Four years on, and this day—September 9, 2020—remains my most surreal and enduring memory of the pandemic.
Waking up during the 7 o’clock hour in early September in San Francisco usually means blinking away sunlight as it streams into our bedroom, while I fumble to snooze my iPhone alarm. Instead, it was curiously dark.
I didn’t think much of it as I stumbled through my morning ablutions and overnight work email catchup. It was 9 a.m. before I happened to peek out of our back window.
From our back window, shortly after 9 a.m. Image courtesy of the author.
Six months into the pandemic lockdown, and I legitimately thought we’d finally reached Armageddon.
From our front window, shortly after 9 a.m. Image courtesy of the author.
Our usually bright, almost Autumn morning was dark. Street lamps remained on, and morning songbirds stayed eerily silent. The pandemic lockdown already meant our neighborhood was quieter than usual, but this morning the streets were Zombie Apocalypse-level deserted.
It was hauntingly quiet.
Between meetings, I wandered down to Cole Valley. The N Judah station looked like the long-abandoned remnant of a distant civilization, and the usually bustling corner of Cole and Parnassus had but a few hardy souls brunching, as a lone dog walked its human.
Cole Valley N Judah MUNI station, shortly after 11 a.m. Image courtesy of the author.Cole Valley, Corner of Cole and Parnassus, about 11:30 a.m. Image courtesy of the author.
My SFBA Friends iMessage group chat blew up that morning as we commiserated. “It’s the rapture,” cried Michael.
“I’m officially done with this year,” lamented Lisa.
“Me too,” agreed Kelly. “I think today’s orange sky is the day I finally lost it.”
The combination of the usual San Francisco fog, coupled with massive wildfires throughout the Bay Area, had conspired to blot out the sun and turn the sky a dusky orange this day four years ago. These images are now indelibly etched into my brain.
Jen Psaki, introducing her interview with Martin Sheen and Mary McCormack on Inside with Jen Psaki:
The story goes like this: The historically successful but aging Democratic president prepares to step aside from public life, and throws his support behind a young, impressive, diverse, and inspiring successor to carry his mantle forward. And no, I’m not talking about Joe Biden and Kamala Harris.
Psaki is talking about Season 7 of The West Wing, which I’m currently halfway through on my third? fourth? rewatch. The clip Psaki played, and Sheen’s reaction to it, made me emotional too.
reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series
while offering
a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor
The West Wing remains one of my favorite television shows. It asked us to believe that politics could be hopeful, that government could be helpful, and that good people can put partisanship aside for the sake of the country. It made idealists out of many of us, and spurred many to public service.
Sheen and McCormack are clearly fans of the Biden/Harris administration, but especially, it seems, of Harris herself. I sense they see her as part of a “West Wing Generation” of politicians inspired by the show, and who embody a “public servant” selflessness in their approach to politics.
A final note: Sheen references an idea by co-star Richard Schiff for a West Wing reboot which would focus on local politics, with members of the original cast acting as mentors and boosters to up-and-comers. I would absolutely watch that show, especially if it gave us insight into the staff’s post-West Wing lives.
Rachel Tompa, writing for Stanford Medicine News Center:
If it’s ever felt like everything in your body is breaking down at once, that might not be your imagination. A new Stanford Medicine study shows that many of our molecules and microorganisms dramatically rise or fall in number during our 40s and 60s.
Researchers assessed many thousands of different molecules in people from age 25 to 75, as well as their microbiomes — the bacteria, viruses and fungi that live inside us and on our skin — and found that the abundance of most molecules and microbes do not shift in a gradual, chronological fashion. Rather, we undergo two periods of rapid change during our life span, averaging around age 44 and age 60.…
“We’re not just changing gradually over time; there are some really dramatic changes,” said Michael Snyder, PhD, professor of genetics and the study’s senior author. “It turns out the mid-40s is a time of dramatic change, as is the early 60s.
It brings to mind Hemingway’s quote about bankruptcy happening “gradually, then suddenly.” As several friends in their mid- to late-40s have noted, “This explains why everything hurts for me!”
While not terribly close to OP to my ear, it still sounds more accessible and less removed from the plain-spoken language that would have been common during Shakespeare’s time.
Also delightful: His full recording of Pride and Prejudice. From the opening “It’s a truth universally acknowledged, that a single man in possession of a large fortune, must be in want of a wife,” I was immediately transported to antebellum Georgia. Virtually, I mean, thank goodness.
I’m now very curious what a production of Pride and Prejudice set in the American South would look like.
In this episode we incorrectly say the veterans’ organization Veterans of Foreign Wars (VFW) called Donald Trump’s remarks related to a confrontation at Arlington National Cemetery “asinine.” In fact, the VFW described Trump’s previous remarks in which he described the Presidential Medal of Freedom as superior to the Congressional Medal of Honor as asinine.
The mojito is a refreshing cocktail that’s perfect on a hot summer day. Thankfully, it doesn’t take much effort to make. All you need is rum, lime, fresh mint, sugar, and club soda, and within just a few minutes, you have a backyard sipper ready to cool you off. You’re probably wondering if you need some special cocktail equipment to make the best mojitos or other drinks that require fresh mint because not everyone has a muddler lying around.
In politics and public relations, the standard advice is “don’t accept the premise of the question.”
I suggest it’s true in cocktail headlines, too. Two things:
One, if you enjoy making cocktails, you should have a muddler. They’re not essential, but they are useful, especially when making classic cocktails like the Old Fashioned. Pick up a metal one with a rubber head or an unvarnished wooden one. You’ll be happy you did.
Two, and more importantly, don’t muddle your mint. Most people muddling ingredients for cocktails think it means crushing the living daylights out of them.
Please, for the love of mojitos, don’t do this!
Mint is a very delicate plant. The essence of mint is the oil from its leaves. The stems and stalks contain bitter flavors. You don’t want those in your drink.
My preferred way to “open up” and release just the minty goodness is to give the leaves a couple of gentle slaps in your palm, like you’re activating a Clapper.
Drop the newly awakened mint into your glass or cocktail tin and gently, gently mix them in with the other ingredients. Scoop and roll. Scoop and roll.
Welcome to a free daily compendium of the best reporting and commentary surrounding the pivotal 2024 elections in the United States. You won't find horse race coverage here, or the standard "both sides" BS that passes so often for political journalism. What you will find are links, with brief commentary, to work that I believe advances the conversation we must be having about America's – and the world's – future.
I follow Gillmor on Mastodon, where he surfaces insightful political stories daily. I’m thrilled to see him gathering and publishing them to his own newsletter (even more so that he, like me, uses Ghost to do so).
I like his stuff enough that I’ve made Cornerstone my first recommendation. I encourage you to sign up!
Jayson Stark, writing last week for The Athletic (News+):
Everyone knows you can’t be in two places at the same time. Those are the rules — the immutable rules of physics.
Ah, but who knew you can play for two teams in the same baseball game? Those are also the rules — the wacky suspended-game rules of baseball.
So next Monday, if all the forces in the universe line up right, Boston Red Sox catcher Danny Jansen will go where no baseball-playing human has ever gone before.…
In a week, he could become the first player in major-league history to appear in a box score for both teams in the same game.
Danny Jansen had been at the plate for the Toronto Blue Jays on June 26 in a game against the Boston Red Sox with one on and one out in an 0-1 count, when the skies opened up and the game was suspended for severe weather.
