clear, this routine verbal warning not to wear the hat in future games is not disciplinary and had absolutely nothing to do with the content of the message. We respect players’ right to free expression,” an MLB statement said.

MLB said the warning had no direct tie to the players’ actions on Pride Night.

“We have given the same warning numerous times in the past to players for messages such as ‘Dad’, ‘Happy Mother’s Day, I Love Mom’ and names of family members,’” MLB said.

In short, had these intolerant players scrawled their messages of bigotry on their caps the game before or after Pride Night, they would have been subject to the same warning—the same one they would have received had they instead scribbled “I love gay people.”

That these petty pitchers chose Pride Night to violate their MLB agreement is a declaration of their bigotry. I hope they’re drummed out of the game.

Marcin Wichary, at his site Aresluna, writes a terrific essay on the design evolution of “finger-friendly” interactions, copiously and exquisitely illustrated with custom-built interactive “playgrounds.” He uses typewriters and typing as a launchpad to explore the tremendous speed at which our fingers operate, seemingly independent of conscious thought, and the various ways we’ve designed machines and software to appear fast enough to keep up with our digital “time travelers”:

Our hands are amazing, our fingers are amazing, and our brains are amazing, too. Altogether they are capable of feats that not so long ago made absolutely no scientific sense – and sometimes still don’t today.

Artists and performers have known that intuitively for centuries. Today, a lot of creativity and productivity happen onscreen, but our interfaces do not often respect the fingers the same way older instruments did.

I want to tell you more about it, and about your responsibility, as a designer, to make sure they do.

Part of Wichary’s conclusion:

I think often delight is absence of delight. In places and apps that welcome fast fingers, delight can be abstaining from a transition or something cute but deathly. Pushing for delight of the right kind can mean long fights with frameworks to reduce even one-frame delays, tweaking CSS to allow no wasted pixels between icons (so you can click quickly without hesitation), an understanding of accessibility that goes beyond the surface, and testing and fine-tuning so that keyboard focus is continuous: always present in the right field, never delayed, never stolen by random popups.

And I am not sure if we, in the industry, fully internalized this.

His piece is a fantastic history lesson on typewriters (unsurprising considering his pedigree), and a thoughtful review of several clever and time-saving (or at least time-dilating) user interface designs (some of which, like thumb shifting, we’ve regrettably lost). You’ll be unsurprised to discover that many of these clever UI designs originate with (or were popularized by) Apple, even as Apple has regressed over the years with some of its design choices.

The essay is 7,700 words and includes 38 playgrounds. Set aside some time for the piece, and read it on a large screen so you can interact with those truly delightful playgrounds.

On Wednesday, the week after WWDC26, Apple posted one more thing: a 90-minute “Special Presentation” on Apple Intelligence, recorded live during WWDC Tuesday from the Steve Jobs Theater. It’s an old-school session, harkening back to the days before Covid eliminated in-person, on-stage presentations. It’s wonderful to see Apple engineers walking on to the stage, running demos live, pausing to acknowledge applause, and ad-libbing to fill time. It warmed my heart and reminded me that the best part about WWDC was always the engineer–developer connection.

I doubt Apple will ever go back to a full-on, in-person event—putting on a 5,000-person conference with 100+ overlapping sessions and labs was logistically onerous—but a couple of these special sessions each day would be welcome.

As for the session itself, here’s how Apple describes it:

Step inside Steve Jobs Theater to discover the latest Apple Intelligence and Xcode advancements. Learn how to accelerate your development with new agentic coding workflows in Xcode 27, and discover how App Intents enable Siri to understand context and take action inside your app. Find out how to ship intelligent features using the Foundation Models framework, deploy custom on-device models with Core AI, and scale your machine learning research and training using MLX.

If you’re at all interested in the revamped Apple Intelligence and Siri AI, this is a must-watch session. The Xcode agentic coding demo was especially impressive and left me wondering about the specificity of the prompts and the reproducibility of the results.

Glenn Rifkin, writing for The New York Times (gift link):

James Burrows, the genre-shaping master of the television situation comedy who was a creator of “Cheers” and directed more than 1,000 episodes of that show and other TV classics like “The Mary Tyler Moore Show,” “The Bob Newhart Show,” “Taxi,” “Frasier,” “Friends” and “The Big Bang Theory,” died on Friday. He was 85.

James Burrows essentially directed my youth and young adulthood. I’ve watched (and rewatched) Frasier dozens of times, recently rewatched Cheers for the first time since it originally aired, and fondly remember Will & Grace. Reading through his credits, I was struck by just how many of my favorite sitcoms he directed—even if it was only a handful of episodes, or just the pilot (Roc, anyone?). It’s fair to say I’ve seen “Directed by James Burrows” hundreds, maybe even thousands, of times.

Victoria Edel, People:

His theater background was key, he told IndieWire in 2023. “I’m not a film director. The camera, I leave that to Spielberg and Scorsese,” he explained. “I’m a theatre rat. I stage a play every week, a 20- to 25-minute play and then my camera comes in and covers it. I understand characters, I understand what’s funny, I understand the essence of keeping it moving and keeping the energy going. It’s all theatrical. If it doesn’t happen on that stage, it’s never gonna happen on film. You can cut it nine ways to Sunday, but nothing will work unless it works on that stage.”

RIP to a sitcom legend.

