Matt Burgess, Wired (Apple News+ link):

Apple and Google have been ordered to take down apps that can “nudify” or “undress” people and told that they must stop profiting from the harmful technology, according to cease-and-desist letters sent to the companies seen by WIRED.

On Thursday, San Francisco city attorney David Chiu sent legal notices to Apple and Google demanding that they remove from their app stores 13 face-swapping apps, which allow users to create AI-generated nonconsensual nude images. The letters say the Silicon Valley giants should stop “aiding and abetting” the sale of explicit deepfake images and “sever” business relationships with the app developers. […]

The city attorney, whose office previously took legal action against 16 popular deepfake websites, says Apple and Google have likely “made millions of dollars in fees” from apps that offer nudification, and they should improve their moderation processes to stop them appearing in their stores in the first place.

One might be tempted to ask why these apps were approved for sale in the first place. We can simply chalk it up to ineptitude, indifference, and income. The app review process is notoriously porous, most reviewers are treadmilling a daily quota, and none of Apple, Google, or developers want to give up the potentially enormous revenue.

I’m sure hardline “free speech absolutists” like Elon Musk will object, but I’d love to see this picked up by cities and states across the country.

(No word on whether the demand included Musk’s Grok, which elicited (unheeded) calls for a ban earlier this year for generating deepfakes.)

Apple’s and Google’s statements are models of deflection. First, let’s establish the baseline expectation for this content:

Both Apple and Google have developer policies that prohibit pornography, abuse, and harassment on their platforms. They have previously removed dozens of nudify and deepfake apps, after reports by researchers and journalists.

Here’s Google’s response:

Google spokesperson Dan Jackson tells WIRED that the company has deleted “hundreds” of apps with nudifying features for policy violations, including the five Android apps flagged by Chiu’s office, among other steps to restrict access to them.

“Google Play does not allow apps that contain sexual content, and we continually take proactive steps to detect and remove apps with harmful content,” Jackson says in a statement. “When violations are reported to us, we investigate and take swift action, which in the case of these apps has included suspending hundreds of violating apps and restricting related search terms like ‘nudify’ on our store."

Here’s Apple’s:

Apple tells WIRED that developers are ultimately responsible for the content of their apps, and those who fail to follow the rules will have their apps removed. The company also says users can report potentially problematic apps themselves. Adam Dema, an Apple spokesperson, tells WIRED in a statement that the company has removed three of the apps flagged by San Francisco city attorney and is “in the process of terminating their developer accounts from our program.” The other four developers must “address policy violations or risk being removed as well,” the company says.

“The App Store was designed to be a safe and trusted place for users, and we have always strictly prohibited apps designed to generate, distribute, or consume pornography," Dema says in the statement. “‘Nudification’ apps are against our App Review Guidelines and we have proactively rejected many of these apps and removed many others, including when users have flagged them via our reporting tools.”

Neither company takes responsibility for allowing “many” to “hundreds” of apps that violate their guidelines onto their stores. Instead of attributing the failures to lapses in their review processes, with promises to improve, they assert the problem is with developers themselves. It’s not our fault developers violated our very clear and precise rules!, I can hear them whine. Oooh, those wily developers!

I find Apple’s “developers are ultimately responsible” to be especially weak, running counter to its own argument that App Review’s vigilance is necessary to ensure a safe storefront. Instead, it places the onus to police content on developers (and customers), as though the review process Apple regularly touts for its fraud prevention is simply incapable of identifying and rejecting these apps.

Some customers want to violate women, and developers want to profit from it. Apple’s job is to short-circuit that by preventing such apps from ever getting past App Review—and immediately banning developers who ship innocuous-seeming apps that mutate after approval. As often as Apple might claim success at this, its failure rate remains too high.

(I fixate on Apple here because I’m most familiar with its App Store and App Review teams and policies, but you can apply this critique in equal measure to Google.)

Yes, it’s true that developers pull all sorts of shenanigans to get their apps through the system. And yes, the porous app review process is riddled with inconsistently applied rules and reviewers more interested in hitting their numbers than in getting it “right.”

Ultimately, this is an Apple (and Google) app review problem. They need to do better.

Michele Luhn, CNBC:

The airport in West Palm Beach, Florida, has officially been renamed after President Donald Trump, the first time an airport has been named after a sitting U.S. president.

Effective Thursday, the facility will be called President Donald J. Trump International Airport, the Federal Aviation Administration said.

The airport — formerly Palm Beach International Airport — said in an FAQ posted online that “updates to signage, branding and public‑facing materials, will occur in phases.”

As part of the transition, the airport’s FAA locational identifier will change from PBI to DJT. The International Air Transport Association code change is set to occur on Aug. 18.

As if I needed more reasons to avoid Florida.

The Trump family business owns the trademark, reported The New York Times in February. The trademark also “requires the airport to pick a vendor to provide any branded merchandise from a list approved by the Trump family business,” per another report from The New York Times in May.

Will that list be exclusively Trump-affiliated businesses, or will they spread the grift to friends of Trump, too?

The internet wags are having a blast with the name change, building humorous itineraries from three-letter airport codes:

• Palm Beach, FL to Sioux City, IA: DJT → SUX 🌍
• Fresno, California to Fukuoka, Japan to Palm Beach, FL: FAT → FUK → DJT 🌍
• West Palm, FL to Mount Isa, Australia to Fresno, CA to Fukuoka, Japan to South Sumatra, Indonesia: DJT → ISA → FAT → FUK → PDO 🌍

And to add three of my own:

• Palm Beach, FL to Dumatubin, Indonesia to Jefferson City, MO to Dominican Republic: DJT → LUV → JEF → EPS 🌍
• Kazakhstan to Barksdale Air Force Base, LA to Manchester, UK to Palm Beach, FL: URA → BAD → MAN → DJT 🌍
• Palm Beach, FL to Guangzhou, China to Ireland to New Caledonia: DJT → CAN → BYT → MEE 🌍

Why not try building your own itinerary?

UPDATE: Great suggestion by Steve Hayman to map out the trips using Great Circle Mapper. I’ve added 🌍 links to each.

The page Sony published listing the 551 movies they deleted from the libraries of PlayStation customers is a single-column table, a layout easily generated from a simple regex find-and-replace^[1]. They couldn’t even spend five minutes in an LLM generating something nicer^[2]. They just didn’t give a damn. I’m surprised they bothered making a table and giving it “bumblebee”^[3] styling.

(Sony, you’re welcome to use that page. Just credit JAG’s Workshop and Anthropic’s Claude.)

Looks like I picked the wrong week to quit sniffing glue and start ranting about digital ownership. John Walker, Kotaku:

Sony is contacting PlayStation Store users who bought movies from the platform that were distributed by StudioCanal—like Terminator 2, Total Recall, and Confessions of a Dangerous Mind—to say that “you will no longer be able to access your previously purchased content from Studio Canal, and it will be removed from your video library.” There’s no mention of any refunds or make-goods for the affected users. Sony simply says the films are going away “due to our content licensing agreements,” once again reaffirming the fact that you are never truly buying anything that’s digital, just temporarily renting it.

The first link in that quoted paragraph is to another Kotaku article from 2023, the previous time Sony deleted content customers “bought.” Notes Walker:

What’s really peculiar about the PlayStation message is that it’s entirely unapologetic, simply stating that “purchased content” will be “deleted” as if that’s perfectly normal.

Timothy Geigner at Techdirt follows up:

[…] part of what is striking in all of this is the sheer mundanity of the announcement. Because there have been no consequences, or any action at all from the public or government, Sony treats this all as if it’s perfectly normal and no big deal. You can tell me all you want about how the Ts and Cs in these purchases do in fact note that the nature of the purchase is a temporary licensing of the content for an undetermined time period… but I can promise you that the public in general doesn’t understand that. They think they’re buying a thing, not a license.