Fast forward two months and the game resumed Monday, but with Jansen now playing for the Red Sox. The Red Sox traded for Jansen on July 27, setting up the possibility of one player appearing in the same game for both teams.
The possibility became reality on Monday.
With Jansen substituted into the game to catch for the Red Sox, he settled in behind the plate, for an at-bat in which he’d started as the batter.
Baseball is beautiful and sometimes,
“This game,” said Danny Jansen, “is nuts.”
It’s these beautiful oddities that make this game so delightful for fans—like me!—who love the history and stories of the game as much as the stats and outcomes. Both pieces are worth reading to understand the full extent of the nuttiness.
Thanks to the MLB app, I was able to watch the opening minutes of the game, so I could say I witnessed baseball history.
(Via Steve Hayman, who astutely notes “This must really test the referential integrity of sports databases. The same guy, playing for both teams in the same game? Surely THAT will never happen.”)
Arelis R. Hernández, writing at The Washington Post:
[Mary Ann] Obregón was one of four Latina women, three of whom were in their 70s and 80s, who said they were intimidated by the morning visits from armed investigators while they were still in their pajamas. Lidia Martinez, an 87-year-old retired educator, and Inelda Rodriguez, 73, a Dilley City Council member, were forced to turn over their phones and laptops.
“It was horrible, gestapo-style,” said Martinez, who added that investigators spent three hours searching her drawers and garage during the raid. “I thought we lived in a free country, not Russia.”
This is absolutely vile, in every conceivable way. It’s voter intimidation at its most glaring.
Coincidentally, I’m sure, Texas has seemingly moved to “Leans Republican” from “Likely Republican” according to 270toWin.
Hernández, again:
State investigators tied to state Attorney General Ken Paxton’s office executed search warrants last week at homes across three counties, as part of what Paxton said was a two-year investigation of alleged fraud and vote harvesting.
The Republican officeholder said in a statement that his office had “sufficient evidence” to confiscate cellphones, laptops and documents. Paxton’s office targeted a Democratic legislative candidate in a swing district important to state Republicans, her political consultant, campaign workers, a local mayor and a city council member in raids on their small-town homes.
Paxton—impeached but acquitted by his fellow Texas Republicans—is considered a possibility for U.S. Attorney General in a second Trump administration. This is part of an ongoing audition for that job, and an indication of how the Justice Department will likely operate if Trump wins.
Nilay Patel at The Verge, in a transcription of his Decoder podcast (Overcast; Apple Podcasts), interviews Ben Collins and Danielle Strle, The Onion’s new CEO and Chief Product Officer:
BC: I was reading Adweek, and I saw The Onion was for sale, and this was around the time where things were just shuttering. Sports Illustrated and Jezebel just shuttered — and it was from the same company, G/O owned Jezebel — or things were being turned into AI slop farms or Elon Musk was buying it. Worst-case scenario.
I posted on Bluesky. I said: “The Onion’s for sale, who wants to help me buy this thing? I have $600.” Leila Brillson, who’s in Chicago where The Onion is based, emailed me, and she was like, “But seriously, how do we do this? It’s an institution. We can’t let this thing die. It’s important to keep this thing alive.” I was like, “Let me just make some phone calls.” The first person I called was Danielle because she just knows.
Two and a half months later, he, Strle, and Twilio founder Jeff Lawson own the joint. How is that not an Onion story?
There’s a lot going on in this episode, but the one thing I want to call out is just how much fun Ben and Danielle seem to be having. That’s a rare quality in media right now, and it’s infectious. In fact, I’ll just go out and say it because I think you’re going to hear it in the episode: I’m rooting for them to succeed. I have all the same memories of reading The Onion as anyone else, and I hope they figure it out.
I don’t read The Onion regularly, but when I do, it always hits. So deep-seated is the site in our cultural zeitgeist that “Not an Onion Headline” conveys an immediate understanding of quality, and “‘No Way To Prevent This,’ Says Only Nation Where This Regularly Happens” verges on liturgical.
By the 90-second mark, you’ll know this isn’t your typical “classical music” concert:
Experience a breathtaking collision of electronic dance music, live orchestra, DJs and vocalists, all in an immersive light, laser, and visual show, reimagining iconic club anthems.
It’s a vibrant, bouncy mashup. Many of the pieces are instantly recognizable to fans of EDM (and in some cases, fans of classic rock and uh, classic classical).
The crowds SYNTHONY draws are absolutely massive, and everyone’s clearly having a blast, right down to the conductor (Sarah-Grace Williams) animatedly bopping about as she leads the Auckland Philharmonia orchestra.
The first time I heard of SYNTHONY was from a link a friend sent to their performance of “Children.” I listened to that track a dozen times. It’s lusciously mesmerizing. You might think it’s an EDM version of a classical piece. Quite the opposite: “Children,” written by the late Italian composer Robert Miles, is a classic in the house/EDM scene, performed here by a full orchestra.
"Children" is one of the pioneering tracks of Dream house, a genre of electronic dance music characterized by dream-like piano melodies, and a steady four-on-the-floor bass drum. The creation of dream house was a response to social pressures in Italy during the early 1990s.
It went on to become a #1 hit in a dozen countries and a staple in dance clubs.
This version is a fantastic orchestral reimagining, and a highlight in a show full of them.
Nintendo […] will open its much-awaited first museum on Oct. 2 featuring vintage video games and an interactive shoot-em-up with Super Mario characters.
The museum in Uji, Kyoto Prefecture, is located inside a renovated old factory built in 1969, where the gaming giant began life making Western-style and Japanese playing cards and later repaired consoles.
Though I never had a Game Boy, I’m very much a Nintendo gamer: I’ve owned a Super NES, Wii, GameCube, and Switch—and I’m relatively confident I still have them and all my games in boxes somewhere. So while I’m not saying I’d make a trip to Japan just to visit the Nintendo museum, I’m not not saying that either.
The related video tour gives more insight into what the museum looks like, and shows off some of the early devices, their large game collection, and various interactive features.
Update: By happenstance, today marks 33 years since the Super NES North American release. Happy birthday, SNES.
Today, Homicide: Life on the Street officially gave up its title as the Best TV Show You Can’t Stream. All 122 episodes of the Nineties cop drama are now on Peacock, along with Homicide: The Movie, a 2000 telefilm featuring the entire cast — even the ones whose characters died at some point in the previous seven seasons.
This is fantastic news: I never watched the series in its entirety when it first aired. It’ll be like watching it for the first time. I wonder where I can find a bottle of Zima?
Here are 10 episodes to sample if you want to see what all the fuss is about.
A great option for anyone unsure if the show’s for them; I’ll dispense with all that and just binge all 122 episodes. See you in six months!
There’s this small moment, right at the end of last night’s Democratic National Convention, which tells me so much about Kamala Harris. A little kid comes over to say hi to her and her husband, Doug.
Her husband gives the kid a solid, perfectly acceptable handshake, treating them as an adult.
Kamala stoops down to the kid’s level and makes direct eye contact, treating them as an equal. She even has a few words for the kid, then gives a little pinch of the chin.
0:00
/0:13
It’s a subtle moment. Beautiful, empathetic, and, I’m guessing, instinctive. She clearly loves being around kids. Maybe this is why Gen-Z loves her.