Ellise Shafer and Alex Ritman, writing for Variety (based on a Puck.news scoop):

Luca Guadagnino’s nearly finished Sam Altman movie, “Artificial,” has been dropped by Amazon MGM Studios, Variety has confirmed.

The film, starring Andrew Garfield as the controversial OpenAI CEO, will be shopped to other studios. The move notably comes after Amazon struck a massive partnership with the tech company in February to expand OpenAI’s use of Amazon Web Services and develop custom AI models, which included a $50 billion investment on Amazon’s part.

The film’s focus is Altman’s rapid firing and rehiring in 2023. Reportedly, “the characters of Altman and Musk are the least sympathetic and the ones audiences would ‘like the least.’” Just like in real life.

What are the chances that Bezos killed the movie as a favor to Altman?

It’s known that Altman and Amazon CEO Jeff Bezos have a relationship and Altman even attended Bezos’ wedding in Italy last year.

Right.

Which other billionaire movie studio head will eagerly chase a movie that makes their buddy Altman (and Musk) look bad (or impacts their AI negotiations)? I suspect this flick will be quietly shelved.

Yum! Brands, via press release two days ago:

Yum! Brands, Inc. […] today announced that it has entered into definitive agreements to sell Pizza Hut for $2.7 billion in the aggregate, subject to certain purchase price adjustments.

With this sale, there’s no more meeting at the combination Pizza Hut and Taco Bell. (Which I guess was already true.)

Fortunately, we remain blessed with the combination KFC and Taco Bell—the KenTaco.

Pizza Hut is being purchased by LongRange Capital, which also owns 24 Hour Fitness and sells caskets, “which is either a coincidence or the most complete business plan ever written.”

Maanvi Singh, The Guardian:

On his last day hosting CBS’s The Late Show, Stephen Colbert played one of the most iconic songs from the Peanuts soundtrack.

“Oh no! I hope this doesn’t cost CBS any money!” he joked, as Louis Cato and the Great Big Joy Machine performed the song, titled Linus and Lucy, on air. It was a final dig at the network, which many fans believe cancelled the show due to Colbert’s criticisms of the Trump administration.

It did, indeed, cost CBS. Lee Mendelson Film Productions, the California company that controls jazz pianist Vince Guaraldi’s famed Peanuts catalog and had become increasingly litigious over unauthorized uses of the music, announced it had reached a licensing agreement with CBS for an undisclosed amount. The production company said it would donate all proceeds to World Central Kitchen, the disaster-relief food non-profit founded by chef José Andrés.

One of my favorite moments during a show filled with great moments. And great outcome, too: everybody wins: Colbert, Mendelson Film, World Central Kitchen. Well, not CBS. CBS didn’t win, but it seems they got off lightly. You could say that they settled for Peanuts.

Karl Bode writes at The Fine Print*, and this headline is only the opening salvo in another banger, in case his last one wasn’t provocative enough:

Elon Musk is a hateful white supremacist cosplaying as a supergenius engineer.

I’m tempted to leave it there.

The SpaceX prospectus filed with the government is a colossal work of fiction, promising a utopian future that will never arrive and technology that will never exist, delivered by a man incapable of delivering it. The proposal utterly fabricates paths to profitability, and lies endlessly about foundational reality.

SpaceX itself, it should be clear, lost $5 billion last year. And while Musk’s actual engineers may have done some useful things for space innovation, the entire project is a financial dog; it’s a heavily-subsidized money pit propped up by utterly unworkable plans for Mars colonization and a cumbersome Starship rocket that routinely explodes, often due to Musk’s failure to understand engineering basics.

Bode then unloads on the “U.S. corporate press” which “lacks the integrity to tell the truth” and instead is focused on “propping up extraction class narratives surrounding unchecked wealth accumulation.”

Simply savage evisceration.

Karl Bode, writing for Techdirt:

Last week Elon Musk successfully conned America and U.S. regulators into signing off on his preposterous SpaceX IPO, which immediately generated Musk $75 billion by comically over-stating the value of SpaceX, xAI, and Starlink. Then bone-grafting the entire pile of bullshit to the U.S. economy and your retirement account under the pretense that space data centers and Mars colonization are just around the corner.

A handful of remaining useful journalists have repeatedly explained how xAI and Musk’s racist 5th place chatbot — which comprises the lion’s share of the ridiculous IPO valuation — is a gargantuan loser. Both SpaceX and xAI aren’t profitable and may never be, and the claims of Mars colonization and space data centers are unworkable bullshit designed to distract people with toddler-level critical thinking skills.

Anyway I’m sure it will go fine.

Bode focuses on the Starlink grift in this piece, noting the service is too expensive, difficult to scale, and capacity constrained—a niche option at best. None of which likely matters to Musk and other supporters who, Bode suggests, merely “hope it will prove to be a semi-useful backbone for a major pump and dump scheme.”

Aditya Soni, reporting for Reuters (possibly paywalled; try Reader mode):

Elon Musk’s SpaceX (SPCX.O) is buying the startup behind the popular AI coding agent Cursor, Anysphere, for $60 billion in an all-stock deal to boost its presence in the lucrative enterprise AI tools market. […]

Cursor is one of several Silicon Valley startups that have drawn waves of developers by using AI to automate coding, making it a key rival to market leaders Anthropic and OpenAI. But a lack of access to computing power has hampered Cursor’s growth. […]

In its IPO filing, the company had said Cursor’s access to developers’ data, including coding requests and design decisions, could help improve its AI models such as Grok.