If you ask 100 people if they think they “own” the digital downloads they paid money to buy, the vast majority will look at you like you’re an idiot before retorting, “Of course, ya dolt. That’s what buying means.”

We need laws that make that assumption fact. Ironically, the Sony PlayStation Terms of Service itself illuminates the path forward. Section 8.4 (emphasis added):

8.4. No Resale or Commercial Use.

You must be an end user to purchase from PlayStation Store. Resellers, as determined by us in our sole discretion, are prohibited. When you order or purchase a product from PlayStation Store, you buy a personal license to use that product for private, non-commercial use. That license is not transferable unless your local applicable laws say it must be. This means you can use a product in the ways described in the license, but do not own the product.

(Credit to John Siracusa for pointing this out in this week’s ATP members-only Overtime segment.)

The EFF article I linked to yesterday specifically calls for new laws:

Policymakers can and should work to restore our ownership rights for the digital age.

That starts with legal protections ensuring that the same rights that apply to physical media apply to digital media.

Most policymakers are technologically incompetent. One of their grandchildren will need to pressure them into introducing those protections.

The EFF weighs in on Sony’s killing of physical discs in an article by Rory Mir and Suzanne Castillo. Mir and Castillo call it an “attack” that “[moves] the goalpost on what it actually means to ‘own’ a piece of media,” and state clearly that “[if] you bought it, you should own it.” But I wanted to highlight this paragraph:

Depriving gamers of physical discs leads to another obvious and immediate cost: data. Unlike other digital media like film and TV, video games require a ton of storage. Access to high speed internet is still abysmal in the US, making the high-speeds needed for digital game downloads a luxury some of us may take for granted. For many, a modern game can take days and exceed their data caps.

This made physical discs, particularly for the biggest AAA titles, a logical choice that also largely spared gamers from losing traditional ownership rights. With physical disks, the cost of storing the game was included in the purchase.

I seldom see mentioned the impact of digital downloads on consumers with poor internet connectivity or who pay for metered bandwidth. One downloaded game could blow their monthly allotment. In the U.S., this unsurprisingly tends to impact the least privileged communities—often Black, often poor, often rural—the most. (This realization was one of several extra bits of motivation that helped reduce Xcode’s download size over the years.)

Kudos to EFF for calling this out.

This irrationally optimistic petition, created by Jade Pearce of PNP Games, calls on Sony to “save physical games.” It’s garnered over 314,000 signatures on Change.org since it launched two weeks ago. I’ve signed it, naturally. I appreciate a quixotic campaign.

Wesley Yin-Poole, IGN:

Sony has announced physical disc production ends in January 2028 for new games releasing on PlayStation consoles. […]

This new policy will cover all games released on PlayStation consoles from all publishers after this cut-off date […]

Even if you want to own your gaming media, very soon you’ll be unable to. Sony’s Sid Shuman ascribes the decision to “shifting trends in consumer preference.” I ascribe it to Sony’s desire to improve its bottom line. You can pre-order Marvel’s Wolverine as a digital download or physical disc. Either will cost $70, but the download requires zero inventory, and incremental costs per sale amount to bandwidth usage. There are no factories or paper or ink. Shipping logistics are eliminated.

Another reason to prefer physical discs over digital downloads is the resale market. Many players recoup their costs by selling their played games through GameStop or any number of other services. One physical copy of a game could flow through the consoles of half a dozen players, and Sony sees that revenue just once. Digital sales eliminate that. Even one more player buying a copy of the game doubles Sony’s revenue.

Apple realized the value of digital distribution in 2003 with the iTunes Music Store, embraced it in 2008 with the App Store, and solidified it in 2011 when it discontinued boxed software for Mac apps. Apple hasn’t sold physical software in fifteen years. Sony has plenty of “trends in consumer preference” to point to and incremental revenue to book. I’m only surprised they’ve waited this long.

Ty Roush, Forbes:

IBM’s stock plummeted on Tuesday in its largest single-day loss in its 115-year history, after CEO Arvind Krishna warned investors the computing firm’s latest quarter was “worse than our expectations” while failing to adapt to rising chip costs.

I’m not a stock analyst, but this might be what some folks call “a buying opportunity.”

Krishna’s full statement manages to be both stultifyingly opaque and refreshingly transparent:

When we discussed our expectations with you in April, we noted that we would be wrapping on the launch of z17 in the second quarter. Given this was the strongest start to a mainframe program in our history, we expected Infrastructure revenue to decline low-single digits for the year, beginning this quarter.

What played out was worse than our expectations, driven by a shortfall in our Z performance and the associated software stack, primarily in Transaction Processing. In the last few weeks of June, we saw clients shift their quarterly capex spend toward servers, storage, and memory purchases to secure supply-constrained infrastructure ahead of expected price increases. This dynamic impacted client buying patterns. While we anticipated some supply chain-related impact in our expectations, we did not anticipate the magnitude of the capex reprioritization. In addition, clients were distracted with rapidly-evolving, industry-wide cybersecurity concerns in the quarter.

These conditions require our teams to execute perfectly, and this quarter we faltered. We did not adapt and move quickly enough, and numerous large deals failed to close on the timelines we expected, driving the majority of our shortfall.

Translation: “Our customers are buying stuff we aren’t selling.”

See Also: Techmeme’s coverage.

Malcolm Crawford (a long-time Apple colleague, recently retired), with a terrific piece on the structural design failure of Apple Park:

Apple Park’s primary design goal was to foster collaboration and serendipitous interaction — almost the exact words Apple’s own head of industrial design used to describe the building years after it opened, and consistent with what Jobs pitched to Cupertino’s city council in 2011: a ring shape chosen specifically to eliminate hierarchical corners in favour of more egalitarian, encounter-friendly circulation. By most accounts from the people who actually work there, it’s failed at exactly that.

The open-plan floors make it hard to concentrate. The building is so large that getting from one meeting to the next eats real time out of the day. It’s common for people to run meetings with colleagues over Webex — colleagues on the same campus, sometimes no more than two hundred yards away.

Ironically, Apple Park replaced a campus that did far better on the same measure without ever trying to. Infinite Loop produced far more of the accidental, cross-team contact Apple Park was explicitly built to create. Working out why starts with what Infinite Loop got right by accident. It continues with what the research on office proximity says about why that kind of thing happens at all. And it ends with what Apple Park could become instead — including a version of the fix Apple already trusts enough to run for a hundred people a year.

Apple Park is a beautiful structure, but is not terribly conducive to focused or collaborative work. Even as an occasional visitor I found it overwhelming. Employees sit shoulder to shoulder, voices bounce off and bleed through glass walls, and privacy is a virtual impossibility. My friends and colleagues who worked there regularly found it difficult to be productive.

I worked in Infinite Loop (Building 3, 2nd floor) for thirteen years (right below Developer Publications, where Malcolm spent a good portion of his Apple career). I loved IL because its design made serendipitous encounters easy. Whether it was sitting outside Caffè Macs or in the IL 1 Atrium, I would inevitably bump into someone and have a conversation that furthered an in-flight project, sparked something new, or simply reinforced the social ties that bind colleagues.

It helped that at that time, Apple had perhaps 10,000 employees, most of whom were in or near IL. After iPhone came about and IL started getting locked down, much of the natural collaboration dissipated, disappearing behind badged doors and disclosures. By the time Apple Park came along, “chance encounters” had already become less frequent, and when they happened, those conversations were necessarily constrained by NDAs. Apple Park was a vision for an Apple that, ten years after iPhone, no longer really existed.

Malcolm’s essay captures the collaborative beauty of IL and the challenges of Apple Park, and offers a solution that I find remarkably appealing.

If you’ve been part of the Apple (or NeXT) developer ecosystem for a while, you may remember Malcolm—mmalc—as a long-time technical writer on Apple’s Developer Publications team. He’s now writing publicly at mmalc X Machina on topics that stem “from a lifelong interest in technology and the environment.” So far he’s covered everything from EV charger infrastructure to crop yield to a conceptual introduction to git. He notes that he’s “not inviting anyone to sign up or become a ‘member’” but I signed up anyway. Or follow him on Mastodon.

