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Garrett Graff: ‘Three Reasons I Still Have Hope for America’

Garrett Graff: ‘Three Reasons I Still Have Hope for America’

This optimistic piece from Garrett Graff comes as we head into this weekend’s No King’s protest:

To me — as someone who cares deeply about the future of American democracy — the rallies stand as an important expression of love for the United States and the idea and dream that the US has represented for 250 years.

Graff has been writing about how the United States has tipped into authoritarianism, but offers “three significant reservoirs of hope”:

1. People — There are more of us than there are of them.

It’s easy to lose sight of how weak this administration’s popular support actually is. Two-thirds of Americans are not Trump voters — and even many who did support him are beginning to question or turn against what it’s like to live in Donald Trump’s America.

2. History — America’s progress has always been imperfect.

Ironically, the second pillar of hope I have is that the history of the United States is filled with dark chapters — sometimes, even long dark chapters.

We are a country founded on a deeply imperfect premise, “all men are created equal,” that at that time excluded enslaved Blacks, women, indigenous people, and even white men who didn’t own property. America has many stories and the one that I choose to believe is the one where we are a country that strives, generation by generation, decade by decade, to be better. That viewed across 250 years, America is a country where each generation has strived to hand off a country more just, equal, and prosperous than the one they inherited from their parents and grandparents.

3. Actuarial — Trump won’t last forever, which means “Trumpism” will fall.

Trump may want to be a dictator and emulate Franco and Orban, and — who knows — maybe the ridiculous White House ballroom he’s building is an indication he doesn’t plan to leave peacefully on January 20, 2029, but time tells us that he’s never going to be Franco, the dictator who reigned in Spain from 1939 until 1975. The reality is Donald Trump is 79 and not well — and probably less well than the media is willing to dig into — and his reign as president and America’s would-be king will be measured in years, not decades.

Whenever and however Donald Trump exits the stage, there just isn’t anyone who will step into the MAGA movement’s shoes — there are plenty of people who will try, from JD Vance to Marco Rubio to Ron DeSantis to Don Jr. to Ted Cruz, but the thing we’ve seen over and over across the last decade is that no one is Donald Trump. Vice President JD Vance, an incredibly awkward and unfunny Trump-lite who is widely despised by both sides, is most certainly not Donald Trump.

It’s a welcome piece—long, but detailed. If you’re looking for nuggests of hope, you might find them here.

If you’re attending a No Kings protest on Saturday, stay safe.

Apple is Now the Exclusive Formula 1 Broadcast Partner in U.S.

Apple Newsroom:

Apple and Formula 1® today announced a five-year partnership that will bring all F1 races exclusively to Apple TV in the United States beginning next year. […]

Apple TV will deliver comprehensive coverage of Formula 1, with all practice, qualifying, Sprint sessions, and Grands Prix available to Apple TV subscribers. Select races and all practice sessions will also be available for free in the Apple TV app throughout the course of the season. In addition to broadcasting Formula 1 on Apple TV, Apple will amplify the sport across Apple News, Apple Maps, Apple Music, and Apple Fitness+. Apple Sports — the free app for iPhone — will feature live updates for every qualifying, Sprint, and race for each Grand Prix across the season, with real-time leaderboards, season driver and constructor standings, Live Activities to follow on the Lock Screen, and a designated widget for the iPhone Home Screen.

According to emails sent to current Formula 1 TV subscribers, F1 is keeping its “F1 TV Access” (the lowest-tier option—$3.49 a month or $29.99 a year, which does not include any live video streaming) and is phasing out its “F1 TV Pro” package ($10.99 a month) while shifting its highest “F1 TV Premium” tier ($16.99 a month—the “Ultimate F1 Live Immersion” which includes multiview and 4K streaming) to Apple TV:

From January 2026, our new Formula 1 broadcast partner in the US will be Apple TV. Next season F1® TV Premium will continue to be available in the U.S., included with an Apple TV subscription only.

You will still be able to purchase F1® TV Access, which remains available in the US.

Apple TV customers pay $12.99 a month and will now get that $16.99-a-month “Premium” tier as part of their subscription. That’s a hell of a deal. A lot more people might find themselves watching F1 races out of mere curiosity. I’ve never watched a single F1 race (or Drive to Survive or F1 The Movie), but this new partnership may finally get me to check out the hype, seeing as it’s now effectively free for me to do so.