If you use Cursor, it’s time to find an alternative.

Harrison Rich, San Francisco Chronicle, on Friday:

On Pride Night at Oracle Park, with the San Francisco Giants wearing special edition hats to represent the LGBTQ+ community, multiple players wrote Bible verses next to the team’s rainbow logo, while one chose to forgo wearing the cap entirely.

Starting pitcher Landen Roupp and reliever JT Brubaker wrote the Bible verse Genesis 9:12-16 on the caps they wore Friday night, the same passage that has been displayed by other players on their Pride Night hats during games.

Despicable anywhere, but especially in San Francisco, home to a massive LGBTQ+ community with enormous history throughout the city.

The Cron’s sports columnist Ann Killion, under the headline “Giants pitchers didn’t just deface Pride uniforms. They alienated their fans and city,” expands:

Like so much about hard right Christianity, the Bible verse that the players scrawled on their hats, to “reclaim” the rainbow, is being usurped in troubling ways. The Genesis verse reads:

“And God said, ‘This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all generations to come: I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind.”

Plenty of people who truly believe in a loving God would focus on the part about all living creatures of every kind.

All living creatures would include everybody, including LGBTQ people, a group of people who have been excluded and persecuted, who have been murdered — including in San Francisco — for simply existing, have found a measure of welcome and inclusion in small efforts like Pride Nights.

Killion rightfully asks:

Was manager Tony Vitello complicit in the protest? His starter, Roupp, wore a defaced cap. And then, in the bullpen parade of another disastrous game, every pitcher he turned to save one (Erik Miller) was also part of the Pride Night protest. Seems like a weird coincidence.

What about the owners? Cyd Zeigler at OutSports notes that the largest stake in the Giants is held by owner Charles B. Johnson, who’s donated millions of dollars to Republicans, “including anti-gay politicians like Sen. Steve Daines (R-MT), Sen. Marsha Blackburn (R-TN), Ted Cruz (R-TX), Paul LePage (R-ME) and many others.”

The team issued a mealy-mouthed statement about supporting the LGBTQ+ community, and the players were issued warnings by Major League Baseball, yet no one will face punishment.

The players should at least be benched for several games. Vitello, too. First, for allowing them to violate the team’s uniform and standards; and second, for playing them that night knowing they were planning to protest. If I were the owner, I’d look into releasing them. If they can’t handle wearing a rainbow baseball cap for a few hours, don’t play the game.

You may recall that California is trying to institute a one-time 5% tax on billionaires. Some of those absurdly wealthy folks started a Signal chat to kvetch and brainstorm opposition, which was then leaked to Emily Shugerman, The San Francisco Standard’s “Wealth & Power Reporter”:

At some point, a chat participant proposed an action more audacious than lobbying Gov. Gavin Newsom or funding an anti-tax measure: What if the group simply bought the signature-collecting company the union was using, then prohibited it from collecting more signatures?

“Of course, that’s what they would think,” said the person who had seen the messages. “That’s what you would do in business: If there’s an impediment, just buy it.”

The proposal was emblematic of the strategies the billionaire class has tested over the last eight months: unorthodox, expensive, and increasingly desperate. Since the union’s Billionaire Tax Act campaign was launched last fall, the tech elites have organized in secret, scheduling and aborting Zoom meetings, starting and deleting and uninviting members from group chats, and casually throwing tens of millions of dollars at whatever idea seems poised to defeat the initiative and scare the union into submission.

The billionaire argument against the wealth tax is that it will “[drive] out high net worth individuals, jobs, investment, and revenue” and “destroy innovation in California.” Yet I’m not seeing the value these billionaires supposedly bring to our state. The wealth they’ve accumulated isn’t being productively used—say, on housing, healthcare, or education—it’s just sitting there, growing, benefiting no one but themselves. They borrow against it, tax-free, to fund their lifestyles (and destroy media companies). If they gain economic value from the wealth, they should pay taxes on it.

Benjamin Mullin, writing for The New York Times (gift link):

Fox Corp., the parent company of Fox News and the Fox broadcast network, is buying the streaming company Roku for $22 billion, a major deal that would make the Murdoch media empire a formidable contender in the streaming wars. […]

It would give Fox Corp. a foothold in more than 100 million households that stream content using devices powered by Roku, whose distinctive black-and-purple remotes are common in living rooms around the world.

In 2024, Roku aggressively pushed a Terms of Service update that locked customers out of their devices until they agreed to the change, tested full-screen start-up ads in 2025, and a recently filed class-action lawsuit accuses the company of intentionally bricking its TVs via software updates. My (thankfully limited) experience with Roku was marred by crummy software and sluggish hardware.

It’s the perfect vessel for the sludge Fox “News” peddles.

Mr. Murdoch and Anthony Wood, Roku’s chief executive, explained the deal during a question-and-answer session with analysts on Monday, but investors didn’t seem immediately convinced. Fox’s stock fell 14 percent in morning trading.

Nobody buys a Roku device because they’re good. They buy them because they’re cheap and lack taste. Ditto this acquisition.