The Office of U.S. Senator Lindsey Graham, on X/Twitter (XCancel link):

On the evening of Saturday, July 11, U.S. Senator Lindsey Graham passed away from a brief and sudden illness. Senator Graham’s family appreciates prayers at this time and asks for privacy during this incredibly difficult period.

The New York Times (gift link):

Mr. Graham was one of many powerful Republicans who changed their public position on Mr. Trump. As Mr. Trump was rising in his first presidential campaign, Mr. Graham lambasted him as a “demagogue” and a “race-baiting, xenophobic, religious bigot.”

“You know how you make America great again?” Mr. Graham said in a CNN interview in 2015. “Tell Donald Trump to go to hell.”

He later said that he had voted in the 2016 election for Evan McMullin, an independent candidate, rather than for Mr. Trump or Hillary Clinton, the Democrat.

A decade later, though, he was regularly and effusively lauding Mr. Trump. In a speech celebrating his South Carolina primary victory last month, Mr. Graham joked, “Mr. President, you’re not far behind God.”

I learned that “If you have nothing nice to say, say nothing.”

Straton Roberts, introducing his sixth (!) Kickstarter campaign for WWDC-inspired pins:

As a UX designer, I’m passionate about the beauty and usability of great design. Naturally, this makes me an Apple fanboy. I’m also a nerdy pin collector and creator. […]

This set of five (5) unofficial enamel pins pays commemorates Apple’s WWDC 2026 conference.

It’s $40, and while I wouldn’t call myself a nerdy pin collector (I’m at best a nerdy pin appreciator), I of course backed it immediately.

The five designs are adorable: Lil Guy (based on Apple’s viral sensation), Lil Tim (Tim Cook in his hands-clasped “good morning!” pose), Orb (based on Siri AI’s new animation), Golden Gate (the bridge and the OS), and my favorite, Crack Marketing Team Microbus. (That’s the one that sold me.)

The campaign has already smashed its $1,000 goal and crushed its $5,000 stretch goal (magnetic clutch backs instead of rubber). With $7,201 pledged by 118 backers as of this writing, it’s still a little shy of its $10,000 stretch goal (vinyl stickers), with four days left.

(Roberts runs Glitchbits, which sells dozens of other beautifully designed pins.)

If you want to go deep into Bonnie Tyler’s “Total Eclipse of the Heart,” Kirk Hamilton dissected it in a May 2025 episode of his terrific Strong Songs podcast. Hamilton, as usual, does a fantastic job exploring the song’s musicality, backstory, and Tyler’s performance, and gives equal due to Tyler’s co-performer, Rory Dodd. (Overcast, Apple Podcasts.)

(Also be sure to watch the Literal Version of the “Total Eclipse” music video that Hamilton mentions. It had me in stitches.)

Alex Williams, The New York Times (gift link):

Bonnie Tyler, the Welsh singer who, with a frosted, teased-up coiffure and a voice both weathered and operatic, soared to No. 1 with “Total Eclipse of the Heart,” one of the titanic pop anthems of the 1980s, died on Wednesday at a hospital in Portugal. She was 75.

“Total Eclipse of the Heart” is a truly epic song, a favorite of my youth. But don’t sleep on “Sometimes When We Touch,” “Holding Out for a Hero,” “It’s a Heartache,” “Making Love (Out of Nothing at All),” “Have You Ever Seen the Rain,” which were staples of my college and post-college parties—especially among my more melodramatic theatre friends.

Every now and then I fall apart.

Two additional items worth calling out from The Criterion Collection that aren’t (directly) part of the aforelinked Amazon sale:

• 12 Angry Men has a new 4K digital restoration coming in September. You can pre-order on Amazon for $50, but The Criterion Collection website lists it for $40. It’s available now on Blu-ray for $20, but I’m holding out for the 4K remaster. I adore this movie. The first time I watched it was perhaps just ten or twelve years back, as part of an Apple University course. It sparked a passionate conversation. I wish I could find my notes.
• The Complete Kubrick is coming in October: thirteen features and three shorts—including Dr. Strangelove, 2001: A Space Odyssey, and The Shining—all in 4K. It’s available for pre-order on Amazon for $600, or for $480 directly from Criterion. I’m not a huge Kubrick fan, but I recognize his remarkable technical and creative talent, and a thirty-disc collector’s edition with 4K restorations of his work might push me over the edge, purely as a cinephile.

I assume Amazon will eventually price-match both items (and I’d definitely hold out for a sale on the Kubrick collection), but if you want the best price today, it may be worth ordering from Criterion directly.

Amazon is running a “limited time deal” on dozens of movies from The Criterion Collection. Many are listed as “50% off,” though that’s off MSRP; actual discounts seem to run about $10–$15 off Amazon’s everyday prices.

I’m a big believer in owning physical copies of media I love. All (but one two) are in 4K. Here are a few classics that caught my eye. (No, I’m not buying them all, as tempting as that is.)

• The Princess Bride, $25. I already own the 20th Anniversary Edition, yet my finger hovered over the “Add to cart” button longer than was strictly necessary. Why won’t my arm move?
• Network, $25. Could it be possible this is even more relevant today than it was in 1976?
• Pee-wee’s Big Adventure, $25. Surreal, immature humor? Yes, please.
• Monty Python’s Life of Brian, $25. “Anybody else feel like a little giggle when I mention my fwiend Biggus… Dickus?”
• Godzilla: The Showa-Era Films, 1954–1975, $113. This one is for my friends. You know who you are.
• The Wes Anderson Archive: Ten Films, Twenty-Five Years, $249. 4K restorations, over twenty-five hours of special features, and ten illustrated books. I considered it, and I’m not even a Wes Anderson fan.
• Citizen Kane, $30. It’s… fine. “Greatest film ever made”? Eh. Still, it deserves to be in every cinephile’s collection.
• Serenity (2005), $20. Loved this movie, but I’m still pissed about Wash’s “leaf on the wind.” I really hope the Firefly “animated reboot” comes through.
• Thelma & Louise, $25. Millennials might say these two yeeted themselves off a cliff. Millennials.
• The Fisher King, $25. Perhaps my third-favorite Robin Williams movie (behind Dead Poets Society and Hook).
• The Silence of the Lambs, $20. He didn’t say “Hello, Clarice” until Hannibal.
• Do the Right Thing, $20. Fight the power. Not in 4K, alas. I’d prefer a higher quality archive source, but beggars, etc.
• Being John Malkovich, $20. “It’s my head, Schwartz! It’s my head!” Also not in 4K.

I have no idea how long this “limited” sale runs, so if you’re also into owning the media you love, check out the collection.

Apple Newsroom:

Apple scores a historic 89 nominations across 15 programs for the 78th Primetime Emmy Awards, and leads as the network with the most nominations in the Outstanding Drama and Outstanding Comedy series categories, respectively, earning top program nominations for comedies Widow’s Bay, Shrinking, and Margo’s Got Money Troubles, alongside dramas Pluribus, Slow Horses, and Your Friends & Neighbors. Apple’s breakout comedy sensation Widow’s Bay leads as one of this year’s most-nominated programs with 19 nominations in total, and Pluribus lands 18 nominations following its global hit freshman season, while celebrated Apple Original Shrinking lands 10 nominations, Slow Horses is recognized with nine, and Margo’s Got Money Troubles scores eight in total.

I should really watch more Apple TV.

Worth clarifying that Apple’s “record,” “historic” 89 Emmy nods are a record and historic only for Apple: HBO Max earned 122 overall nominations, while Netflix racked up 111.

To Apple’s credit, I’ve at least heard of most of its shows, and their batting average is impressive: 15 of the 31 programs submitted for voter consideration—“less than half of what its competitors submitted”—received nominations. Apple may not have a lot of shows, but the shows they have are chock full of quality.