Terrific video from the Real Engineering YouTube channel, showcasing the many technical hurdles Nintendo engineers (and game developers) overcame to bring their ideas to life, from screen voltage to screen refresh, music to memory, even a clever copy protection scheme. I remember the Game Boy was the handheld gaming system of the late ’80s/early ’90s; it was seemingly everywhere. I never had one though—I’d already moved on to drinking and smoking.
Eighteen years of Downfall parodies have led to this. Every line is a political evisceration. It’s absolutely savage, because it’s easy to imagine a conversation uncomfortably close to this happening in Trump camp.
65 years old (released on this day in 1959). One of the finest albums ever committed to recording tape. Some kind of inexplicable sorcery took place in this session, that even the players hadn't planned or expected. Lightning in a bottle, etc.
Miles Davis’ Kind of Blue has been in my musical consciousness since I was a child. I have a hazy recollection of a scratchy vinyl version of “So What” playing on my grandmother’s record player in Trinidad. It was one of the first albums I bought after getting a CD player in the early ’90s. I remember sitting in my tiny, dimly lit studio apartment in Jersey City, headphones on, transported to a ’60s jazz-and-blues club as I listened to this, Coltrane’s Village Vanguard, Monk’s Music, and other greats. Kind of Blue was instrumental to my jazz and blues literacy. It’s a quintessential album. Not jazz album. Album.
Yes, I’ve already listened to it today. You should too!
If you enjoy teasing apart music, I strongly recommend the So What episode of Kirk Hamilton’s wonderfully obsessive podcast Strong Songs:
On this episode, Kirk dives in to one of the most influential jazz recordings of all time.
As the lead track on Miles Davis's landmark album Kind of Blue, “So What” signaled a new era in jazz harmony, composition, and improvisation. This episode will get into what that actually means, how the tune works, and why the seven musicians who played on Kind of Blue were each such a crucial part of the album's magic.
Today also marks the 15th anniversary of Kind of Bloop,
a chiptune tribute to Miles Davis’ Kind of Blue, a track-by-track 8-bit reinterpretation of the bestselling jazz album of all time.
Fun for fans of both the album and video game music from the mid-’80s. (Available on vinyl soon, if that’s your thing.)
While writing up my last piece on the shrinking of city sidewalks, I remembered an image I thought perfectly illustrated the concept.
But despite my best search attempts, I just couldn’t find it, so I published without it. But that brain itch persisted, so I did what any terminally online person would: I asked on Mastodon:
🙋🏽♂️Taking a shot….
There's an image, maybe a New Yorker cover or in that style, that shows a city street view from above, with a tiny strip of space for the sidewalk, crosswalk, and pedestrians, and a large void in the center that would be dedicated to cars.
I can't seem to find a copy; my Google/DDG fu is weak here (or perhaps I imagined the image).
If you can boost so the right folks see this, I'd be grateful! 🙏🏽
#pedestrians #carfree
Less than four hours later, I had my answer from Kris Arnold:
@JasonAnthonyGuy something like this?
with a link to a 2014 Vox article about the image I had in my head. It wasn’t in fact a New Yorker cover, but a commissioned illustration by Swedish artist Karl Jilg for the Swedish Road Administration.
New York didn't always have such meager sidewalks -- over the years, the city systematically shrank pedestrian space to make room for motor vehicles. Here's a look at the sidewalk on Lexington Avenue and 89th Street today, and the much more accommodating dimensions near the turn of the 20th Century….
I never realized just how much narrower streets have become over the last hundred or so years. The pedestrian/vehicle imbalance is absurd.
One unexpected “benefit” of the pandemic: It showed us how livable cities can be when we dedicate more of the streets to people, not machinery. Whether it’s “slow streets,” parklets or streateries, cities are more fun when you can stroll, roll, or bike them. Even in cities with limited summertime.
There’s even a growing movement in San Francisco to permanently close the Great Highway that fronts Ocean Beach and turn it into a park, an idea I fully support.
I rediscovered a video I've been thinking about for YEARS. A father and son explain how Shakespeare texts, when recited using the original pronunciation, reveal rhymes, jokes, and PUNS (!!!) that are destroyed using modern English phonetics.
David Crystal and his son Ben demonstrate what Shakespeare’s words might have sounded like 400 years ago. It’s nothing like the standard British Shakespearean (aka Received Pronunciation) accent we’ve heard all our lives. It sounded similar to Scottish or Irish to these untrained ears. Someone also told me once that some American Southern accents are pretty close to “Original Pronunciation.”
I also remember learning, while studying Shakespeare as an 18-year-old actor, that Much Ado About Nothing was a double pun, as “nothing” would have been pronounced closer to “noting,” spotlighting the ongoing spying and gossip that is central to the play’s misadventures… and also a thoroughly filthy pun on the female anatomy (no-thing…), which just gets hammered home in Hamlet’s even filthier back-and-forth with Ophelia:
Hamlet: Lady, shall I lie in your lap?
Ophelia: No, my lord.
Hamlet: I mean, my head upon your lap?
Ophelia: Ay, my lord.
Hamlet: Do you think I meant country matters?
Ophelia: I think nothing, my lord.
Hamlet: That’s a fair thought to lie between maids’ legs.
Ophelia: What is, my lord?
Hamlet: Nothing.
No-thing and count-ry matters… I still blush.
Speaking of, let’s not forgot this, from Twelfth Night:
Malvolio: By my life, this is my lady’s hand! These be her very c’s, her u’s, and her t’s, and thus she makes her great P’s.
The state of Hawaii will mark the one-year anniversary of the Lahaina wildfires on Maui with flags at half-staff to honor lives lost. […]
Gov. Josh Green has ordered that the U.S. and Hawaii state flags be flown at half-staff from sunrise on Thursday to sunset on Monday in honor of the 102 lives lost.
Maui State Senators Lynn DeCoite, Angus McKelvey, and Troy Hashimoto, reflecting on the anniversary:
Maui has always been a community of aloha, resilience, and hope and as we look back on the tragedies that occurred on Aug. 8, 2023, we see this reflected in the people of Maui. Each and every life lost and survived has a story and a memory. As we continue to heal and move towards rebuilding, we remain committed to each other and to our communities. Mahalo to the State, the County of Maui, community leaders, volunteers, and our neighbors for coming together in our time of need. While there is much to be done in our long journey to recovery, we see a road ahead full of hope and promise. With the foundation of the generations that came before us, we will rebuild for future generations, with hope, resilience, and aloha, for Maui Nui.
Maui is commemorating those lost with community events, and a 102-second moment of silence at 2:55 p.m.
Maui is one of my favorite places on Earth; we’ve visited just about annually for 15 years. It feels like a second home. My wife and I, our parents, and five friends were there during the fires. We had limited food, and were without power, hot water, and cell service for five days, but we were fortunate to have avoided the fires directly, to have a safe roof over our heads, and a hotel staff who went miles beyond. We didn’t realize exactly how devastating the fires were and how close we were to danger until we were leaving and driving through the destruction. It was so overwhelming I pulled over and broke down in tears. I’m getting emotional even now as I write this. It felt like I’d lost a part of my soul. It still does.
We were there again this past April, and will be going again next May. If I can sneak in a trip between now and then, I will. I love Maui, and I love the people of Maui.
More than 80 farms in the U.S. and Canada have teamed up with Peanuts Worldwide to create “Peanuts”-themed mazes to celebrate the beloved strip’s 75th birthday this summer and fall.