Howard Beck at The Ringer on the Knicks championship, and Finals MVP Jalen Brunson:

How do you calculate the weight of a 53-year championship drought? Or the hopes and dreams of 8 million New Yorkers? Or the burden of becoming their basketball savior? If you could measure it all, what would it look like? Feel like? Would it be too much? Would it be unbearable? […]

A franchise placed its trust in Brunson, Brunson placed his trust in his work, and now the Knicks—the New York freaking Knicks!—after decades of ridicule, scorn, and general dysfunction, are NBA champions once more, having vanquished Victor Wembanyama and a precocious Spurs cast that was just as relentless and feisty as the Knicks themselves. […]

“No pressure,” Brunson said late Saturday night, after he had scored every critical basket, granted every Knicks fan’s fondest wish, and seized the championship that had eluded them for more than a half century. “No pressure whatsoever.” He was talking broadly about becoming the Knicks’ franchise star. He might as well have been explaining how he’d rallied them once again, for what felt like the thousandth time in two months, to turn a potential loss into the most consequential Knicks victory in modern times.

A terrific profile of the Knicks, and of Brunson, a once-in-a-generation franchise player.

C.J. Holmes, New York Daily News:

For 53 years, the Knicks had history.

On Saturday night, Jalen Brunson gave them the present.

The wait ended at Frost Bank Center, where the Knicks beat the San Antonio Spurs, 94–90, in Game 5 of the NBA Finals and won their first championship since 1973. It ended with Brunson at the center of everything, with Knicks fans roaring in San Antonio and with a franchise once buried under old punchlines leaving Texas with the trophy every generation before this one had chased.

Finally, the Knicks are champions again.

I grew up watching Knicks basketball during the Patrick Ewing era of the ’80s and ’90s, but haven’t followed the team since I fled the city in 1998, the year before they last made the NBA Finals. I’ve never known a Knicks championship. It’s a surreal experience to feel joy for a franchise you once loved passionately but haven’t thought about in almost three decades.

Congratulations to the Knicks and to New Yorkers (and former New Yorkers) everywhere. You deserve this.

(I checked and yes, this is the first time I’ve ever linked to the NY Daily News. It won’t become a habit.)

Chris Geidner at Law Dork, following the removal of Trump’s name from The Kennedy Center:

Everything about the six-month naming fight, though, is a perfect illustration of what the Trump administration does, what fighting back looks like, and how we win.

After a retrospective of the “lawless act” of adding Trump’s name to the building, Geidner offers seven “lessons to take from the Kennedy Center debacle […] essential to understanding how we get out of this moment and, in particular, how we move forward while Trump remains in power.” Three stood out:

• First: Stand up, speak out, and challenge them. [Rep. Joyce] Beatty’s lawsuit, like so many over the past 17 months, was the result of a person who thought the Trump administration did wrong and lawyers willing to back that person up in that fight.
• Sixth: Celebrate the wins. They purported to change the name, it was despised and also illegal, Beatty sued, the lawyers did their job, the judges did as well, and — after an absurd 48 hours — they took down his name. Take the W.
• Seventh: Get up the next day, and start it all over again.

The system, as slow and broken and corrupt as it is, can still work.

Fatima Al-Kassab and Frank Langfitt, reporting for NPR:

Workers have taken down President Donald Trump’s name from the Kennedy Center, hours after a court-ordered Friday deadline to remove it from the building, and less than six months after it was first affixed to the iconic performing arts venue. The removal of the more than a dozen bronze letters followed a judge’s ruling that the Center could not be renamed without Congressional approval. […]

Workers erected scaffolding on Friday around the section of the building where Trump’s name had been added in December 2025. Then, in a pre-dawn operation, the laborers draped the scaffolding in tarpaulin, before removing the giant metallic letters. […]

Hundreds of people braved the rain and thunderstorms overnight to document the take-down. Some heckled those involved for hiding the removal using tarpaulin – with shouts of “Cover up!” and “Cowards!”

A tarp was also used during installation, yet it somehow perfectly exemplifies the Trump regime’s need to obfuscate and avoid scrutiny.

Also, it must absolutely chap Donnie’s hide to watch people celebrating the removal of his name from a building. I hope he remains lucid long enough to see his entire eponymous empire crumble before him.

Sam Stevenson, Newsweek:

Moments after Governor Greg Abbott finished speaking in Houston on June 12, Paige—an African elephant, the world’s largest land mammal—was led into the convention hall draped in campaign messaging. While passing delegates and the media, the fully grown, 9-foot-tall elephant abruptly stopped and relieved herself, as seen in videos posted on social media.

OK, universe, we get it.

Anthropic, on Tuesday, June 9:

Today we’re launching Claude Fable 5: a Mythos-class model that we’ve made safe for general use.

Fable 5’s capabilities exceed those of any model we’ve ever made generally available. It is state-of-the-art on nearly all tested benchmarks of AI capability, showing exceptional performance in software engineering, knowledge work, vision, scientific research, and many other areas. The longer and more complex the task, the larger Fable 5’s lead over our other models.

Releasing a model this capable comes with risks. Without safeguards, Fable 5’s capabilities in areas like cybersecurity could be misused to cause serious damage. We’ve therefore launched the model with safeguards that mean queries on some topics will instead receive a response from our next-most-capable model, Claude Opus 4.8. To release the model both safely and quickly, we’ve tuned these safeguards conservatively—they’ll sometimes catch harmless requests, though they trigger, on average, in less than 5% of sessions. With more capable models arriving in the coming months, we’re working to improve our safeguards and reduce false positives as quickly as we can.