See Also: The Emmys website has a complete list of nominees.

Bob Nightengale, USA Today’s Major League Baseball columnist, in a one-paragraph aside at the end of a long, unrelated column about pitcher Jacob Misiorowski:

Players and fans can soon stop complaining about veteran umpire CB Bucknor. He is one of seven umpires who have informed MLB that he will retire at the season’s conclusion, accepting their buyout offer. The other six umpires: Laz Diaz, Brian O’Nora, Lance Barksdale, Marvin Hudson, Tony Randazzo and Andy Fletcher. The wave of retirements could open the door for Jen Pawol becoming the first full-time female umpire in 2027.

(It was later expanded into a full report.)

Yours truly, in April of this year, reflecting on Bucknor’s early struggles with MLB’s new Automated Ball-Strike Challenge System (ABS):

No doubt many umpires will be frustrated (and embarrassed) seeing their calls overturned—especially close ones that are mere tenths of inches off the strike zone. Good umpires will adapt. Bad umpires will hasten their retirement. I’ll wager Bucknor will be gone by the All-Star Break.

The All-Star break starts Monday and I’m claiming my “I was right” point for a retirement notice ahead of the break, even though Bucknor is still expected to call games post-break.

(Or perhaps not; Bucknor has been out almost the entire season after being hit by a foul tip on a 100 mph pitch from Jacob Misiorowski—the subject of Nightengale’s story, ironically. Bucknor’s called all of two games this year. There’s the possibility he simply won’t return.)

There’s no indication that these retirements have anything to do with ABS, of course (although Bucknor especially had to be feeling the heat after he had seven of nine calls overturned by ABS in his two early-season games behind the plate; his first game was particularly brutal). All seven umpires are between 59 and 63 years old and have been calling games for twenty-five to thirty-five years. A juicy buyout was probably too tantalizing to pass up.

Regardless of the reasons, these retirements open up seven slots for new umpires, which is great news for Jen Pawol, who umped her first regular season games last season and is a substitute umpire this year. I’ll love to see her become MLB’s first full-time female umpire.

Wired’s Jeremy White needed a “first phone” for his son (Internet Archive link if you hit a paywall):

Come September, he will have to walk across town to school on his own. But if he’s going to be walking around out in the world without me, then a tracking tag won’t cut it. He is far too young to have unfettered access to the internet and social media platforms, but what if he gets lost? A classic Nokia, supplying just texts and calls, won’t come to his aid. Maps and satnav require a web connection.

In short, he needs a smartphone that’s not a smartphone.

A “dumb smartphone,” as it were. White considered and dismissed third-party apps (“they charge you for the privilege of removing access to applications”) and discovered a built-in solution:

It’s called Assistive Access. Introduced with iOS 17, Apple designed it for those with cognitive disabilities. If you’ve never encountered or stumbled across it, it’s a distinctive iOS experience: fewer options, more focused features, easier to navigate. The aesthetic is ideal for kids: large, friendly tiles for the apps replace the smaller icons of the “normal” Apple interface.

White details the process of setting it up and various configuration options. In the end:

My chosen setup? My son only gets Calls, Messages, Maps, Camera (so we can video call, but I’ve ruthlessly turned off selfies), Photos, and Music. Nothing else. I’ve turned an old, unused iPhone 13 languishing in a drawer into the best six-app dumb phone money hasn’t bought.

It’s a great feature. Why Apple hides this useful functionality under the Accessibility banner is beyond me. (I think it’s Apple’s way of adding features it isn’t sure are broadly useful, or thinks aren’t polished enough for wide adoption. See the “Side Button”, “Face ID & Attention,” and “Sound & Name Recognition” settings, to name but three examples.)

This story caught my attention because over the weekend, a good friend’s 11-year-old son got lost in a mall. The family spent a frantic hour searching for him (his instinct was to continue wandering around looking for them instead of waiting in one spot). He’s still too young to have a phone, but this solution, with location tracking and text messaging enabled, could have quickly resolved an enormously stressful situation.

Jordan Rubin, reporting for MS Now:

The Supreme Court sided with Texas on Monday in emergency litigation over a law that its opponents said marked the first time a state has ever required its citizens “to prove their age before reading a newspaper, entering a bookstore, or even accessing the internet.”

Student and trade groups brought emergency applications to the high court against the law, called the App Store Accountability Act. The law is intended to help parents direct and supervise children’s downloads of apps and in-app purchases by requiring age verification, parental consent and age rating and content display. […]

A federal judge halted the law, finding that it was likely unconstitutional due to its restrictions on speech. Then a federal appellate panel granted the state’s request to lift the judge’s order, leading the groups to seek urgent relief from the high court.

The federal judge who initially blocked the law was Judge Robert Pitman in the Western District of Texas. Ann E. Marimow, reporting for The New York Times:

He compared it to a proposal that bookstores be required to verify the age of customers and obtain parental consent before minors enter or buy a book.

“It restricts access to a vast universe of speech by requiring Texans to prove their age before downloading a mobile app or accessing paid content within those apps and requires minors to obtain parental consent,” he wrote.

A three-judge panel of the U.S. Court of Appeals for the Fifth Circuit then paused that ruling and said it would allow the law to take effect, writing that the “need to protect children is intensified in the digital world.”

I continue to contend that age verification laws are mass surveillance under the guise of child safety—an attack on privacy that does little to protect children. No one needs to prove their age to read the print edition of The New York Times, but would need to do so to download and use the app (and eventually, the website, you can be sure).

Apple and Google already comply with the Texas law (and with similar requirements in Utah, Louisiana, Brazil, Australia, and Singapore) via their Declared Age and Play Age Signals APIs, respectively.

Apple’s lengthy Trust and Safety segment at WWDC26 that introduced new “child safety features” was no doubt a preemptive attempt to dissuade further demands to collect and share its customers’ personal data.

Developers have also started to comply. I saw my first age range request dialog a few days ago, from Anthropic’s Claude (separate from the more-intrusive identity verification they’re rolling out).

With laws requiring app stores and developers to verify and confirm your age to download apps, we’re not terribly far from laws that require your identity to do the same. I would wager a hotel-priced beverage that Texas, Utah, and elsewhere are salivating at the prospect of knowing who is downloading which apps and visiting which sites.

Meta banned M.G. Siegler’s WhatsApp account, with no warning and no explanation, after twice banning his Instagram account:

Yes, that’s right, for a third time in as many years, I’ve been banned by Meta. What for? Do you really have to ask? Nobody knows. My suspicion is that it’s directly tied to the claiming of usernames on WhatsApp, which Meta opened up yesterday. After I claimed mine, it seemingly logged me out of my other active instances. And when I went to log back in… boom. Banned.

Siegler lives in Europe, where WhatsApp is the de facto messaging app. Not having a WhatsApp account is like not having a cellphone.

Making matters worse, people can still message Siegler on WhatsApp, but aren’t told he’s not receiving those messages.

Let me just point out that I run a lot of my household through WhatsApp – including childcare. Imagine if there was an issue with a child and someone was frantically trying to get ahold of me and couldn’t because I’ve been banned? Honestly, should that even be legal?

It should not.

When a platform becomes so ubiquitous that it’s effectively become infrastructure that others rely on, it should not be able to ban you or lock you out of your account without clear warnings and a human-led review and appeals process. Even if fraud (or worse) is suspected. It should take significant effort to shut down an account and the burden should be on the provider to prove why it’s necessary, not on the user to argue why it’s not. I would even suggest that cutting access to critical accounts and services should require the corporate equivalent of a court order. Your Apple or Google account, cellphone number, and, yes, your WhatsApp account, have become as essential as a driver’s license or passport and should be equally difficult to suspend, not simply subject to the (likely AI-powered) whims of the account provider.

(Via John Gruber at Daring Fireball, who writes:

I have never seen the appeal of WhatsApp, and would rank iMessage’s dominance here in the U.S. as one of the many reasons I’m so glad to live here.