There are very few people alive today who remember a time before Peanuts existed.
They’re custom created by the world’s largest corn maze consulting company, The MAiZE Inc.
I truly enjoy a good name pun. And of course there are corn maze consulting companies.
“All of these events helps keep my dad's legacy alive,” says Jill Schulz, an actor and daughter of “Peanuts” creator Charles M. Schulz.
Peanuts has long been one of my favorite strips, and Charles Schulz is a bit of a childhood hero. It was a must-read part of my daily and Sunday comics rotation growing up. A few years after he died, we visited the Schulz Museum, and it was a surprisingly emotional experience. It warms my football-pulling heart that 75 years after his first strip, and nearly a quarter-century after his last, we still celebrate “Sparky” and his wonderful creation.
Google is updating its two navigation apps — Google Maps and Waze — with a slew of new features, including some changes that bring the two closer together.
I’m surprised Waze still remains a separate app, over a decade after it was acquired.
I admit, I often prefer Waze over Apple Maps. That’s partly because I started using it when Apple Maps, um, sucked and never fully broke out of the habit; and partly because I liked Waze’s ability to route around traffic hotspots, and report road closures, slowing traffic, and hidden police traps—all features coming to Google Maps:
One of the big updates here continues to integrate the biggest features from Waze directly into Maps. For Maps, improved Waze-like incident reporting adds larger icons to share updates like road closures, construction, speed cameras, or police presence. Other drivers will be prompted to confirm incidents with a tap.
Even if all the functionality of Waze were added to Google Maps, I still wouldn’t use it. I seem to have a natural aversion to most Google products (even Mail and Search, which I use regularly but reluctantly). Something about their design sensibilities rubs me the wrong way. Perhaps that’s true for others:
It can feel like Waze and Google Maps are on a collision course, but the two apps continue to remain separate. Can Comertoglu, group project manager for Google Maps, told The Verge at a press briefing on Tuesday that Waze users are very dedicated, saying, “They prefer some of the things that Waze does over Google Maps, and we know the reverse is true as well.”
My maps usage has started shifting away from Waze and back to Apple Maps recently, primarily driven (ahem) by CarPlay, as it often shows the places I was last looking at in iMessage, Calendar, or even searches, and offers it as a potential destination.
Waze and Google Maps will probably have to wait for Apple Intelligence for that.
Apple’s latest developer betas launched last week with a handful of the generative AI features that were announced at WWDC and are headed to your iPhones, iPads, and Macs over the next several months. On Apple’s computers, however, you can actually read the instructions programmed into the model supporting some of those Apple Intelligence features.
The “instructions” are pre-prompts given to the large language models (LLMs) Apple uses ahead of the user’s input. It’s similar to what you might give ChatGPT to guide it toward the type of responses you want.
One of the prompts is:
You are an assistant which helps the user respond to their mails. Please draft a concise and natural reply based on the provided reply snippet. Please limit the answer within 50 words. Do not hallucinate. Do not make up factual information. Preserve the input mail tone.
Another ends with this:
Please output top questions along with set of possible answers/options for each of those questions. Do not ask questions which are answered by the reply snippet. The questions should be short, no more than 8 words. The answers should be short as well, around 2 words. Present your output in a json format with a list of dictionaries containing question and answers as the keys. If no question is asked in the mail, then output an empty list. Only output valid json and nothing else.
We’re interacting with LLMs like they’re programmable systems and hoping they interpret our prompts accurately. We’ve entered a new era of nondeterministic software development—prompt engineering as programming language—where we aren’t sure how things work, and we’re not guaranteed the same output for any given input.
What could possibly go wrong?
The Apple community is having a blast poking at Apple for these prompts:
I don’t know if AI is a bubble but I do know talking to computers like they’re disobedient college freshman is the silliest programming language of all time
The instructions not to halluctinate seem … optimistic! The reason generative AI systems hallucinate (that is, make up fake information) is they have no actual understanding of the content, and therefore no reliable way to know whether their output is true or false.
I still find it surreal that we are now instructing computers to do things using natural language, even at the back-end level, instead of using programming code.
I am not ready to see “B.S. in Prompt Engineering” on resumes 🫥
I’m sure Apple’s in-house LLMs are designed to handle these prompts in an intelligent manner, but what stops someone from adding their own equivalent of “ignore all previous instructions” and hijacking the system? How can we be sure that any two people will get the same response to the same request, or even that two requests in a row are consistent?
I excited for the potential for AI, but I’m a tad worried we don’t yet fully understand how to control it.
In July 2022, a high school graduation party in upstate New York turned into a melee. Police officers arrived on the scene after receiving reports of multiple fights. Then, a partygoer walked right up to the cops and introduced herself. “I’m Erin Gall,” she said. “I’m a Supreme Court judge.”
Dennie’s story from a few days ago focuses, rightly, on the abusive and abhorrent behavior of the judge, and that, based on her conduct, she should lose her job.
She pressured the officers to arrest four Black teenagers, saying she “might have to call the chief of police” if the cops didn’t comply. She insulted the Black kids’ intelligence, saying that they “don’t look like they’re that smart” and were “not going to business school, that’s for sure.”….
She also threatened to shoot the teens, claiming that she was allowed to do so to trespassers. “I’ll shoot them on the property,” Gall said. (It is important to note here that the property was not even hers.)
New York State doesn’t have a “stand your ground” law. In fact, it has a “duty to retreat” law, except when an attacker is in your home, or in cases of robbery, burglary, kidnapping, and sexual assault. None of which applied here. Not only does she seem to be racist and biased, it appears she’s not even a competent judge.
The full complaint against Gall is absolutely jaw dropping and well worth reading; it goes into full detail on the depth of her rage and privilege that evening.
She absolutely deserves to lose her judgeship, and any cases which ever came before her involving police or Black people should probably be reviewed, if not tossed outright.
Yes, her behavior is that appalling.
But can we take a moment to acknowledge the responding officers?
Dennie writes,
The cops, who I assume are the most self-aware police officers in the tri-state area, resisted Gall’s directives.
I think she massively undersells this. When cops show up, they often escalate an already tense situation, often with deadly results.
Not these cops. These officers were calm, polite, helpful. They shut down the racist, violent rhetoric coming from the judge and her family and friends. They were solicitous toward the young Black men who were the focus of her diatribes. They wished everyone safe rides home, and it sounded like they meant it.
They were everything we’re told police officers are supposed to be.
Early in the video, as he clears everyone out, an officer approaches two of the young Black men who were part of the altercations. The officer immediately expresses concern that one of the guys may be hurt, reaching out to touch the guy’s shoulder and face. He asks if he needs medical attention, suggests the injury may need stitches, and calls someone over to help. He then asks what happened; the second young man moves closer, and starts to explain, with an opening caveat:
Officer, officer, I don’t want you think I’m touching you or nothing—
He does this with his hands raised, arms bent at the elbow, palms out. The gesture is unmistakable: I’m harmless, no need to fear me. Hands up, don’t shoot.
The officer responds immediately:
Nah, nah, you’re alright.
Immediate de-escalation.
Toward the end of the evening, as the last people are leaving, there’s this exchange between a young Black woman in her car, and the officer:
Woman: Have a good night, officer. Thank you for being respectful.
Officer: It’s the only way.
Attendee: Definitely.
You can hear the appreciation, verging on relief, in her voice as she drives off.