Anthropic, on Friday, June 12:

The US government, citing national security authorities, has issued an export control directive to suspend all access to Fable 5 and Mythos 5 by any foreign national, whether inside or outside the United States, including foreign national Anthropic employees. The net effect of this order is that we must abruptly disable Fable 5 and Mythos 5 for all our customers to ensure compliance. Access to all other Anthropic models will not be affected.

We received the directive from the government today at 5:21pm (ET). The letter did not provide specific details of its national security concern. Our understanding is that the government believes it has become aware of a method of bypassing, or “jailbreaking” Fable 5. We reviewed a demonstration of this specific technique being used to identify a small number of previously known, minor vulnerabilities. These vulnerabilities all appear relatively simple, and we have found that other publicly-available models are able to discover them as well without requiring a bypass. […]

We are complying with the government’s legal directive and are removing access to Fable 5 and Mythos 5 for all users. However, we disagree that the finding of a narrow potential jailbreak should be cause for recalling a commercial model deployed to hundreds of millions of people. If this standard was applied across the industry, we believe it would essentially halt all new model deployments for all frontier model providers.

A small number of people claim to have used these models, but most people have never seen them. These models might be a… what’s the word? It’s on the tip of my tongue.

I jest, of course. This governmental action seems quite unusual, and is seemingly unprecedented. Anthropic is claiming the purported jailbreak is available in OpenAI’s GPT 5.5—which hasn’t been pulled—raising the spectre of possible government interference or retaliation.

For the last several hours, MSNow has been live-streaming the façade of The John F. Kennedy Center for the Performing Arts as workers prepare to remove Donald J. Trump’s name from the building on the order of a judge last month. It must be removed by midnight Eastern time (9 p.m. Pacific) tonight, following a denied last-minute appeal. (Trump’s name has already been removed from the Kennedy Center website and stationery.)

When I first tuned in (about 2:45 p.m. Pacific time), there were about 27,000 people watching. As I publish this shortly before 9 p.m. Pacific, it’s over 89,000. I suspect it’ll hit 100,000 shortly. The stream has mostly shown construction workers hand-erecting scaffolding. A large crowd has grown around the Center, and as the workers progress, there are sporadic eruptions of applause and cheers (“Take it down!” is a popular refrain). Never before have I seen construction workers celebrated as heroes.

As of this writing, the workers and scaffolding are at the height of Trump’s name. They’re almost at the point where they can start removing the letters in Trump’s name. I anticipate the cheers will grow louder once the first letters come down and become positively deafening when they’re all gone.

I suspect this will be the first of many detrumpifications we see over the next few years.

A nation’s healing begins.

Ben Steverman, writing for Bloomberg Businessweek in February, reflects on how Americans reacted to the wealth of John D. Rockefeller, the world’s first billionaire (main link to Apple News+; Bloomberg subscribers; Internet Archive):

The Rockefellers and other industrialists faced fierce backlash — and politicians in both parties acted on it. In 1903, a Democratic congressman from Indiana proposed “to condemn as a public nuisance and a public peril” anyone worth more than $10 million, with the government confiscating the rest. President Theodore Roosevelt launched a legal assault on the “trusts,” including Standard Oil, and urged an estate tax on “those swollen fortunes which it is certainly of no benefit to this country to perpetuate.” […]

For rich Americans like the Rockefellers, the transition from the first Gilded Age to the Progressive Era was harrowing. By the early 1900s, Rockefeller was one of the most hated men in America, after muckraking journalists exposed the cutthroat tactics he had deployed building Standard Oil.

Elon Musk, the world’s first trillionaire, is likewise detested. The Rockefellers managed to reform their image by donating vast sums:

The Rockefellers leveraged their fortune in other ways. Saying he wanted his money used “for the benefit of mankind,” Senior gave $540 million to charity in his lifetime, mostly to the Rockefeller Foundation and other grantmaking organizations under his son’s control. Another $500 million went to his family, almost all to Junior, who went on to donate $537 million himself […].

Lists of small Rockefeller donations fill thousands of pages in the archives, while major beneficiaries include the University of Chicago, Spelman College, Rockefeller University, the Acadia and Grand Teton national parks, the Museum of Modern Art and the Met Cloisters museum in uptown Manhattan. Rockefeller grants transformed the social sciences, the study of public health and especially medical research, eradicating diseases and funding several medical schools, including the Peking Union Medical College. The builder of the (for-profit) Rockefeller Center, Junior particularly loved ambitious construction projects, such as the restorations of Colonial Williamsburg, the Palace of Versailles and the cathedral at Reims. Junior also ensured the United Nations would be headquartered in New York by donating the tract of land along the East River where it sits.

Can you imagine the anti-Black-woman Musk donating to a historically Black women’s college? I don’t expect we’ll see such acts of largess from Musk, who has always struck me as anti-intellectual, tasteless, and lacking in joy.

Ryan Mac and Ben Casselman, reporting for The New York Times (gift link):

Elon Musk became the world’s first trillionaire on Friday.

The tech mogul reached that milestone when shares of his rocket company SpaceX began trading on the stock market, opening at $150, signaling a new era of ultra-affluence and widening wealth inequality.

We never figured out how to solve the billionaire problem, so now we have a trillionaire—and one of the most atrocious persons in the world, to boot.

We’ll need to update this tee shirt.