Like Gruber, I don’t see the appeal of WhatsApp—my most recent message on there is from 2017. I initially refused to use it out of security concerns—it wasn’t end-to-end encrypted—and now I simply refuse to use it on principle: I detest everything associated with Meta and Mark Zuckerberg. Fortunately for me, anyone I communicate with regularly uses an iPhone and Messages. So in addition to Gruber’s appreciation for iMessage’s U.S. dominance, I’m also grateful my friends and family have great taste in phones.)

It’s late in the day, but I’m continuing my annual tradition of sharing Frederick Douglass’ powerful and insightful speech “The Meaning of July Fourth for the Negro” (best known by its most famous sentence, “What, to the American slave, is your 4th of July?”) as read by the late James Earl Jones. It continues to move me despite a dozen or more viewings. It’s also worth reading the speech in its entirety (archived for posterity). As I noted last year, it’s “both eye-opening and depressing,” with “countless passages uncomfortably analogous to our current moment.” Do yourself a favor and read it in a comfy chair. It’s meaty, and deserves a careful and considered review.

Will Bunch, The Philadelphia Inquirer (gift link if needed):

I’d joked with my editors earlier in the week that I might lose my columnist license (not an actual thing, although maybe it should be) if my piece that runs on the weekend of the United States Semiquincentennial wasn’t a Big Think essay on what the American Experiment all means — to the extent that anyone can actually think through the fireworks, traffic jams, and 100-degree temperatures.

That’s when it hit me. That was exactly the column Donald Trump was counting on from me and every other opinion writer in America ahead of Independence Day. The 47th president needed a week when the pundits put on their wide-angle lenses and put away the magnifying glasses, while his “forgotten Americans” headed off to the beach or the fireworks show, or gorged themselves on six hours of World Cup soccer every day, and stopped watching the news.

An international jewel thief needs to create a distraction. Because if you’d been paying attention during the nation’s summer vacation week, you’d have seen that Trump is robbing us blind.

The amount by which Trump is robbing us blind is detailed in a “federally mandated financial disclosure form” released ahead of the Fourth of July weekend, showing that Trump “earned” $2.2 billion in 2025, an astounding amount for anyone, but for a sitting president is criminal—quite literally, I’m certain. It’s shocking but not surprising that Trump has corruptly leveraged the presidency to enrich himself, his family, and his cronies—and is doing so blatantly and in the open. Bunch details the jaw-dropping scope of Trump’s grift, before pivoting to memories of America’s 200th celebration and “a new hopeful yearning.” He ends by asking:

How do we celebrate a 250-year slow-bending of the arc of the moral universe without losing our focus on the ongoing crime scene at 1600 Pennsylvania Avenue? […]

Don’t let the president hijack the Fourth of July to rob the focus from what matters most, the things we need to write and discuss and march against every week: his unprecedented criminality.

Yours truly last June, on the then-recently announced Trump phone:

I fully expect this phone will never ship.

Dominic Preston at The Verge, today:

12 months, 16 days, 21 hours, and 54 minutes after I first heard about Trump Mobile’s T1 Phone 8002 (gold version), I’m finally holding one in my own hands.

Journalists started receiving Trump phones in early June. Some early pre-orders also started shipping around that time, and regular orders, like Preston’s, are starting to arrive.

Well, color me embarrassed.

I suppose an apology is in order for doubting the Trump Organization’s ability to ship this phone (and only nine months late).

It’s not exactly a state-of-the-art phone. iFixit revealed it’s a gold-painted HTC U24 Pro—a two-year-old device “designed in China, made in China, with the vast majority of parts sourced from China.” So much for “Made in America.”

YouTuber Quinn Nelson (Snazzy Labs) also bought the device. In his unboxing and review video, he outlines the overall cheap feel of the product and packaging (his phone shipped with a broken fingerprint sensor, the “Quick Start” guide was printed on what seems to be a home printer with low toner, and his SIM card arrived separately in a hand-addressed envelope, for example).

I’m sure the suckers—I’m sorry, loyal Americans—who buy this phone will be thrilled once it finally arrives at their doorstep.

Rex Huppke, in an opinion piece for USA Today:

Like my good friends in the Republican Party, I fear any kind of democratic socialist as well as any progressives who are actually progressive. They all seem far too fixated on helping “the people.” Blech.

Via Heidi Li Feldman, who calls it satire, though I wouldn’t bet against it being a transcript.

Jack Loftus, McSweeney’s:

Originalism has never meant being chained to the original words. That is a childish misunderstanding promoted by people who think “shall” means “shall” and “all” means “all.” Real originalism means asking what the Founders would have wanted if they had lived long enough to become furious about anchor babies.

Jay Willis at Balls and Strikes, regarding the Supreme Court’s recent 6-3 ruling that allows states to exclude transgender athletes from women’s sports:

Generally speaking, when the fifth paragraph of a Supreme Court opinion contains the phrase “biological males who identify as females,” it is safe to assume that the author is not working toward a ruling that respects the dignity or existence of trans people.

The Brett Kavanaugh-penned majority opinion is riddled with “anti-trans rhetoric,” plus, from Clarence Thomas, “an opportunity to be cruel to trans people in public”:

Perhaps the most revealing opinion in B.P.J. comes from Justice Clarence Thomas, whose concurrence includes what are (at least for now) the most gleefully transphobic lines committed to the pages of the United States Reports. “A man does not have a legal right to compete against women just because he believes that he is a woman,” Thomas wrote. “Men and boys with gender dysphoria are not women or girls, even if they believe that they are.” He closed with language that tracks the vile transphobic talking point that transgender people do not exist: To use language that obscures the “reality” of “biological” sex, Thomas wrote, “is to lie to the public.”

Hila Keren, also at Balls and Strikes, on the stunning “stereotype-laden” opinion that’s “laced with condescension for women athletes”:

The Court’s opinion does not just convey the conservatives’ disrespect for trans athletes, though. At times, its portrayals of cis girls in sports almost read as a younger version of the tradwives idealized by the religious right. Kavanaugh’s opinion amplified not only girls’ “inherent” physical inferiority in terms of “height, weight, strength, speed, endurance, and jumping ability,” but also their supposed inability to handle fairness, safety, and competitive issues, and a general struggle to cope with “debilitating disadvantage.”

The ruling itself is awful, and the language used to justify it is especially appalling.

Elie Mystal at The Nation (email-gated; Apple News+ link), regarding Tuesday’s Supreme Court birthright citizenship ruling:

The ruling is a victory, to the extent that upholding a bedrock principle hard-coded into the Constitution for more than 150 years is what passes for a “win” these days. But the ruling was far closer than it should have been. There were a number of dissents, and when you read those dissents, the ruling looks less like the final word and more like the prologue to what will be a long and ugly attempt to write xenophobia and bigotry back into the Constitution.

Birthright citizenship is a law whose meaning and history is so clear and obvious that opposition to it divulges more about the opposers. See also voting rights and slavery.

This 6–3 ruling comes with strong dissents (including from Brett Kavanaugh, part of the purported majority), which lay out “the road map for how Trump or future bigots might get around the Citizenship Clause.” Mystal dismantles each of the dissenters’ points (from an absurd redefinition of “domiciled” to an incredibly xenophobic reinterpretation of the history of American immigration), but notes that we’re a long way from this being settled law:

From where I sit, birthright citizenship is now poised to replace abortion as the litmus test for future Republican judicial appointments, with Barbara replacing Roe as the case Republicans insist must be overturned.

Logic and the Constitution won this round, but the fight has only just begun.

Elizabeth Tai counts herself a member of a “dying” cultural cohort, the “English-educated Chinese in Malaysia”:

I am what many Malaysians would call a banana: Chinese, but more proficient in English.