Meanwhile, “F1 TV Pro” subscribers get full access to everything Apple TV has to offer for an extra $2 a month, while “F1 TV Premium” subscribers save $4 a month.

This seems like a massive win for everyone.

Additional information — including production details, product enhancements, and all the ways fans will be able to enjoy F1 content across Apple products and services — will be announced in the coming months.

I assume this will include an immersive Apple Vision Pro experience. An app called Lapz was briefly available and was considered the best way to watch F1 races. The F1 folks put the kibosh on it last year; perhaps one of them will acquire it.

One sour note, from the aforequoted press release:

Apple will amplify the sport across Apple News, Apple Maps, Apple Music, and Apple Fitness+.

Translation: We need to recoup our money somehow, so prepare to see a lot of unwanted F1 content. I can see it now: Your commute will take 45 minutes, but an F1® car would get you there in just ten. Subscribe to Apple TV to experience the thrill of speed.

‘The Rocky Horror Picture Show’ 50th Anniversary Collectible Steelbook

Yours truly, back in August:

[…] bless my soul, as sure as there’s a light over at the Frankenstein place, you can bet I’ll be buying the 50th Anniversary 4K edition when it’s released in October.

It’s released, ordered, and should arrive today. It’ll make a perfect weekend watch. (As always, Amazon links can earn me a couple of pennies. Time is fleeting.)

‘I Replaced My Toaster’s Firmware and Now I’m a Fugitive’

I thoroughly enjoyed this short story by Jason Self. It’s a pitch-perfect future-tech satire that’s increasingly recognizable in our connected-everything/right-to-repair/DRM-and-subscriptions-everywhere reality:

My OmniHome™ SynapseToaster™, a sleek obsidian slab that cost more than my first car, was perfectly capable of producing golden-brown perfection. That capability was locked behind DRM. A notification would slide gracefully onto my OmniTab™ screen every morning: “Experience the Maillard reaction as our chefs intended. Upgrade to the Artisan Browning™ subscription for just 10 credits a month.”

I found it utterly delightful.

Official Steve Jobs $1 ’American Innovation’ Coin Design Revealed

United States Mint:

The United States Mint (Mint) today released the designs for the 2026 American Innovation $1 Coin Program. The 2026 designs honor innovations and/or innovators from Iowa, Wisconsin, California, and Minnesota.

The California design features Steve Jobs:

This design presents a young Steve Jobs sitting in front of a quintessentially northern California landscape of oak-covered rolling hills. His posture and expression, as he is captured in a moment of reflection, show how this environment inspired his vision to transform complex technology into something as intuitive and organic as nature itself. Inscriptions are “UNITED STATES OF AMERICA” and “CALIFORNIA.” Additional inscriptions are “STEVE JOBS” and “MAKE SOMETHING WONDERFUL.”

This is the design recommended by Governor Gavin Newsom earlier this year. It doesn’t exactly scream California innovation! to me, though—perhaps it needs a Macintosh in Steve’s lap.

(This is not the design the Citizens Coinage Advisory Committee preferred, which featured Steve as older and wearing glasses and a turtleneck. That design, while certainly a more familiar image, placed even greater emphasis on the man. This design at least alludes to California as a source of inspiration.)

The $1 coins will sell for $13.25 each.

Joz, Apple’s Marketing Chief, Teases M5 MacBook Pro

Greg Joswiak, Apple’s Senior VP of Marketing, posting to X/Twitter (link is to xcancel.com, so you can safely click without actually visiting the hellsite):

Mmmmm… something powerful is coming.

After years of “we don’t even wink in the direction of new products,” it’s weird to see Apple executives actively teasing new products.

It doesn’t take a marketing genius to figure out five “M”s equals “M5”. The Roman-numeral-V-shaped silhouette of the included video simply rams it home:

A V-shaped view of a MacBook Pro, with blue light pulsing from top left to top right.
An M5 MacBook Pro is virtually verified. Verily. Video courtesy of Apple.

The headphone port on the left aligns with a MacBook Pro (not Air). And this may be just the lighting, but it looks a smidge thinner. Plus—and perhaps this is merely wishful thinking—the overall coloration, and the closing Apple logo, implies the tantalizing possibility of a MacBook Pro in something other than Space Black or Silver.

A teal blue Apple logo on black.
Teal MacBook Pro, anyone? Image courtesy of Apple.

Not that I’m in the market for a new MacBook Pro.

