Alexander Bruzual, Trinidad Express:
Calypso legend Slinger Francisco, better known as the Mighty Sparrow, died on Sunday in New York at the age of 91.
A statement issued by Karen Francisco on Sunday afternoon said the calypsonian died peacefully, surrounded by family, after a brief illness.
“It is with great sadness that we announce the passing of Trinidad and Tobago’s Calypso icon, Slinger Francisco, known to the world as ‘The Mighty Sparrow’,” the statement said.
Margalit Fox, The New York Times:
A singer, songwriter and guitarist, Sparrow — his given name was Slinger Francisco — was renowned for his sonorous voice, unremitting energy and extraordinary command of the verbal prestidigitation and sly double-entendre that are among the hallmarks of calypso lyrics.
Sparrow, who began his career in the mid-1950s, was sometimes described as the last of the true calypso singers. But in fact he was a Janus-headed figure, simultaneously preserving calypso tradition and inventing it anew. As the 20th century gave way to the 21st, he continued to dazzle audiences with witty, topical lyrics and arrangements that defied listeners not to dance.
In 2005, The Daily News of New York called him “the Frank Sinatra of Trinidad.” But in the estimation of many, the Mighty Sparrow was so mighty that he exceeded even Sinatran proportions.
Loved and feted by Trinidadians more than any other public figure in the island’s history, he was to calypso what Bob Marley was to reggae — an inspirational living legend. In Britain, no less than elsewhere, the sheer wit and quality of classic songs such as Jean and Dinah, Congo Man and Mae Mae brought calypso to many who would never otherwise have encountered the music form, particularly in the 1950s, 60s and 70s, when he was in his prime.
NBC News/The Associated Press:
The Mighty Sparrow will be remembered as “a defining voice of our culture, a master storyteller and a towering figure whose music helped carry calypso from Trinidad and Tobago to the world,” the Trinbago Unified Calypsonians’ Organisation said in a statement.
The Mighty Sparrow was a mainstay of my youth in Trinidad and after moving to Brooklyn. Jean and Dinah, Wanted Dead or Alive, Drunk & Disorderly, Gu Nu Gu, Tobago Girl, Doh Back Back, Whole Night We Jamming… if you were at a Trini lime, Ten to One is Sparrow pulsing through the speakers, uncles and aunties clinking Carib bottles and wining to the rhythm. Danceable, sure, but also lyrically dense with history lessons—and irreverent ribaldry. I doubt there’s a Trinbagonian over the age of twenty-five unfamiliar with Birdie.
Everybody down by de Express… Sparrow Dead.