To others, I’m not “banana” enough, because by some freak of geography and luck, I can converse badly in Mandarin and in a rare form of Hokkien, the northern version spoken in Penang. But that doesn’t mean I’m Chinese enough for the Chinese-educated, who still firmly consider me a banana because I can’t read well, nor have I read the Chinese classics. So I exist in a weird in-between place.

Tai’s story is about her hope of seeing “the next generation of Chinese in Malaysia” adopting more Chinese language and culture while maintaining their western influences, thus eliminating the weird middle ground where she finds herself.

While Tai’s experience and perspective is specific to her cultural background, I found myself nodding along in recognition. I, being West Indian-born and American-raised, resonated with her sense of feeling both culturally part and apart. In middle- and high school, I was never “American” enough, while on summer trips back home I’d become “too American.” In my adulthood, I was both “too Black” and “not Black enough.” To some, I was merely Black on the outside, white on the inside—an Oreo, to use a term that, unlike Tai’s Asian “banana,” no Black person has ever called themselves.

I imagineed that our youth of today are more culturally cross-pollinated than ever in our history. I regularly witness my group of friends navigate these cultural intersections: the daughter of a half-West Indian, half-Chinese dad and Vietnamese mom embracing every aspect of her several cultures; the two kids of a Chinese-Malaysian mom and French-Canadian dad enrolled in a Chinese immersion school; or the daughter of a Jewish mom and Catholic dad choosing to celebrate her bat mitzvah. Our young people will be more culturally attuned than any previous generation. The kids, as they say, are alright.

Pete Buttigieg (regrettably on Substack):

You’ve probably heard of “swatting.” It’s a cruel and dangerous kind of hoax that has started happening more frequently in recent years. Someone anonymously calls 911 with a false report of imminent danger, such as a hostage situation, at the home of a public figure. Law enforcement swarms the house, guns drawn, terrifying the unsuspecting homeowner and family and sometimes even leading to deaths or injuries in the confusion. It’s happened to dozens of lawmakers, judges, celebrities, and others. (When I was in the Cabinet, someone attempted to do this to our home, but fortunately the hoax was quickly detected.) It’s become enough of a problem that the FBI now has a dedicated database to track such incidents.

Now imagine the same concept, but with Child Protective Services instead of a SWAT team. Hadn’t thought of that? Me neither, until a few days ago when a police officer and a CPS worker showed up at our home and politely asked to speak with me.

An anonymous caller accused Buttigieg of committing “unspeakable violent crimes” that purportedly put his twin four-year-olds in danger. The children were separated from their parents for a day and subjected to a “forensic interview” with CPS workers.

Calling the cops as an intimidation tactic is a clear abuse of law enforcement, whether against a public figure or a private citizen, and the perpetrators are unrepentantly evil. That it’s often effective is a scathing indictment of our state of policing.

Buttigieg’s anger comes through, but he’s remarkably restrained in his retelling of this violation against him and his family. I would not have managed such self-control. I’d be seething and prepared to go scorched earth on the person making such a reckless and baseless accusation. I would get medieval on their ass.

Basic Apple Guy:

Since the debut of OS X 10.9 Mavericks in 2013, Apple has released 14 versions of macOS bearing the names of beaches, mountain ranges, islands, valleys, and landmarks from across the Golden State.

But what exactly is a Mavericks? Where is Sonoma? And how many Mac users could point to where Ventura or Tahoe on a map?

Curious myself, I decided to trace the history and real-world locations behind every California-inspired macOS release and the wallpapers used to market the them to the world. Enjoy.

I recall these OS naming announcements fondly. It was always a hoot to hear the tales of the “crack marketing team,” especially as I knew several of them. Those of us not disclosed on the new names would place bets on the new name ahead of release and be sorely disappointed when it wasn’t Oxnard, Fresno, or Chico. (Though I think macOS Napa or Pismo are still future options.)

Come for the history, stay for the photos of a very young Craig Federighi.

Sometimes the headline is enough.

Gerrymandle is a daily challenge game, à la Wordle:

You are in charge of drawing the district lines for the elections.

Your goal: gerrymander the map to ensure one color wins. It’s surprisingly harder than I expected and it took a few games to recognize the “cracking” and “packing” patterns needed to create an optimal map. I bet our politicians are infuriatingly good at this game.

Andrew Singleton at McSweeney’s explains the “inner workings” of AI companies, with “examples to help the average layperson understand the business side of AI.” Example 3:

Jenny owns a crematorium. John’s propane company gives her a $20 billion investment in return for 5 percent of her operation. Jenny throws $10 billion into the incinerator, then pays John $10 billion to buy propane to burn that money to ashes. John reports that his AI investments have generated $10 billion in revenue this quarter and that he owns 5 percent of a $100 billion business.

Paresh Dave and Lauren Goode reporting for Wired (Apple News+):

Meta left potentially sensitive information collected from employee laptops accessible to anyone inside the company, according to an internal security notice seen by WIRED and three current employees familiar with the issue.

The data, which was collected as part of a divisive initiative to train artificial intelligence models, is believed to include keystrokes, mouseclicks, and content displayed on the computer screens of Meta's US employees.

As I’ve previously snarked, “I never thought leopards would surveil me,” sobs woman working for the Leopards Surveilling People Company. (A confession: When I read this story, I laughed so hard my Apple Watch gave me a “Loud Environment” warning.)

The leaked employee data, stored in “45,000 hive tables,” exposes—

[…] employee activity such as “full prompts and transcriptions, private conversations, people and performance data,” according to documents viewed by WIRED.

Dave and Goode continue:

In an internal post responding to employees’ questions on Monday seen by WIRED, Andrew Bosworth, Meta’s chief technology officer, said that the tracking program’s implementation had fallen short of the standards outlined in its privacy review and that findings from the incident would be shared. “Here we had misconfigured ACLs [access control lists] and we need to understand how that happened, track down every data access and understand it,” Bosworth wrote.

A couple of months ago, Bosworth told employees concerned about potential data leaks that the tracking program is “tightly controlled” and uses the same protection standards, storage systems, and access controls as other sensitive datasets, according to internal posts seen by WIRED.

It’s comforting knowing that the vast trove of sensitive data collected by Meta across Facebook, Instagram, Threads, WhatsApp, and Messenger is as tightly controlled as employee keystrokes.

Jeff Carillo, for SFGate, on Friday:

On Thursday, Department of Justice assistant attorney general Harmeet K. Dhillon announced that the department’s Equal Employment Opportunity Commission (EEOC) will be investigating MLB after the league issued warnings to the three players who wrote Bible verses on their Pride Night caps, citing possible religious discrimination.

You may recall my commentary on this brouhaha last week. It’s now national news, because the Trump regime wants to curdle this country into an anti-LGBT Christofascist state (more than it already was), and any signs of opposition, no matter how tepid, must be crushed.

“The three players expressed their opposition to MLB’s pro-Pride orthodoxy by inscribing Bible verses on their rainbow-colored hats,” Dhillon wrote in a letter to MLB commissioner Rob Manfred. “The Civil Rights Act prohibits MLB and its franchises from unreasonably burdening the rights of players with religious objections to serving as the League’s vehicle for pro-Pride messages.” […]

Dhillon concluded the letter by saying the department will use "all available means to hold employers accountable for violating the religious rights of their employees.”

Pretty brazen invoking the Civil Rights Act.

Here’s the thing, though: MLB didn’t warn the players for writing bible verses on their caps. The players were warned for writing on their caps, period. Any type of writing on MLB uniforms is prohibited by the Major League Collective Bargaining Agreement. It’s stated plainly. From Attachment 19, Uniform Regulations, section A. Uniform Dress Policy:

[…] No alterations, writing or illustrations, other than as authorized herein, are to be made to any part of the uniform.

And from section H. Adornments and Markings:

[…] A Player may not write, attach, affix, embroider or otherwise display nicknames or messages on apparel or playing equipment […]

MLB was forced to issue a new statement explaining this:

“To be clear, this routine verbal warning not to wear the hat in future games is not disciplinary and had absolutely nothing to do with the content of the message. We respect players’ right to free expression,” an MLB statement said.