A new MacBook Air with cellular though….

Drew Struzan, Iconic Artist Behind ‘Star Wars’ and Other Classic Movie Posters, Dies at 78

Drew Taylor, The Wrap:

Drew Struzan, the poster artist behind “Star Wars,” “Blade Runner,” “The Thing,” “Raiders of the Lost Ark,” “Back to the Future” and countless others, died on Tuesday due to complications from Alzheimer’s disease, his family said on a statement. He was 78.

I didn’t know the artist, but I sure as hell knew the art. If you love movies, you most assuredly know Struzan’s work, too. For many of us, his posters are the defining image for that movie. Indiana Jones and the Last Crusade, Return of the Jedi, Back to the Future, Coming to America, and more of Struzan’s iconic posters are all indelibly imprinted on my brain.

RIP to a legend.

(Via @andhow by way of @raganwald.)

Republicans’ Government Shutdown Cancels Blue Angels for SF Fleet Week

This year, the high-flying Blue Angels were not the highlight of San Francisco Fleet Week, held this weekend, noted NBC Bay Area:

It’s official. The U.S. Navy, including the Blue Angels, will not participate in San Francisco Fleet Week this year due to the ongoing federal government shutdown.

In a statement late Tuesday night, the San Francisco Fleet Week Association said U.S. Navy ships, Sailors, and Marines would not take part in this year’s events “due to the continuing lapse in federal appropriations.”

The Republican government shutdown grounded America’s aerial acrobats. Thank goodness for the Canadian Snowbirds, eh?

Perhaps the Qatari Air Force can perform next year.

In addition to dashing away the innocent joy of watching the Blue Angels fly jet planes in precise, death-defying formation, the Republican shutdown also means furloughing 34,000 IRS employees, the closure of National Parks, an expected explosion of healthcare costs, and less safe airports as TSA agents and air traffic controllers worry about their next paycheck. Oh, and Donald Trump suggests those federal workers don’t deserve back pay.

🎶 America, America… 🎶

Disappointing Dozens of Customers, Apple Clips is No More

Apple Support:

The Clips app is no longer being updated, and will no longer be available for download for new users as of October 10, 2025. You can continue to use Clips on iOS 26 and iPadOS 26 or earlier.

The app is no longer shown under Apple’s App Store listing , and visiting the link returns an “App Not Available” or “Cannot Connect” error.

Apple introduced Clips in 2017 without much fanfare as a “fun, new way to create expressive videos on iOS,” but it failed to catch on with the Instagram and TikTok crowd. The app received just a handful of updates in subsequent years and had long been presumed dead, baby. Now it’s official: Clips has ceased to be. It is an ex-app.

Goodness, I love ‘Cards Against Humanity’

Cards Against Humanity has a new edition of its long-running deck of sometimes bawdy, generally silly, and always funny fill-in-the-blank cards they’re calling Cards Against Humanity Explains the Joke. The website opens thusly:

Trump is Going to Fuck Christmas

Like a teen girl at a beauty pageant, Christmas is in grave danger because of Donald Trump.

Via Nate Anderson at Ars Technica, who explains:

Cards Against Humanity, the often-vulgar card game, has launched a limited edition of its namesake product without any instructions and with a detailed explanation of each joke, “why it’s funny, and any relevant social, political, or historical context.”

Why? Because, produced in this form, “Cards Against Humanity Explains the Joke” is not a game at all, which would be subject to tariffs as the cards are produced overseas. Instead, the product is “information material” and thus not sanctionable under the law Trump has been using—and CAH says it has obtained a ruling to this effect from Customs and Border Patrol.

All of the profits, promises CAH, “go to the American Library Association to fight censorship.”

I noted the potential impact of tariffs on tabletop games when they were first announced in April (which feels like a lifetime ago). I love that CAH is trailblazing here, and supporting a good cause while they’re at it.

Preorders for Explains the Joke are $25 and close October 15. Oh, and it’s available only in the United States, because:

This is an American promotion for freedom-loving, tariff-hating Americans.

Ordered.

The Oatmeal on AI Art

Matthew Inman, AKA The Oatmeal:

I want to start with a simple observation:

When I consume art, it evokes a feeling. Good, bad, neutral—whatever.

When I consume AI art, it also evokes a feeling, Good, bad, neutral—whatever.

until I find out that it's Al art.