Pretty good introductory video (community, Nebraska, military service, teacher, football coach, common good…), but it’s this Instagram video with his daughter, Hope, that I find is absolutely endearing.
The pick was announced on Instagram first, a full ten minutes before it was released on X/Twitter. This is good. Politicians (and others) need to deemphasize Musk’s awful site when breaking news.
Go “Twitter Last.” Campaigns from Harris for President on down should clarify that they will post to Twitter only after updating other platforms. Steering the media away from Twitter helps democracy. Announcing you will make news elsewhere will send reporters and users to these other platforms, as will every announcement the media makes that says, “As the campaign noted on BlueSky…” etc. Political strategist Murshed Zaheed calls this going “Twitter Last.” A huge announcement – like naming a vice presidential nominee – would be a great time to try this strategy.
This has been on my mind since President Biden announced his decision to step down as the nominee, and to endorse VP Harris, on X/Twitter. I’m glad to see Harris “took” the advice.
Sattler summarizes the problem with using X/Twitter:
There has never been a threat to democracy quite like Elon Musk. Now is a great time to stop helping him.
Announcing on X/Twitter, or even just using it, gives power to a platform and a person very much biased against democracy. As Sattler explains, the issue is Musk himself:
The Tesla CEO emerged as the most prominent supporter of Donald Trump who isn’t on the Supreme Court (or isn’t Vladimir Putin). And no one has taken Kamala Harris’s exuberant rise worse than Elon. Possibly not even Trump.
Musk’s weaponization of Twitter in the information war worsens daily, using tactics pioneered by Trump.
So why do politicians, pundits, and journalists remain—and break news—on X/Twitter? Inertia, says Sattler:
Let’s be honest. For many people, Twitter is the “sunk-cost social network” for those who don’t want to learn a new platform or give up the following or news feed they may have spent more than a decade building.
He notes:
Unfortunately, despite its dwindling audience, Twitter remains a hub for many of the nation’s top journalists, celebrities, and influencers. Their credibility heightens Musk’s unprecedented perch in society. He’s a mogul as powerful as Rupert Murdoch with a voice louder than any cable news pundit.
It’s doesn’t really matter whether you join Mastodon, Bluesky, or Threads; pick one or two, and find your people. I’ve settled on Mastodon, but I have Bluesy and Threads accounts too. The more people who depart X/Twitter, the less mass remains to keep people there, and the better we’ll be long term.
The political logic of the Walz pick is less obvious than with Shapiro and Kelly, the other two finalists. This is especially true with Shapiro, a very popular governor from the critical state of Pennsylvania. Harris likely has no path to the White House without Pennsylvania.
And:
In picking Walz, Kamala Harris looked at something broader than winning one state. She sought a running mate to help her in all seven battleground states. Winning Pennsylvania alone is not enough to get to the White House. Presidential politics is more chess than checkers, and choosing Walz is evidence that Kamala Harris is looking at the whole board.
Lest we forget, the queen is the most powerful piece in chess.
I am proud to announce that I’ve asked @timwalz to be my running mate.
A great pick.
It wasn’t the expected choice, although it seemed more likely after calling MAGA folks “weird”, a word that’s stuck, is driving the other side bonkers, and shows he can be an “attack dog” without being “nasty”. I’m sure it raised his profile tremendously.
He seems as midwest as midwest can be, with a definite “everyone’s favorite uncle” vibe, which balances Harris’s “cool Cali auntie” chic. It helps, too, that he’s won in areas that have strong a Republican electorate who might have stayed home this cycle.
Walz also compares remarkably well against J.D. Vance. In some ways, it’s feels like “Actually Midwest” vs. “Hollywood’s image of Midwest.”
I can’t wait for the vice presidential debate.
(Worth noting: The pick was announced on Instagram first, a full ten minutes before it was released on X/Twitter. This is good. Politicians (and others) need to deemphasize Musk’s awful site when breaking news.)
Every month or so, a few friends and I gather for a whiskey tasting. For July, Tammy Tan (SpiceHound, Kitchen 519) and Anton Yulo (Meryenda) joined me in a West Coast Whiskey Club (WCWC) blind tasting of seven Russell’s Reserve whiskies.
We tasted and discussed the pours together, then ranked them individually. While the three of us have similar, yet distinct preferences in our whiskies, throughout the tasting our preferences were clear and those differences didn’t really show up. Two bottles were early favorites, and another two were immediate dislikes. The battle, really, was for the middle of the pack.
As whiskey drinkers, we are trained that “older is better,” and our assumption was our two favorites were the 13- and 15-year bourbons, and our least favorites were the 6-year rye and 10-year bourbon.
We were half right.
We ended up ranking our top four whiskies in exactly the same order:
K&L Exclusive
WCWC Exclusive
Single Rickhouse
13 year Bourbon
Our final three is where we diverged, slightly:
Tammy
Anton
Jason
5.
6 year Rye
15 year Bourbon
15 year Bourbon
6.
15 year Bourbon
6 year Rye
10 year Bourbon
7.
10 year Bourbon
10 year Bourbon
6 year Rye
This differed from the overall WCWC rankings, which put the 13- and 15- year at the top, though we did align on the 10-year bourbon and 6-year rye being among our least favorites.
The 10-year is an approachable introduction for new bourbon drinkers; for cocktails which need the alcohol and flavor profile of bourbon, but won’t miss the nuance (say, a Kentucky Mule); or perhaps in baking.
The rye will appeal to those who enjoy its spicy profile (and, I think it would make for a killer Manhattan).
The 13- and 15-year, and Single Rickhouse bourbons are all limited releases, and retail for $150, $250, and $300, respectively—though you’d be hard pressed to find them for those prices; more likely double that. They would make great gifts for the bourbon lover who appreciates hard-to-get allocations.
The Exclusives, though, can be smoking good deals, usually $75–$100 a bottle. Most large retailers are likely to have one (e.g. BevMo, Total Wine), and smaller shops with a strong whiskey selection (like K&L) are likely to have their own picks, too.
If I were spending my own money, I’d grab a single barrel exclusive pick from Warehouse TY-K or TY-Q (e.g. this ParisTown from K&L). If I were spending someone else’s money, I might splurge on the Single Rickhouse—or maybe just explore a few exclusive bottles.
Alexandra Petri, in an opinion piece for the Washington Post, is having none of this Google Gemini ad, featuring a dad using it to write a letter from his daughter to her hero, Olympic hurdler Sydney McLaughlin-Levrone:
All of the buffoons excited by the prospect of AI taking over all our writing — report summaries, data surveys, children’s letters, all tossed into the same pile indiscriminately — are missing the point in a spectacular manner. Do you know what writing is?
It is thinking in a form that you can share with other people. It is a method for taking thoughts and images and stories out of your brain and putting them into someone else’s brain. E.M. Forster quotes a woman saying, “How can I tell what I think until I see what I say?” To take away the ability to write for yourself is to take away the ability to think for yourself.
Why outsource our thinking to AI?
Ironically, without the Gemini bit, it’s already a quite lovely fan letter to McLaughlin-Levrone. Google simply selected the wrong product to advertise. With the videos and voiceovers, it could have been an ad for YouTube.
In a statement, a Google rep said, “While the ad tested well before airing, given the feedback, we have decided to phase the ad out of our Olympics rotation.”