MLB said the warning had no direct tie to the players’ actions on Pride Night.

“We have given the same warning numerous times in the past to players for messages such as ‘Dad’, ‘Happy Mother’s Day, I Love Mom’ and names of family members,’” MLB said.

In short, had these intolerant players scrawled their messages of bigotry on their caps the game before or after Pride Night, they would have been subject to the same warning—the same one they would have received had they instead scribbled “I love gay people.”

That these petty pitchers chose Pride Night to violate their MLB agreement is a declaration of their bigotry. I hope they’re drummed out of the game.

Marcin Wichary, at his site Aresluna, writes a terrific essay on the design evolution of “finger-friendly” interactions, copiously and exquisitely illustrated with custom-built interactive “playgrounds.” He uses typewriters and typing as a launchpad to explore the tremendous speed at which our fingers operate, seemingly independent of conscious thought, and the various ways we’ve designed machines and software to appear fast enough to keep up with our digital “time travelers”:

Our hands are amazing, our fingers are amazing, and our brains are amazing, too. Altogether they are capable of feats that not so long ago made absolutely no scientific sense – and sometimes still don’t today.

Artists and performers have known that intuitively for centuries. Today, a lot of creativity and productivity happen onscreen, but our interfaces do not often respect the fingers the same way older instruments did.

I want to tell you more about it, and about your responsibility, as a designer, to make sure they do.

Part of Wichary’s conclusion:

I think often delight is absence of delight. In places and apps that welcome fast fingers, delight can be abstaining from a transition or something cute but deathly. Pushing for delight of the right kind can mean long fights with frameworks to reduce even one-frame delays, tweaking CSS to allow no wasted pixels between icons (so you can click quickly without hesitation), an understanding of accessibility that goes beyond the surface, and testing and fine-tuning so that keyboard focus is continuous: always present in the right field, never delayed, never stolen by random popups.

And I am not sure if we, in the industry, fully internalized this.

His piece is a fantastic history lesson on typewriters (unsurprising considering his pedigree), and a thoughtful review of several clever and time-saving (or at least time-dilating) user interface designs (some of which, like thumb shifting, we’ve regrettably lost). You’ll be unsurprised to discover that many of these clever UI designs originate with (or were popularized by) Apple, even as Apple has regressed over the years with some of its design choices.

The essay is 7,700 words and includes 38 playgrounds. Set aside some time for the piece, and read it on a large screen so you can interact with those truly delightful playgrounds.

On Wednesday, the week after WWDC26, Apple posted one more thing: a 90-minute “Special Presentation” on Apple Intelligence, recorded live during WWDC Tuesday from the Steve Jobs Theater. It’s an old-school session, harkening back to the days before Covid eliminated in-person, on-stage presentations. It’s wonderful to see Apple engineers walking on to the stage, running demos live, pausing to acknowledge applause, and ad-libbing to fill time. It warmed my heart and reminded me that the best part about WWDC was always the engineer–developer connection.

I doubt Apple will ever go back to a full-on, in-person event—putting on a 5,000-person conference with 100+ overlapping sessions and labs was logistically onerous—but a couple of these special sessions each day would be welcome.

As for the session itself, here’s how Apple describes it:

Step inside Steve Jobs Theater to discover the latest Apple Intelligence and Xcode advancements. Learn how to accelerate your development with new agentic coding workflows in Xcode 27, and discover how App Intents enable Siri to understand context and take action inside your app. Find out how to ship intelligent features using the Foundation Models framework, deploy custom on-device models with Core AI, and scale your machine learning research and training using MLX.

If you’re at all interested in the revamped Apple Intelligence and Siri AI, this is a must-watch session. The Xcode agentic coding demo was especially impressive and left me wondering about the specificity of the prompts and the reproducibility of the results.

Glenn Rifkin, writing for The New York Times (gift link):

James Burrows, the genre-shaping master of the television situation comedy who was a creator of “Cheers” and directed more than 1,000 episodes of that show and other TV classics like “The Mary Tyler Moore Show,” “The Bob Newhart Show,” “Taxi,” “Frasier,” “Friends” and “The Big Bang Theory,” died on Friday. He was 85.

James Burrows essentially directed my youth and young adulthood. I’ve watched (and rewatched) Frasier dozens of times, recently rewatched Cheers for the first time since it originally aired, and fondly remember Will & Grace. Reading through his credits, I was struck by just how many of my favorite sitcoms he directed—even if it was only a handful of episodes, or just the pilot (Roc, anyone?). It’s fair to say I’ve seen “Directed by James Burrows” hundreds, maybe even thousands, of times.

Victoria Edel, People:

His theater background was key, he told IndieWire in 2023. “I’m not a film director. The camera, I leave that to Spielberg and Scorsese,” he explained. “I’m a theatre rat. I stage a play every week, a 20- to 25-minute play and then my camera comes in and covers it. I understand characters, I understand what’s funny, I understand the essence of keeping it moving and keeping the energy going. It’s all theatrical. If it doesn’t happen on that stage, it’s never gonna happen on film. You can cut it nine ways to Sunday, but nothing will work unless it works on that stage.”

RIP to a sitcom legend.

Ellise Shafer and Alex Ritman, writing for Variety (based on a Puck.news scoop):

Luca Guadagnino’s nearly finished Sam Altman movie, “Artificial,” has been dropped by Amazon MGM Studios, Variety has confirmed.

The film, starring Andrew Garfield as the controversial OpenAI CEO, will be shopped to other studios. The move notably comes after Amazon struck a massive partnership with the tech company in February to expand OpenAI’s use of Amazon Web Services and develop custom AI models, which included a $50 billion investment on Amazon’s part.

The film’s focus is Altman’s rapid firing and rehiring in 2023. Reportedly, “the characters of Altman and Musk are the least sympathetic and the ones audiences would ‘like the least.’” Just like in real life.

What are the chances that Bezos killed the movie as a favor to Altman?

It’s known that Altman and Amazon CEO Jeff Bezos have a relationship and Altman even attended Bezos’ wedding in Italy last year.

Right.

Which other billionaire movie studio head will eagerly chase a movie that makes their buddy Altman (and Musk) look bad (or impacts their AI negotiations)? I suspect this flick will be quietly shelved.

Yum! Brands, via press release two days ago:

Yum! Brands, Inc. […] today announced that it has entered into definitive agreements to sell Pizza Hut for $2.7 billion in the aggregate, subject to certain purchase price adjustments.

With this sale, there’s no more meeting at the combination Pizza Hut and Taco Bell. (Which I guess was already true.)

Fortunately, we remain blessed with the combination KFC and Taco Bell—the KenTaco.

Pizza Hut is being purchased by LongRange Capital, which also owns 24 Hour Fitness and sells caskets, “which is either a coincidence or the most complete business plan ever written.”

Maanvi Singh, The Guardian:

On his last day hosting CBS’s The Late Show, Stephen Colbert played one of the most iconic songs from the Peanuts soundtrack.

“Oh no! I hope this doesn’t cost CBS any money!” he joked, as Louis Cato and the Great Big Joy Machine performed the song, titled Linus and Lucy, on air. It was a final dig at the network, which many fans believe cancelled the show due to Colbert’s criticisms of the Trump administration.

It did, indeed, cost CBS. Lee Mendelson Film Productions, the California company that controls jazz pianist Vince Guaraldi’s famed Peanuts catalog and had become increasingly litigious over unauthorized uses of the music, announced it had reached a licensing agreement with CBS for an undisclosed amount. The production company said it would donate all proceeds to World Central Kitchen, the disaster-relief food non-profit founded by chef José Andrés.

One of my favorite moments during a show filled with great moments. And great outcome, too: everybody wins: Colbert, Mendelson Film, World Central Kitchen. Well, not CBS. CBS didn’t win, but it seems they got off lightly. You could say that they settled for Peanuts.