Disney reimagined Soarin’ Across America for America’s 250th celebration and Disney Unscripted goes behind the scenes:

From capturing stunning aerial footage over a tapestry of diverse American landscapes to crafting an all-new musical arrangement of the iconic Soarin’ score, see how filmmakers, musicians, and Imagineers worked together to bring this next chapter to life. You’ll also get an inside look at how each scene is designed and fine-tuned through ride testing to create the smooth, immersive sensation of flight.

I’d rank Soarin’ as one of my top two or three favorite Disney rides (along with Rise of the Resistance and Indiana Jones Adventure). This glimpse of how it’s programmed—acceleration curves, wind effects, scents, music—gave me an even deeper appreciation for the magic.

The Imagineers even used Apple Vision Pro headsets to reduce the amount of physical hardware they needed to take up with them on the ride, using (what I presume to be) Mac Virtual Display. Megan Duncan, a senior sound engineer/mixer, explained (while wearing a Vision Pro):

So usually for a Soarin’ attraction we need to build scaffolding, but that was a no-can-do for this project because we were on such an accelerated schedule. So [senior manager for Audio Media Design] Greg [Lhotka] had the brilliant idea of using screens in a digital space. I don’t have to bring up a bunch of screens, and I just use this mouse and keyboard to control it through Bluetooth in my headset. Now, we can actually be in the carriage, mixing in the carriage instead of having to lug up a bunch of things onto a scaffolding or lift.

People keep dismissing Vision Pro, but it’s found a niche as a highly portable large- and multi-screen environment.

From The Oscars news portal:

The Academy of Motion Picture Arts and Sciences announced today that its Board of Governors voted to present Academy Honorary Awards to actor Glenn Close, animator Floyd Norman and director Ridley Scott, and the Irving G. Thalberg Memorial Award to producers Christine Vachon and Pamela Koffler. […]

“The Academy’s Board of Governors is thrilled to present this year’s Governors Awards to five remarkable individuals whose groundbreaking work has forever shaped the art of filmmaking,” said Academy President Lynette Howell Taylor.

I’m happy for Close, Scott, Vachon, and Koffler, but it’s Floyd Norman for whom I’m absolutely ecstatic.

Floyd Norman is the legendary animator who has broken barriers and inspired generations of artists over his remarkable career. […]

An animator and storyboard artist, Norman began his esteemed 65-year career at Walt Disney Animation Studios in 1956, becoming the studio’s first Black animator. His first Disney feature film was “Sleeping Beauty,” and he contributed to such classic feature films as “The Sword in the Stone,” “Mary Poppins,” “The Jungle Book” and “Robin Hood,” as well as the short films “Donald in Mathmagic Land,” “Goliath II” and “Winnie the Pooh and the Honey Tree.” Norman’s other notable film credits include “The Hunchback of Notre Dame,” “Mulan,” “Toy Story 2” and “Monsters, Inc.”

I’ve mentioned Norman before; he spoke at Apple a decade ago at the screening of his 2016 documentary, Floyd Norman: An Animated Life, and I thought he was a true delight. I’m thrilled he’s being recognized by the Academy for his lifetime of achievements. Congratulations to him (and all of the honorees).

(Via Robert Cheng’s pointer to Disney Animation’s Instagram post.)

Allison Johnson at The Verge tried the new Siri AI:

Siri AI working well depends a lot on the AI understanding context. So far, it’s doing pretty well. I asked it when I needed to return some camera gear I rented for WWDC, and it found the information from a calendar event I’d made and in an email (it’s due back Friday, for the record). Likewise, prompting it with something like “add these events to my calendar” will consistently trigger it to reference the information on my screen. So far, so good.

“So far, so good” was also the gist of Joanna Stern’s verdict during John Gruber’s The Talk Show Live event on Tuesday evening.

(I’m still in the waiting line for the new Siri, 48 hours later. I’m not bitter, nope.)

As a conversationalist, new Siri also seems a bit more dispassionate than Gemini. I gave them both the same prompt asking why the flowers in front of my house seemed to be wilting. They both gave wordy responses with a lot of possible causes, but Gemini’s started with “That is incredibly frustrating…” where Siri was more direct and got right into diagnosing the situation.

That alone is a reason to use Siri AI over other chatbots. I’m not a fan of the sycophancy and faux humanism.

Apple Newsroom, in an announcement introducing “innovative features and intelligence experiences across services”:

Coming this fall, users will have more control over how they share their location with friends and family using Find My, with new options to share for a custom duration — either for a number of minutes, hours, or days — or even set a date and time for when sharing will stop. This makes it easy for users to share their location while attending an event, or for a long weekend getaway with friends and family.

Finally.

It was only this past weekend that my wife and I were lamenting the limited options offered for sharing location when traveling with friends. “For One Hour,” “Until End of Day,” or “Indefinitely” were always woefully insufficient. I’ve never understood the logic behind those three choices.

There are handful of other new features enhancing various Apple service, including Enhanced Flyover and Local Lists in Maps; Apple Cash bill splitting, and creating passes from physical cards in Wallet; and video “podcasts” on macOS and tvOS and improved search in the Podcast app. iCloud Shared Albums also adds full-resolution sharing (yay!) and enables non-Apple users to join contribute photos.

Apple Newsroom, again:

New App Store capabilities rolling out this year will give developers more flexibility to market their apps, acquire new users, and offer brand-new business models for Apple In-App Purchase.