I’ve long argued that BASIC is the most consequential language in the history of computing. It’s a language for noobs, sure, but back then most everyone was a noob. Throughout the ’70s and ’80s, BASIC sent a shock wave through teenage tech culture. Kids who were lucky or privileged enough (or both) to gain access to computers that ran BASIC—the VIC-20, the Commodore 64, janky Sinclair boxes in the UK—immediately started writing games, text adventures, chatbots, databases.
I was one of those kids “lucky or privileged” enough to learn BASIC in the early ’80s, mostly on Apple II computers. It wasn’t my first programming language (that honor goes to Logo) but during my early- and mid-teenage years I spent an absolutely ludicrous amount of my waking hours writing BASIC.
I remember writing BASIC programs in a graph paper notebook while riding the bus home from high school, dashing into my room to pound the code into my Apple //c, and rejoicing as my ideas sprung to life. It felt truly magical.
I’ve learned a dozen or more other programming languages since, but I’ll always love BASIC.
Yes, it’s a five minute and twenty-two second airline safety video. I don’t even bother watching these when I’m flying.
But this one has gorgeous costumes, beautiful locations, and top notch production value. The tag line is “A British Original Period Drama” and it really does feel like a lavish TV production. So much fun. It’s sure to engage even the most jaded flyers.
To commemorate the inauguration of America’s first female, black, AND South Asian Vice President, we’ve collaborated with talented local artist, and AKA soror, Lex Marie (@thelexmarie) to create a whiskey fit for toasting history: Madam.
Madam was initially created for the 2021 inauguration when Harris became the first female Vice President. They chose the name Madam—not thinking it could also be an apt name for a potential presidential whiskey as well.
Since Joe Biden ended his campaign and Harris announced hers, sales have been brisk:
Within 24 hours, the distillery sold out of the 300 bottles it had in stock for direct-to-consumer sales. They’ve been scrambling to bottle up more whiskey with an additional 200 ordered in the days since.
There are many ways we can demonstrate enthusiasm for a political candidate. I didn’t have boffo sales of themed whiskey on my scorecard.
One of the owners and distillers of Republic Restoratives is Pia Carusone, who was chief of staff to former Rep. Gabby Giffords. Carusone spoke on local DC news station WUSA9 about the whiskey, the sales, and, of course, the politics of it all.
I think it’s telling this whiskey is exploding in popularity now. People appreciated the historic election of the first female Vice President (who also happened to be Black and South Asian), but they seem downright jubilant about the possibility of electing her President.
I presume many of these bottles were purchased as collectibles, never to be opened. As a whiskey lover, I’m hoping the juice—a 92º bourbon-rye blend (58% rye, 37% corn, 5% malted barley)—is good too. And yes, I did order a couple of bottles: One to hold onto, and one to toast with on January 20, 2025.
While I was writing about the Dungeons & Dragons stamp, I discovered—for reasons unknown, and much to my annoyance—that the USPS Postal Store prevents you from copying text from its website.
This annoys me on any website, but for a government-run agency, it seems like an especially misguided idea. Heck, it might even be disallowed under Section 105 of the Copyright Law of the United States (Title 17), which says
Copyright protection under this title is not available for any work of the United States Government….
This suggests there should be no reason they’d prevent copying. More broadly though, I don’t understand the desire for any website to block this basic functionality. It’s user hostile. Anyone motivated enough to copy stuff will find ways of doing so, even if it means retyping it, screenshotting it, or, as any self-respecting geek would do, finding a technical workaround to the problem.
First, let me acknowledge that the effort I put into addressing this issue, while minimal, was still greater than simply retyping the text from the site, or taking a screenshot and copying the text that way. The effort, of course, is beside the point for us geeks. It’s the principle of the matter. Information wants to be free, and I’ll be damned if I can’t copy text on my own computer!
Fortunately, USPS.com made this easy on me by using a method to prevent copying that’s easily worked around: The user-select CSS property.
I assume you know at least the basics of CSS. If not, I recommend reading this primer, but very briefly, CSS lets you style how content looks on a website, and how people interact with it. A style sheet contains the definitions, or instructions, for that styling. One of the features of CSS is you can override styles by providing new definitions. Safari provides a mechanism to add your own styles to all websites. I’ll use that ability to override the USPS.comuser-select definition with my own.
(Note: This is Mac- and Safari-specific. There are ways of doing this in other browsers, and on Windows/Android, but I don’t use them.)
First, I’ll create a new style sheet that disables the relevant property. Then, I’ll tell Safari to use it. Finally, I’ll reload the page and copy copy copy!
Create a style sheet.user-select tells browsers how to handle content selection. USPS.com sets it to none, preventing any content selection. I want that to be auto (the browser default) which allows selecting—and thus copying—content. I need the !important flag so the browser gives my new definition a higher priority than the one coming from the website. Finally, I want this to apply to everything on the page, so I’ll use * instead of a specific HTML tag, class, or identifier.
I created a file, which I called nof—you.css, with the following content:
* {
-webkit-user-select: auto !important;
user-select: auto !important;
}
(Surprisingly, user-select is not a web standard yet, so most browsers prefix it to indicate it’s a browser-specific implementation. -webkit-user-select is for Safari’s current implementation, and user-select is for when the property (eventually) becomes a standard. Other prefixes exist, such as -moz-user-select and -ms-user-select, but again, I care only about Safari.)
Tell Safari to use this style sheet. In Safari, I opened Settings, then the Advanced tab. I clicked on the Style Sheet popup menu and selected Other…, and chose my nof—you.css file. Safari will now use this css on any website I load.
Reload the page. After reloading the USPS Store page, I’m now able to select and copy the text.
What’s great about this solution is it works for any site that uses user-select. I can either leave the CSS file always enabled (so I won’t even notice that a site was blocking selection); or I can disable it (select None from the Style Sheet popup) and re-enable it when necessary.
I think I’ll do the latter so I can emphatically spit out F— me? No, f– you! as I enable it.
0:00
/0:19
Bonus Screenshot Option: I mentioned above taking a screenshot as a way to get around copy blocking. Here’s a brief overview of how you do that. (Again, this is only for Apple systems.) Take a screenshot on your Mac, iPhone or iPad, or take a photo with the Camera. In Photos, use the Live Text feature to select and copy the text. Voila. It still feels like getting away with something, but ultimately, gives me a less visceral f—you! experience.
From AWilderDoctor on X/Twitter. (I don’t like linking to X/Twitter, but this one was too good.)
The painting is Blue Monday, by the late Annie Lee.
It’s an evocative use of this painting as a Black, South Asian woman is asked to defend democracy, and tens of thousands of Black women from across the country wearily but resolutely rise with her.
This poster hangs prominently in our home, visible to your left after you enter the front door, as you take off your shoes. It’s a newspaper ad that ran in the San Francisco Call in March 1913 to stoke sales of the yet-to-be-built Forest Hill neighborhood of San Francisco, where we now live.
The ad—one of a series of at least ten published by the Newell-Murdoch company—touted the virtues of the new neighborhood, including its proximity to downtown, the return on investment, and the fresh air and sunshine. Many were implicitly or explicitly directed to “the man” who provided for his family (“Where do your wife and children live?” asks one). All contained the typical flowery language of real estate developers. And they all referenced “restricted residence.”
At the end of June, I wrote about the difficulty Willie Mays had when he was buying a house in the Sherwood Forest neighborhood of San Francisco, in the late ’50s; in it, I said:
He later bought another home, this time in Forest Hill, the neighborhood I currently live in, where the neighbors seemed less racist.