Then I feel deflated, grossed out, and maybe a little bit bored. […]

Even if you don't work in the arts, you have to admit you feel it too—that disappointment when you find out something is AI-generated.

Absolutely spot on. While I’m often impressed with the results of AI art, knowing that it took no artistic ability often leaves me cold. It has no heart, no emotion.

(Admittedly I often have a similar reaction to some modern art.)

Like Inman, I see some value in AI art (or AI coding or AI proofreading): as tools for eliminating drudge work (what Inman calls “administrative” rather than “creative” work) or for creating “throwaway” work that I wouldn’t otherwise spend time making. I might appreciate it, but I’m rarely inspired by it.

Apple Plays to IT Crowd with Strike at Blue Screen of Death

Apple’s favorite fictional team, The Underdogs, is back with an eight-minute ad—I’m sorry, short film—about the widespread, CrowdStrike-inflicted Windows Blue Screen of Death of 2024. Via The Verge, which describes it:

Apple’s ad follows The Underdogs, a fictional company that’s about to attend a trade show, before a PC outage causes chaos and a Blue Screen of Death shuts down machines at the convention. If it wasn’t clear Apple was mocking the infamous CrowdStrike incident, an IT expert appears in the middle of the ad and starts discussing kernel-level functionality, the core part of an operating system that has unrestricted access to system memory and hardware.

CrowdStrike’s Falcon protection software operates at the Kernel level, and a buggy update last year created BSOD issues that took down banks, airlines, TV broadcasters, and much more.

But not, of course, Macs, which were impervious to the assault.

The video was funny in the cringe way most of The Underdogs commercials are (they’re all a bit try-hard and need to improve their work-life integration), but it made the point: Macs are secure by default (and also have a bunch of time-saving features).

A couple of “production” notes:

  • All five domain names on the business cards are registered (between April 15 and July 21, 2025), but none take you to a working site—not even a redirect.
  • On the other hand, all the cards have a valid QR code that takes you to Apple at Work. Delightfully, instead of being printed on the cards, the QR codes appear to be physically cut-and-pasted on—exactly what you’d expect from companies unwilling to reprint their business cards.
  • One domain not shown but can be inferred—that of our hero company, betterbag.comdoes redirect to the same Apple at Work site. That domain was registered in September 2011. (Note: It’s not, as I mistakenly typed one time, betterbags.com—plural. That’s a real bag company. I wonder how they feel about the misdirected traffic.)
  • At least one other fictional company, Origami Boxes, also uses Macs—you can see their hardware, and it’s still running.
Screenshot from the commercial showing a still-working MacBook and Apple Studio display on the left, with a woman hastily running past it.
The message is clear: Use Macs, avoid BSOD.
  • The “Credits” at the end describe the various security features (for example, Gatekeeper “Protects users from malicious software” and XProtect “Automatically detects and removes viruses and malware”), Apple hardware (Mac mini, Apple Watch) and software (Shazam, Genmoji, Find My), plus “special guests,” including Microsoft Excel and PowerPoint, JigSpace, Mailchimp, Myngly, Adobe Acrobat, Reddit, and Slack.
  • Curiously, while Numbers makes an appearance, Pages and Keynote do not, which makes me wonder how they got their presentation up on screen—PowerPoint? Really, Apple?

New Raspberry Pi OS ‘Trixie’ Released

As long as I’m in the hacker space, I might as well mention the latest Raspberry Pi OS, named Trixie, which dropped last week. Simon Long writes on the Raspberry Pi blog:

We’re past summertime, and it’s an odd-numbered year, which means there is a new major release of Debian Linux, which in turn means there is a new major release of Raspberry Pi OS. This year’s version of Debian is called Trixie — as many of you know, Debian releases are named after characters in Disney’s Toy Story series of films, but all the well-known characters have already been used, so the names are getting increasingly obscure! Trixie is apparently a blue plastic triceratops who appears in Toy Story 3, but I must admit I can’t remember her — then again, I only watched that one once, because it got a bit sad towards the end…

I’m disappointed Long didn’t remember Trixie. She’s adorable, voiced by the very funny Kristen Schaal, and not at all obscure! He’s right about the sad, though.

But I digress.

Right. The release.

The biggest change: the Linux system clock, which was headed to its own Year-2000-style apocalypse in 2038, forestalls the issue by moving from a 32-bit number to a 64-bit number, so come 2038, the world (again) won’t collapse because of a date rollover—we now have until the year 292,277,026,596 to worry about that.