One of those capabilities:

The new Asset Library helps developers move faster across marketing workflows, with one place in App Store Connect to manage all Creative Assets, app preview videos, and screenshots. Developers can reuse assets across custom product pages and In-App Events, eliminating redundant uploads and streamlining their promotional campaigns across the App Store. Developers can also submit assets for App Review approval independent of an app update, ideal for rolling out seasonal imagery or coordinating with an Apple Ads campaign without delay.

Managing and uploading the same assets for multiple devices across multiple storefronts is a huge pain the ass for developers. I suspect this will be cheered loudly by the community, as will this:

[…] new App Store Bundles will give developers the ability to partner together and offer users more for less. By expanding beyond a single-developer catalog, these new bundles will allow users to subscribe to multiple favorite apps from different developers at a better price. Developers will also be able to create Suites, offering subscription packages that aren’t available as standalone purchases.

I’m excited for multi-developer bundles, though I wonder how developers will manage the revenue split.

I’m less excited about this:

To complement these new marketing capabilities, the App Store is getting new ways to connect users with experiences they are looking for. To help more people find apps and games they will love, the App Store will introduce new Personalized Collections based on user interests, along with App Notes that explain why specific apps are recommended. These tailored recommendations can appear on the Apps, Games, and Search tabs, evolving over time based on a user’s app usage and downloads.

Translation: We’re tracking more of what you do.

Lastly, under “Streamlined Submissions” to App Review, is this:

To further simplify the development and submission process, apps and games on the Mac App Store no longer require Intel support. This allows developers to ship Apple silicon-only binaries, eliminating the need to maintain multiple builds.

That’s one benefit of dropping Intel support in macOS 27, but I’m shedding a tear because one of the earliest decisions we made on the Mac App Review team was to require universal binaries for submissions. At the time it was to ensure support for the nascent Apple silicon Macs and now we’re bidding farewell to Intel Macs. How far we’ve come.

Also today in Apple Newsroom:

Apple today introduced Siri AI, an entirely new version of Siri, powered by Apple Intelligence. A profoundly more capable and conversational assistant with personal context understanding, broad world knowledge, and onscreen awareness, Siri AI can help users find what they need in the moment, from answering questions from the web on virtually any topic, to surfacing relevant information from a user’s personal messages, emails, photos, and more. Siri AI also includes a dedicated app for users to revisit conversations across their products, an expanded Visual Intelligence experience, and integrated tools for writing. With a bold new architecture uniquely designed to protect users’ privacy, Siri AI leverages the next generation of Apple Intelligence to bring state-of-the-art understanding and reasoning, along with powerful systemwide capabilities, to Apple’s operating systems. These features are available for developer testing starting today, and will be available as a beta to users later this year.

This looks to be most of what Apple promised in 2024, though without any mention of the most ambitious functionality demoed back then (by Kelsey Peterson, who recently left Apple for OpenAI.)

I’m also surprised that Apple rebranded as “Siri AI.” I understand there’s too much brand equity in “Siri” to abandon it completely, yet a strong desire to distinguish it from the embarrassment that is the current version, but tacking on “AI” seems incongruent (and sounds weird when spoken).

This “profoundly more capable” Siri is currently gated behind a “Try New Siri” waitlist in the first beta (under Settings > Siri, not, curiously, “Apple Intelligence and Siri,” as it is in iOS 26). I’ve joined and I’m impatiently awaiting my turn.

(If you’re an iOS or iPadOS user in the European Union, you’ll have to exercise greater patience, because Apple is delaying the launch of Siri AI in the EU because of the Digital Markets Act.)

Apple Newsroom:

Today, during the Worldwide Developers Conference, Apple previewed its upcoming software releases that will deliver the next generation of Apple Intelligence and introduce Siri AI, an entirely new version of Siri that is profoundly more intelligent, knowledgeable, and capable. The releases also bring powerful and intuitive new features to help parents create safe digital experiences for kids, as well as improvements that further elevate the software design and performance of Apple products while making them more responsive, delightful, and easier to use with iOS 27, iPadOS 27, macOS 27, watchOS 27, visionOS 27, and tvOS 27.

Poor tvOS gets no overview.

The WWDC26 Keynote and Platform State of the Union videos are also available. (The Keynote is for the general public, SOTU for the developers.)

I’m still formulating my thoughts, but my initial reaction is two-fold:

One, the Keynote itself felt light—not exactly “content-free,” but it didn’t adhere to the packed-to-the-gills formula we’ve come to expect in the event’s prerecorded era. There were no over-the-top opening skits, fanciful location transitions, bento boxes crammed with features, or interminable per-OS technology tours. SOTU felt more substantial (yet surprisingly disconnected from the Keynote).

Two, OS 27 has the earmarks of what longtime Apple-heads would approvingly call a “Snow Leopard release”: a focus on fit and finish, with a relatively small set of new features. I’m excited enough for it that I’ve already installed developer beta 1 (on a sacrificial iPhone and Apple ID, of course).

Anna-Lee Craig’s entry in Dallas Taylor’s ongoing Hamilton sound series deserves its own post, rather than being lost in a “See Also.” Craig, or “ALC” as she’s called, is the show’s A2 (Assistant Audio Engineer). She reveals—

[…] the intricate world of Broadway microphone craft. From custom-built head rigs made with galvanized steel and fly-fishing line to mics hidden inside the crowns, every piece of the audio setup is hand-fitted to each performer for a nearly invisible fit. [She] walks through the signal chain from transmitter to mixing console, the transition from head-worn mics to booms for the women’s ensemble, and what it means to be the mechanic changing wheels while the bus keeps rolling.