We love Forest Hill. We’ve lived here for about eighteen months now. It’s walkable, easily accessible by public transportation, and quiet. It’s a five minute stroll down the hill to West Portal, which has a cute “downtown strip” filled with lovely shops and restaurants.
It’s a great area; and while it may have been more welcoming of Black residents in the 1960s compared to Sherwood Forest, like much of San Francisco—and America—when it comes to housing discrimination, it has a racist past.
When we moved into the neighborhood, the homeowners’ association provided a packet sharing some of the history of the area. Part of Adolph Sutro’s vast estate, it was originally a large forest on a hill—talk about your creative naming! The forest was mostly leveled and converted to a residential planned community in the early 1900s.
Learning that Willie Mays lived here—helping to integrate the area in the ’60s—piqued my curiosity. I found the Forest Hill page on OutsideLands.org. Not much about Willie, but this caught my eye:
Forest Hill followed the example of other residence parks, imposing strict requirements on everything from building design to the racial identity of its residents. (Read a typical flyer.)
“Racial identity of its residents,” eh? I knew what that meant. I’ve seen enough homeowner CC&Rs—Covenants, Conditions and Restrictions—which needed to have discriminatory language struck because it no longer comported with modern sensibilities.
The “typical flyer” mentioned by Outside Lands was a textual recreation of the newspaper ad at the top. It starts with the expected flowery language: Forest Hill as an Investment,distinctive exclusiveness,the finest place in San Francisco to live, and so on.
Then, in the fifth paragraph, things turned.
So shocked was I by the language in the ad, I refused to believe it could be real. There was no image, no link that might lend it credence.
I needed to find a copy, and see it in context for myself.
For all the issues modern search engines have, one undeniably great thing is they make it easy to find the proverbial needle in a vast internet haystack. Twenty years ago my eyes would be bleary from spending my afternoons scrolling through microfiche in a stuffy library. Instead, I was able to plug in the remarkably specific phrases and almost immediately pulled up the scanned newsprint.
The San Francisco Call, March 13, 1913. Credit: Library of Congress, Chronicling America.
There was the ad, taking up three quarters of the broadsheet. I stared at it on my screen, reading the copy, slack-jawed. At the bottom of the center column above the fold, were these words:
There are restrictions that safeguard the person of taste and refinement who seeks exclusiveness. There are no Mongols, Africans or “shack builders” allowed in Forest Hill. When a man selects a homesite in this tract it is done with the positive assurance that there will be nothing disagreeable to mar the serenity of the most fastidious.
I was gobsmacked.
I am Black (or “African”); my wife, Chinese (“Mongol”). I’m not exactly sure who “shack builders” was meant to impugn , but I’m confident it’s a slur against some immigrant community. (The Irish contractors who remodeled our home believe it meant their people.)
What shocked me about this ad wasn’t the language, which I understand was commonplace in everyday life in the early 1900s—jarring to read, but not shocking.
No, what truly shocked me was to see those words in an ad. In a newspaper. Published for all to see. It’s not coded. There’s no “dog whistle.” It’s perhaps a bit less direct than “only persons of the White or Caucasian race” but it’s pretty damn close.
Some people may shy away from this racist history, ignoring it in the hope that it recedes into the mists of time.
René Magritte, “Those who cannot remember the past are condemned to repeat it.”—George Santayana, The Life of Reason, 1905. Credit: Smithsonian American Art Museum.
Not me. Forgetting means repeating. We keep this in a prominent place in the home we would’ve been denied buying a century ago as a striking reminder to us and everyone who visits that history is neither static nor abstract. Living in this house, displaying this ad, it reinforces the truth that ideas and ideologies shift. Change may happen slowly, but change does happen.
I’m remembering our past so I can imagine our future.
See this ad and others in the series in full context. I found ten of them; there may be more. All links except the final one are from the Library of Congress’ Chronicling America. The last one is from Newspapers.com.
Celebrate the 50th anniversary of an iconic role-playing game with the new Dungeons & Dragons stamps ….
The pane of 20 stamps features 10 different designs that highlight characters, creatures, and encounters familiar to players and the imaginative world of D&D.
These brought me back to my high school and college role-playing and wargaming years, even though I wasn’t a huge Dungeons and Dragons player (I was more into Warhammer Fantasy and 40K). But: 50 years?! 2d8 against constitution and intelligence.
The Steve Jobs Archive opened their second online exhibit recently, The Objects of Our Lives. It’s a beautiful retrospective of a talk Steve gave early in his time at Apple:
On a sunny June morning in 1983, Steve waits at the back of a giant tent, ready to take the stage at the International Design Conference in Aspen. This year’s theme is “The Future Isn’t What It Used to Be,” and he is here to talk about computers to an audience of several hundred designers and design-lovers.
For me, and perhaps for many of you reading this, Steve Jobs was a personal hero. My introduction to, love for, and eventual career in computers were all sparked in 1981 by an Apple ][, and Steve Jobs was the face of Apple for me.
One of many things I enjoyed about Steve was watching him talk. I’ve been fortunate enough to see him present in person several times, and countless times on video. He has an ease to him, like he’s just sitting in my living room, shooting the breeze, telling a story. Unhurried, yet very deliberate. A showman, without being showy. And an unparalleled ability to explain complex ideas with compelling simplicity.
As former Apple design head Jony Ive writes in his introduction to The Objects of Our Life:
Steve remains one of the best educators I’ve ever met in my life. He had that ability to explain incredibly abstract, complex technologies in terms that were accessible, tangible and relevant. You hear him describe the computer as doing nothing more than completing fairly mundane tasks, but doing so very quickly. He gives the example of running out to grab a bunch of flowers and returning by the time you could snap your fingers – speed rendering the task magical.
What a treat, then, to watch Steve speak; already tremendously successful, but not yet at the peak of his success. This is the year before his iconic introduction of the Macintosh computer. Before he’s exiled, before he returns to Apple for his remarkable second act. The easy, deliberate storyteller is already on display—unpolished if only in comparison to his later appearances, but unmistakably there.
Ive, again:
I find it breathtaking how profound his understanding was of the dramatic changes that were about to happen as the computer became broadly accessible. Of course, beyond just being prophetic, he was fundamental in defining products that would change our culture and our lives forever.
The written piece alone is wonderful. But to see and hear Steve speak, passionately, predictively, prepared but seemingly unrehearsed—that is a true treasure.
A few select gems (with timestamps):
On the amount of time we’ll use computers daily (8:35):
By ’86, ’87, pick a year, people are going to be spending more time interacting with these machines than they do interacting with their big automobile machines today. People are going to be spending two, three hours a day sometimes, interacting with these machines—longer than they spend in a car.
I definitely spent way more than that on my computer during that time!
On shrinking computers (25:25):
What we want to do is we want to put an incredibly great computer in a book that you can carry around with you, that you can learn how to use in 20 minutes.… And we really want to do it with a radio link in it.…
Steve offers three options on how to do this: do nothing (“not a good option”); squeeze a “garbage computer” into a book (“our competitors are doing that, so we don’t need to”); or
design the computer that we want to put into the book eventually, even though we can’t put it into the book now. And right now, it fits in a breadbox and it’s $10,000 and it’s called Lisa.…
The next thing we will do is we will find a way to put it in a shoebox and sell it for like $2,500. And that’ll be the next step. And finally, we’ll find a way to get it in a book and sell it for under $1,000. And we will be there within five to seven years.