(You don’t remember Y2K? Kiss a programmer.)

There’s also a new desktop theme (new icons, new font, new desktop backgrounds; still ugly) and an updated “Control Centre” (yes, Raspberry Pi is based in the U.K.).

I haven’t had much need for my Raspberry Pis recently, thanks to Digital Ocean, but perhaps I’ll update them just to see how the new Trixie OS feels. It’s got to be better than macOS Tahoe 26, amirite?

Qualcomm Acquires Arduino

Qualcomm, on its acquisition of maker-focused Arduino for an undisclosed amount (via Emma Roth at The Verge):

Arduino will retain its independent brand, tools, and mission, while continuing to support a wide range of microcontrollers and microprocessors from multiple semiconductor providers as it enters this next chapter within the Qualcomm family. Following this acquisition, the 33M+ active users in the Arduino community will gain access to Qualcomm Technologies’ powerful technology stack and global reach. Entrepreneurs, businesses, tech professionals, students, educators, and hobbyists will be empowered to rapidly prototype and test new solutions, with a clear path to commercialization supported by Qualcomm Technologies’ advanced technologies and extensive partner ecosystem.

“Arduino” is practically synonymous with “DIY hacker projects,” and, I’ll admit, I still think of them as just the tiny microcontroller breadboard used by hobbyists to learn electronics and programming. The company closed a $22 million fundraising round two years ago, valuing them then at $54 million, which would be a rounding error at twice that for the $182 billion Qualcomm.

This seems like an unlikely pairing, making me skeptical this will end well for Arduino, but maybe it’s just an infusion of cash, and a chance for Qualcomm to sell more of its hardware to hobbyists and tinkerers while walking them up the enterprise ladder. Still, enshittification is real, and tiny companies have a way of quietly disappearing once acquired by behemoths. Crossing my fingers for Arduino and a generation of makers.

(Arduino also announced UNO Q, a $44 USD “dual-brain platform” powered by both a Qualcomm Dragonwing processor that runs Debian Linux and a realtime microcontroller, along with the free Arduino App Lab, “a brand-new integrated development environment that unifies the journey across real-time OS, Linux, Python, and AI.” I never got into the Arduino ecosystem—I was always a software guy, so I landed on the Raspberry Pi side of the divide—but this new kit and IDE have definitely caught my eye.)

‘Stay Hungry, Stay Foolish’: Steve Jobs’ Stanford Commencement Address, Twenty Years On

The Steve Jobs Archive has a wonderful digital exhibit about Steve Jobs’ Stanford address, which closes with the “Stay Hungry, Stay Foolish” quote I referenced in my remembrance:

To celebrate the 20th anniversary of Steve’s commencement address at Stanford, we are sharing a newly enhanced version of the video below and on YouTube. It is one of the most influential commencement addresses in history, watched over 120 million times, and reproduced in media and school curricula around the world.

If you’ve never seen the commencement address, you won’t regret the fifteen minutes. If you’ve seen it before, you already know it’s always worth revisiting. It’s an experience that stays with you.

Be sure to explore the related artifacts at the bottom of the page. They are equally wonderful.

Kagi Launches a Free Daily Digest to Encourage a ’Healthy News Diet’

Kagi, the surveillance-free, paid search company, introduces Kagi News, a free news aggregation service:

Kagi News operates on a simple principle: understanding the world requires hearing from the world. Every day, our system reads thousands of community curated RSS feeds from publications across different viewpoints and perspectives. We then use AI to distill this massive information into one comprehensive daily briefing, while clearly citing sources.

Up to 12 stories in each user-selected category, published once per day at noon UTC.

Naturally, Kagi touts its privacy-focused design:

Your reading habits belong to you. We don’t track, profile, or monetize your attention. You remain the customer and not the product.

Kagi has also open sourced the web app and list of feeds that power the system.

After using it the last few days, I found many of the summaries useful, with helpful additional context, but several had a telltale smell of “AI.” For example, an “Apple” story headlined “MacOS Tahoe adds customization and Live Activities; Homebrew install tips” was an odd amalgam of barely related stories that made little sense together.