Karl Bode writes at The Fine Print*, and this headline is only the opening salvo in another banger, in case his last one wasn’t provocative enough:

Elon Musk is a hateful white supremacist cosplaying as a supergenius engineer.

I’m tempted to leave it there.

The SpaceX prospectus filed with the government is a colossal work of fiction, promising a utopian future that will never arrive and technology that will never exist, delivered by a man incapable of delivering it. The proposal utterly fabricates paths to profitability, and lies endlessly about foundational reality.

SpaceX itself, it should be clear, lost $5 billion last year. And while Musk’s actual engineers may have done some useful things for space innovation, the entire project is a financial dog; it’s a heavily-subsidized money pit propped up by utterly unworkable plans for Mars colonization and a cumbersome Starship rocket that routinely explodes, often due to Musk’s failure to understand engineering basics.

Bode then unloads on the “U.S. corporate press” which “lacks the integrity to tell the truth” and instead is focused on “propping up extraction class narratives surrounding unchecked wealth accumulation.”

Simply savage evisceration.

Karl Bode, writing for Techdirt:

Last week Elon Musk successfully conned America and U.S. regulators into signing off on his preposterous SpaceX IPO, which immediately generated Musk $75 billion by comically over-stating the value of SpaceX, xAI, and Starlink. Then bone-grafting the entire pile of bullshit to the U.S. economy and your retirement account under the pretense that space data centers and Mars colonization are just around the corner.

A handful of remaining useful journalists have repeatedly explained how xAI and Musk’s racist 5th place chatbot — which comprises the lion’s share of the ridiculous IPO valuation — is a gargantuan loser. Both SpaceX and xAI aren’t profitable and may never be, and the claims of Mars colonization and space data centers are unworkable bullshit designed to distract people with toddler-level critical thinking skills.

Anyway I’m sure it will go fine.

Bode focuses on the Starlink grift in this piece, noting the service is too expensive, difficult to scale, and capacity constrained—a niche option at best. None of which likely matters to Musk and other supporters who, Bode suggests, merely “hope it will prove to be a semi-useful backbone for a major pump and dump scheme.”

Aditya Soni, reporting for Reuters (possibly paywalled; try Reader mode):

Elon Musk’s SpaceX (SPCX.O) is buying the startup behind the popular AI coding agent Cursor, Anysphere, for $60 billion in an all-stock deal to boost its presence in the lucrative enterprise AI tools market. […]

Cursor is one of several Silicon Valley startups that have drawn waves of developers by using AI to automate coding, making it a key rival to market leaders Anthropic and OpenAI. But a lack of access to computing power has hampered Cursor’s growth. […]

In its IPO filing, the company had said Cursor’s access to developers’ data, including coding requests and design decisions, could help improve its AI models such as Grok.

If you use Cursor, it’s time to find an alternative.

Harrison Rich, San Francisco Chronicle, on Friday:

On Pride Night at Oracle Park, with the San Francisco Giants wearing special edition hats to represent the LGBTQ+ community, multiple players wrote Bible verses next to the team’s rainbow logo, while one chose to forgo wearing the cap entirely.

Starting pitcher Landen Roupp and reliever JT Brubaker wrote the Bible verse Genesis 9:12-16 on the caps they wore Friday night, the same passage that has been displayed by other players on their Pride Night hats during games.

Despicable anywhere, but especially in San Francisco, home to a massive LGBTQ+ community with enormous history throughout the city.

The Cron’s sports columnist Ann Killion, under the headline “Giants pitchers didn’t just deface Pride uniforms. They alienated their fans and city,” expands:

Like so much about hard right Christianity, the Bible verse that the players scrawled on their hats, to “reclaim” the rainbow, is being usurped in troubling ways. The Genesis verse reads:

“And God said, ‘This is the sign of the covenant I am making between me and you and every living creature with you, a covenant for all generations to come: I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant between me and you and all living creatures of every kind.”

Plenty of people who truly believe in a loving God would focus on the part about all living creatures of every kind.

All living creatures would include everybody, including LGBTQ people, a group of people who have been excluded and persecuted, who have been murdered — including in San Francisco — for simply existing, have found a measure of welcome and inclusion in small efforts like Pride Nights.

Killion rightfully asks:

Was manager Tony Vitello complicit in the protest? His starter, Roupp, wore a defaced cap. And then, in the bullpen parade of another disastrous game, every pitcher he turned to save one (Erik Miller) was also part of the Pride Night protest. Seems like a weird coincidence.

What about the owners? Cyd Zeigler at OutSports notes that the largest stake in the Giants is held by owner Charles B. Johnson, who’s donated millions of dollars to Republicans, “including anti-gay politicians like Sen. Steve Daines (R-MT), Sen. Marsha Blackburn (R-TN), Ted Cruz (R-TX), Paul LePage (R-ME) and many others.”

The team issued a mealy-mouthed statement about supporting the LGBTQ+ community, and the players were issued warnings by Major League Baseball, yet no one will face punishment.

The players should at least be benched for several games. Vitello, too. First, for allowing them to violate the team’s uniform and standards; and second, for playing them that night knowing they were planning to protest. If I were the owner, I’d look into releasing them. If they can’t handle wearing a rainbow baseball cap for a few hours, don’t play the game.

You may recall that California is trying to institute a one-time 5% tax on billionaires. Some of those absurdly wealthy folks started a Signal chat to kvetch and brainstorm opposition, which was then leaked to Emily Shugerman, The San Francisco Standard’s “Wealth & Power Reporter”:

At some point, a chat participant proposed an action more audacious than lobbying Gov. Gavin Newsom or funding an anti-tax measure: What if the group simply bought the signature-collecting company the union was using, then prohibited it from collecting more signatures?

“Of course, that’s what they would think,” said the person who had seen the messages. “That’s what you would do in business: If there’s an impediment, just buy it.”

The proposal was emblematic of the strategies the billionaire class has tested over the last eight months: unorthodox, expensive, and increasingly desperate. Since the union’s Billionaire Tax Act campaign was launched last fall, the tech elites have organized in secret, scheduling and aborting Zoom meetings, starting and deleting and uninviting members from group chats, and casually throwing tens of millions of dollars at whatever idea seems poised to defeat the initiative and scare the union into submission.

The billionaire argument against the wealth tax is that it will “[drive] out high net worth individuals, jobs, investment, and revenue” and “destroy innovation in California.” Yet I’m not seeing the value these billionaires supposedly bring to our state. The wealth they’ve accumulated isn’t being productively used—say, on housing, healthcare, or education—it’s just sitting there, growing, benefiting no one but themselves. They borrow against it, tax-free, to fund their lifestyles (and destroy media companies). If they gain economic value from the wealth, they should pay taxes on it.

Benjamin Mullin, writing for The New York Times (gift link):

Fox Corp., the parent company of Fox News and the Fox broadcast network, is buying the streaming company Roku for $22 billion, a major deal that would make the Murdoch media empire a formidable contender in the streaming wars. […]

It would give Fox Corp. a foothold in more than 100 million households that stream content using devices powered by Roku, whose distinctive black-and-purple remotes are common in living rooms around the world.

In 2024, Roku aggressively pushed a Terms of Service update that locked customers out of their devices until they agreed to the change, tested full-screen start-up ads in 2025, and a recently filed class-action lawsuit accuses the company of intentionally bricking its TVs via software updates. My (thankfully limited) experience with Roku was marred by crummy software and sluggish hardware.

It’s the perfect vessel for the sludge Fox “News” peddles.

Mr. Murdoch and Anthony Wood, Roku’s chief executive, explained the deal during a question-and-answer session with analysts on Monday, but investors didn’t seem immediately convinced. Fox’s stock fell 14 percent in morning trading.

Nobody buys a Roku device because they’re good. They buy them because they’re cheap and lack taste. Ditto this acquisition.