ALC is responsible for fitting and caring for all of the performers’ mics. The custom-built, hand-fitted head rigs are her handiwork—known on the production as “an ALC special.” She exudes such extreme competence, immeasurable warmth, and unbounded joy that I got quite the Kaylee-from-Firefly vibe, to the point where I want to call her “A-Lee.”

Dallas Taylor (Twenty Thousand Hertz) just dropped another fantastic video, “How Hamilton Is Mixed Live on Broadway,” with Justin Rathbun, Hamilton’s front-of-house sound engineer at the Richard Rodgers Theatre. Rathbun, who’s been with Hamilton for ten and a half years, details the show’s incredibly complex audio setup, from the board programming to the speakers.

(One amusing detail: the El Gato Stream Deck used to control the 14-plus computers has a bank of buttons with various messages programmed in. Along with the expected responses (“OK,” “Copy that,” “LOL”) was “I need a drink.” I chuckled.)

Two things blew my mind.

One was line-by-line mixing. Rathbun raises and lowers faders on a per-line basis to hide breaths, eliminate cross-mic pickup, and “keep the sound as clean as possible.” It requires deep familiarity with the show and the performers, along with intense concentration to adjust in the moment to minute performance changes. Seeing Rathbun’s fingers flit across the mixing console was like watching a virtuoso musician at work.

The second was cue-based audio delays. To start, millisecond delays are introduced into the audio output to ensure aural consistency throughout the theatre, explains Rathbun:

Our approach is that the sound coming off the stage should arrive at the seat at the same time as the sound from the speakers is also arriving at the seat.

These delays are needed to account for the speed of sound. Pretty standard fare in professional theatre productions. Then things get wild:

In addition to that, we are also using channel delay during the show on a per-cue basis. We are changing the delays on every particular microphone, depending on where they are on stage.

So for instance, we can look at “Hamilton A” and we can look at our delay time, right? So right now he is at a 5-millisecond delay time; so he’s up stage standing behind the chair; when he walks down stage—so I have a cue here that says “Ham sits”—he will walk down stage literally two and a half feet, and this delay time is now going to change to “2”; we wanted to get the same timing between what’s coming out of his mouth and what’s hitting the audience at the same time. We have timed it out to that close.

Rathbun’s pride in this level of detail is quite evident—and deservedly so.

This is the latest in Taylor’s Hamilton sound series, and they continue to delight me.

See Also: “Where Hamilton hides its mics,” featuring Anna-Lee Craig, the show’s A2, who “walks through the signal chain from transmitter to mixing console, the transition from head-worn mics to booms for the women’s ensemble, and what it means to be the mechanic changing wheels while the bus keeps rolling.”

The United States Postal Service, a week ago:

The Mister Rogers stamp, originally released in 2018, is new again in 2026!

In national Stamp Encore polling, the stamp honoring the television host beloved by generations rose to the top spot from a varied ballot of 25 previous stamp issuances.

The Stamp Encore contest was the first of its kind, asking the public to vote on a favorite stamp from the past to reissue in 2026. The contest saw nearly 600,000 votes, with the Mister Rogers stamp winning by more than 40,000 votes over its next closest contender.

I’m a huge fan of Mister Rogers (the person and the show). Naturally I purchased a few items. (The imperforate press sheet will look great framed.)

Rogers was “a passionately loyal postal customer and a huge advocate for the power of mail,” says Isaac Cronkhite, USPS’ chief processing and distribution officer, making his stamp selection especially apropos:

The esteem shown for Mister Rogers in Stamp Encore balloting seems fitting; Fred Rogers sometimes replied to 100 letters per day, never resorting to form letters. “I care deeply about sending a personal response,” Rogers wrote in a book about his postal correspondence. “It gives me a way to know my television neighbors as real people and to make a more personal connection with them.”

Finally, I’m finding it hard to read this apolitically:

“Fred Rogers is the embodiment of a good person and saw good qualities in everyone,” says Derry Noyes, creator of the 2018 stamp design. “We are in need of such human beings in this world. I believe that is why this stamp won the competition.” […]

“I respect Fred Rogers more than ever for his ability to connect with people,” she says. “He wasn’t judgmental and made a point of spreading that mentality through example. In this day and age perhaps I’m a bit nostalgic for his way of treating people and confronting adversity without vitriol.” She muses, “We could all use a bit more of the Fred Rogers mindset.”

Sopan Deb, writing for The New York Times (gift link):

Anthony Head, the British actor who rose from the smooth 1980s pitchman for Nescafe Gold Blend instant coffee to become a mainstay performer on influential television shows like “Buffy the Vampire Slayer” and “Ted Lasso,” has died. He was 72.

The cause was “complications due to pneumonia,” his daughters, the actresses Emily Head and Daisy Head, said in a statement released to the BBC on Friday.

I absolutely adored Head’s Giles in Buffy the Vampire Slayer. He was nerdy, dangerous, and caring, all at once. I remember my utter delight that Head’s character in Ted Lasso was named “Rupert,” in a nod to his rarely spoken first name in Buffy.

It was only yesterday that we were listening to the soundtrack for the Buffy musical episode, Once More, with Feeling. On top of everything else, Head was a terrific singer.

R.I.P., Ripper.

Plus: Remembrances from Buffy and Ted Lasso costars.