I’m not yet sure how Kagi News fits into my news consumption routine. I currently read dozens of RSS feeds every day and I can’t imagine being satisfied reading a handful of summarized stories instead. Beyond that, the selection of stories it features rarely matches my definition of “most important,” though it’s already exposed me to stories I might not have otherwise seen. It’s a promising idea, and I think it’ll be valuable to many people looking to curtail their news consumption, but it’s possible the entire concept of a “healthy news diet” is simply anathema to me.

National Writers Union on the Anthropic Settlement

As a follow-up to the Anthropic copyright settlement book search tool, here’s how the National Writers Union sees the settlement:

This is not the settlement that we as a union want, or that writers as creative workers deserve. But if writers do nothing, they may receive nothing, or less than they are entitled to. So in this moment, the NWU urges ALL writers to be proactive to see if their work is included and make claims for their full share of the settlement money – and to object if they think the settlement is unfair and should be rejected.

They are encouraging authors to register themselves with the settlement administrator, noting:

If you do nothing, you might get nothing at all. You might get a payment anyway, if your publisher tells the settlement administrator that you are entitled to a share, and if they can find you. But it could be less than you are entitled to.

There’s little reason for anyone to opt out except in the highly unlikely event that you are planning to bring your own separate lawsuit against Anthropic. (Good luck with that.) If you opt out, you will get no money from the settlement.

There’s a minute chance enough authors (and publishers) will object to the settlement that it doesn't go through. I’ll admit there’s a small part of me that hopes it blows up, mainly because I feel Anthropic is getting away with massive piracy for a pittance. You can be completely in the tank for AI and still want to see Anthropic (and OpenAI and Meta and …) fairly compensate the creators on whose works these AIs are trained. I suspect, though, that most authors will roll their eyes in contempt and begrudgingly accept these token payments rather than risk getting nothing.

A perfectly calibrated settlement.

Official Anthropic Copyright Settlement Book Lookup Tool Available

Now that the Anthropic settlement has received preliminary approval, authors can look up their books in an official tool. From the Anthropic Copyright Settlement site:

To see if your book is included in the settlement, select how you would like to search and enter your search terms.

You can search by ISBN/ASIN, Title, Author, or Publisher.

The search results differ from the search tool The Atlantic created. The site has an FAQ about that:

51. My work was on The Atlantic’s list of LibGen files. Why is it not on the Works List?

The Works List only includes works that meet the Class definition (as identified in FAQ 5). A work on The Atlantic’s list of LibGen files may not meet the Class definition for many reasons […]

Those reasons will disappoint many authors whose work was pirated, but which didn’t meet the criteria for compensation.

Clues by Sam

A new (to me) daily logic game where you “figure out who is criminal and who is innocent.” The clues are of the “There are more criminals than innocents to the right of Frank” and “There are exactly 2 innocents in row 3” variety. Each clue leads logically to the next, and there’s no guessing allowed: if the available clues don’t allow for a logical determination of a suspect’s innocence or criminality, you’re prevented from making that call. There is also, naturally, a Wordle-style “social media” component for sharing your results and time. Here are my results from today (I’d be much better at this if I wrote down the identified logic and built truth tables. Instead, I try to keep it all in my head, with the demonstrated slow results):

I solved the daily Clues by Sam (Oct 1st 2025) in less than 33 minutes
🟩🟩🟩🟩
🟩🟩🟩🟩
🟩🟩🟩🟩
🟩🟩🟩🟩
🟩🟨🟩🟨
https://cluesbysam.com

I loved (and was pretty good at) these logic puzzles as a kid, and this one hurts my brain in exactly the right way. I find them much more enjoyable than Sudoku.

Ok, Fine, KPop Demon Hunters Is Great

And exactly what it says on the tin. This nine-minute trailer compilation will tell you quickly if this is your cup of ramen (“Beating you is what I do do do” is what hooked me). Gorgeous animation, vibrant characters, engaging story… oh yeah, and annoyingly infectious music. It comes by its three hundred million views honestly. Naturally a sequel and live action remake are in consideration. (Warning: spoilers abound in those links.)

Why Every Mister Rogers’ Intro Theme Is Different

Yes, every intro of the nearly 900 episodes of Mister Rogers’ Neighborhood was played live, but that’s not the reason—it’s because of improvisational jazz pianist Johnny Costa.

(I fell down @treehousedetective’s YouTube rabbit hole; his channel is filled with these surprising-yet-apparently-true nuggets. I highlighted this one because of its wholesomeness. Slightly less wholesome: why classic cartoon characters wear white gloves, why Mr. Snuffleupagus was finally revealed to adults, and why Doc and Marty were friends. I’ll never unknow these things.)

Jordan Mechner’s Favorite Version of ‘Prince of Persia’

Jordan Mechner, answering a question he gets a lot:

Which is your favorite/definitive version of the original Prince of Persia game?

He runs through the various versions, starting with the one I played incessantly:

The Apple II version was the original. It’s the only version I programmed myself; Prince of Persia’s gameplay, graphics, animation and music were all created on the Apple II. I spent three years sweating over every byte (from 1986 to 1989), so it’s close to my heart in a way no other version can be. That said...

I was surprised to learn the 1990 PC version is Mechner’s preferred variant:

If someone asked me the best way to play old-school PoP online today, I’d likely recommend the DOS version.

He calls the Mac port “terrific” (I, surprisingly, never played it). Of the Super Nintendo version, which I played the heck out of, Mechner wrote in his journal:

Wow! It was like a brand new game. For the first time I felt what it’s really like to play Prince of Persia, when you’re not the author and don’t already know by rote what’s lurking around every corner.

He called playing it a “delighted thrill.”

Mechner also makes passing reference to “Sands of Time,” which I played a lot on my PlayStation 2.

Thirty-five years on, I’m still playing Mechner’s game. Sitting on my PlayStation 5 right now is Prince of Persia: The Lost Crown.

The Athletic: What We Learned From MLB’s Spring Robot-Umpire Test

Jayson Stark, writing for The Athletic back in March, examined the results of MLB’s Spring Training test of the Automated Ball Strike (ABS) Challenge System that’s coming next year (main link is paywalled, sorry; here are Apple News+ and Internet Archive links):

Stark spoke with players, managers, and team executives to get their take on the system. My main takeaway is that the system works… for some definition of “works”:

Every hitter, catcher and pitcher has an idea in his head of what a strike is and what a ball is. So for ABS to work — really work — the electronic strike zone has to feel essentially like the zone baseball players have in their heads.

You know what won’t work? If that zone feels just like some sort of technological creation.

So which was it this spring? Uh, let’s just say it’s a work in progress.

Tigers catcher Jake Rogers, on reviewing the ABS results after games:

“It’s crazy,” Rogers said, “because on ABS, you look at the iPad … and (the pitch is) half an inch below the zone. And then we get our report back with the old strike zone, and it’s a full ball in the zone. So it’s like, wow, it looks like a strike. It feels like a strike. And all of a sudden, you’re thinking: Do you challenge, or do you not challenge? So you go back and look at it, and it’s a ball (on ABS).”

Journeyman pitcher, Max Scherzer:

In his recent appearance on the Starkville podcast with me and Doug Glanville, Scherzer said one thing he’d like to see is “a buffer zone, maybe around the challenge system. So hey, if you challenge and it’s in the buffer, the call stands. So you keep human power, the human element, still with the umpire.

“I’m OK changing the call when it’s an egregious call,” the Blue Jays’ future Hall of Famer said. “But when we’re talking about a quarter of an inch that you can’t really detect it, I don’t necessarily know if that makes the game better.”

I agree with Scherzer. It’s great to have the system to correct clearly wrong calls. I’m less enthused about relying on it to make a call based on fractions of an inch—which no human could reliably distinguish in the best of circumstances anyway. If an umpire calls a pitch a ball, and was “wrong” by an eighth of an inch, that’s not a bad call. It’s a human call, and baseball is still a human game.

Stark asks, ”Are we sure this is what we want?”

Do we really want a World Series decided by a pitch that’s literally the width of a hair off the plate? I asked that question of an AL exec. He swatted it away like a piece of lint.

“Maybe just get the call right,” he said.

Stark closes:

What’s the true goal here? What are we trying to accomplish?

Technology is awesome. Robots are the future. And right calls are better than wrong calls. But is the sport truly better off if a World Series gets decided on a pitch 1-78th of an inch outside a robotized strike zone? The answers are so much harder than the questions.

MLB Approves ‘Computer’ Umpires for Challenged Ball/Strike Calls

MLB, earlier this week:

Major League Baseball (MLB) today announced that the Automated Ball Strike (ABS) Challenge System has been approved for Major League play by a vote of the Joint Competition Committee. Beginning in 2026, the “Challenge System” will be used in all Spring Training, Championship Season, and Postseason games.

It looks like we’ll have computerized umpires regularly calling balls and strikes before we see a full-time female umpire in the game.

From the “How It Works” section of the announcement:

If a pitcher, catcher, or batter disagrees with the umpire’s initial call of ball or strike, he can request a challenge by immediately tapping on his hat or helmet and vocalizing a challenge. The pitch location is compared to the batter’s strike zone, and if any part of the ball touches any part of the strike zone, the pitch will be considered a strike. The home plate umpire will announce the challenge to the fans in the ballpark and a graphic showing the outcome of the challenge will be displayed on the scoreboard and broadcast. The entire process takes approximately 15 seconds.

The system’s been used at the Triple-A level since 2022, and at the Major League level during this year’s Spring Training and All-Star Game.

Baseball has always been a game of inches. Part of the joy and pain of the game is knowing that an inch here or an inch there can dramatically alter the outcome of an at-bat, a game, or a season. While egregiously bad calls deserve to be challenged and overturned, I’d hate to see the game become a contest of constantly challenged calls of balls and strikes. My love of baseball has already been strained under rule changes I detest. I’m hoping this won’t be one more reason for me to stop caring.

‘As I Was Saying Before I Was Interrupted’: Jimmy Kimmel Echoes Jack Paar in His Return

Jimmy Kimmel, returning to his show on Tuesday after his suspension over a pointed joke, quotes Jack Paar upon his return to The Tonight Show 65 years earlier, after walking off in protest over a censored joke.

Different circumstances, of course, but I appreciate that Kimmel (or his people) knows and respects the history of late night talk shows enough to make the reference.

Kimmel’s monologue (6+ million viewers on TV, 18+ million on YouTube) struck exactly the right tone of defiance, conciliation, and emotion. He choked up during his “apology” for last week’s joke, and followed it up with this:

This show is not important. What is important is we get to live in a country that allows us to have a show like this.

I’ve had the opportunity to meet and spend time with comedians and talk show hosts from Russia, countries in the Middle East, who told me they would get thrown in prison for making fun of those in power, and worse […]. They know how lucky we are here. Our freedom to speak is what they admire most about this country. And that’s something I’m embarrassed to say I took for granted until they pulled my friend Stephen off the air, and tried to coerce the affiliates who run our show in the cities that you live in to take my show off the air. That’s not legal, that’s not American, that’s un-American, and it’s so dangerous.

He went hard after Brendan Carr and Donald Trump, and took a dig at Disney while he was at it, reading a “statement” that was one of the “conditions” of his return:

To reactivate your Disney+ and Hulu account, open the Disney app on your smart TV or TV-connected device.

I’ve very rarely paid attention to Kimmel. I have no particular issue with him, beyond not finding him especially entertaining, but I’m glad to see he’s not backing down from this fight.

(Be sure to stick around for a very De Niro appearance by Robert De Niro.)

Jimmy Kimmel Returns to Most ABC Stations Not Controlled by Fascists

Brian Steinberg, Variety:

Disney and ABC will bring the comedian back to its schedule starting Tuesday night, after a decision to take his show, “Jimmy Kimmel Live,” off the air for an indefinite period of time. “Last Wednesday, we made the decision to suspend production on the show to avoid further inflaming a tense situation at an emotional moment for our country. It is a decision we made because we felt some of the comments were ill-timed and thus insensitive,” the company said in a statement. “We have spent the last days having thoughtful conversations with Jimmy, and after those conversations, we reached the decision to return the show on Tuesday.”

“We’ve lost more money than Scrooge McDuck has in his vault. Please boycott your local affiliates now.”

Kimmel won’t be back everywhere, though; both Sinclair Broadcast Group and Nexstar are preempting the show. Alex Weprin, The Hollywood Reporter:

“Beginning Tuesday night, Sinclair will be preempting Jimmy Kimmel Live! across our ABC affiliate stations and replacing it with news programming,” the company said in a statement Monday. “Discussions with ABC are ongoing as we evaluate the show’s potential return.”

“We’re negotiating how much ABC will pay us to broadcast the show.”

“In the meantime, we note that Jimmy Kimmel Live! will be available nationwide on multiple Disney-owned streaming products, while our stations will focus on continuing to produce local news and other programming relevant to their respective markets.”

“No matter how hard we try, we can’t stop the signal. Besides, local news is cheaper to produce; someone else writes it, and we just read it.”

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