The “shoebox” for “$2,500” would be the Macintosh he’ll introduce just seven months later. The first “book … under a thousand dollars” may credibly be credited to the Newton MessagePad; it was $699 when it went on sale in 1993, only three years later than Steve’s prediction, though that project didn’t start until 1985, the year Steve left Apple. I’d suggest Apple’s first “real” sub-$1,000 “book” was the iPad in 2010, which started at $499.
On using computers with proportional fonts and graphics (29:04):
we’re solving the problems of injecting some liberal arts into these computers. That’s what we’re trying to do right now. Let’s get proportionally spaced fonts in there. Let’s get multiple fonts in there. Let’s get graphics in there so that we can deal in pictures. And let’s get to the point where three years from now, when somebody…there is going to be no college student three or four years from now that’s ever going to think of writing a paper without one of these things, just like they will not think of going to a science class without a calculator today.
By 1985-86 this was already true for me: Every one of my high school papers were typeset and printed using proportional fonts (though with an Apple //c and dot-matrix printer, not a Macintosh and laser printer).
On computer scientists:
They’re fun. They play in punk rock bands on the weekends and all sorts of stuff. Computer people aren’t…you read all this computer-nerd stuff. It’s not really true anymore. They’re really a lot closer to artists than they are to anything else. They come in to work at about, I don’t know, anytime they want, but usually about eleven in the morning, twelve in the morning, play a few rounds of Ping-Pong. They work really hard, but they’ll work…and generally about four, we’ll go out and maybe play a game of volleyball somewhere or something like that. And then in the evening we work. And then they’ll have dinner. And we’ll go out to a Japanese restaurant for dinner or something and come back. And they’ll work till about two or three in the morning. And they go home and wake up at eleven the next morning and come in to work.
I originally planned to post this over the weekend, as an example of the vice president’s ability to energize and engage a crowd. The audience loved her. They riffed together. Her energy, passion, and, yes, charisma shone through.
My headline was going to be More of Vice President Harris Speaking, Please.
It is an interesting and somewhat macabre parlor game to play at a large gathering of one’s acquaintances: to speculate who in a showdown would go Nazi.…
I have come to know the types: the born Nazis, the Nazis whom democracy itself has created, the certain-to-be fellow-travelers. And I also know those who never, under any conceivable circumstances, would become Nazis.…
Nazism has nothing to do with race and nationality. It appeals to a certain type of mind.
It is also, to an immense extent, the disease of a generation—the generation which was either young or unborn at the end of the last war.… It is the disease of the so-called “lost generation.”
This essay is shockingly relevant today, some 83 years after it was first published in 1941. Simply replace “Nazi” with “MAGA.”
Actually, you might not even need to do that.
Kind, good, happy, gentlemanly, secure people never go Nazi…. But the frustrated and humiliated intellectual, the rich and scared speculator, the spoiled son, the labor tyrant, the fellow who has achieved success by smelling out the wind of success—they would all go Nazi in a crisis.
We’re seeing this play out in real time, as crypto bros, venture capitalists, and social media tyrants rush to support Donald Trump (especially in light of his VP pick, J.D. Vance, who worked in VC and was a protégé of Peter Thiel).
[Marc] Andreessen, who has historically supported Democrats, said the “final straw” with his shift away from Biden was the president’s policy aimed at the super rich: a 25% tax on unrealized gains on households that are worth more than $100 million.
These cosplaying “masters of the universe” will cheerfully sell out this country before they share even a minuscule fraction more of their unimaginable wealth, happy to usher in an autocratic regime which allows them still more unchecked power, as they become even more absurdly wealthy.
They would be pathetic if they weren’t such an existential threat.
Madiba K. Dennie, attorney, professor, and author of The Originalism Trap: How Extremists Stole the Constitution and How We the People Can Take It Back.:
So Originalism is the idea that the meaning of the Constitution is fixed in time. Originalists say that we have to interpret the document today the same way it would have allegedly been interpreted 200 years ago. Now, this might sound really steeped in history, but it’s actually a relatively modern idea.
A fantastic and illuminating conversation, with three exceedingly erudite and engaging speakers. An important watch that highlights the inherent inconsistency of constitutional originalism.
Dennie, late in the discussion:
They just have to play their little game of telephone with dead slaveholders first, and then they’ll get right back to us.
That aside—on why SCOTUS takes so long to make (often awful) decisions—cracked me up. It also happens to succinctly summarize their perspective.
As a bit of background, this discussion is presented by The 92nd Street Y, New York, which regularly hosts wonderful conversations. This one explores
originalism’s controversial hold on constitutional interpretation, revealing its flaws and advocating for an inclusive constitutionalism that upholds equal rights for all.
In addition to Dennie (whose book is the catalyst for the conversation), the speakers include:
Melissa Murray, Professor of Law at NYU, host of the podcast Strict Scrutiny, and author of The Trump Indictments: The Historic Charging Documents with Commentary.
Elie Mystal, attorney, Justice correspondent at The Nation, and author of Allow Me to Retort: A Black Guy's Guide to the Constitution.
Jennifer Weiss-Wolf, of NYU Law’s Birnbaum Women’s Leadership Network is the host.
Three moments (of many!) worth highlighting:
Dennie, explaining the origins of originalism:
We saw this first start to bubble up in the backlash to Brown v. Board, really ramp up, responding more to the Civil Rights movement, and then formalized and crystallized during Ronald Reagan’s Justice Department, which basically became a sort of in-house originalist think tank for formalizing these ideas and getting them out there, as if this was a legitimate model of legal interpretation rather than cover up for conservative reactionary politics.
On why she decided to write The Originalism Trap:
Things are becoming exceedingly clear that the Court feels fully comfortable using the idea that women didn’t have rights then—at this point in time that I cherry-pick—so they can’t have rights now, or saying… the country didn’t regulate muskets in a particular way so they can’t regulate AR-15s. It’s just an intellectually bankrupt way of interpreting the Constitution that has been used to make our lives as Americans, as people who live here, a lot more dangerous.
Elie Mystal, on how he would decide cases:
14th Amendment, or GTFO.
It’s an extremely educational, fast-moving fifty minutes. (Watch at 1.25x speed if you’re short on time.)
On behalf of the American people, I thank Joe Biden for his extraordinary leadership as President of the United States and for his decades of service to our country.
I am honored to have the President’s endorsement and my intention is to earn and win this nomination.
I will do everything in my power to unite the Democratic Party—and unite our nation—to defeat Donald Trump and his extreme Project 2025 agenda. If you’re with me, add a donation right now.
In addition, the Biden for President organization is now officiallyHarris for President, following a name change filed with the Federal Election Commission.
Democrats with serious aspirations of becoming president are unlikely to challenge her, out of self-preservation if nothing else. Only a fringe candidate and former Democrat have so far suggested they would; those will not be serious challenges.
The next several weeks leading up to the Democratic National Convention are going to be absolutely wild.
(One interesting logistical observation: When I checked around 3 p.m. (Pacific) today, kamalaharris.com was not operational. About an hour later—perhaps in conjunction with the FEC filing?—it started redirecting to joebiden.com. I’m guessing a lot of IT and web folks are scrambling to stand up a full campaign site in record time. They’re already updating unitedforharris.com with today’s news.
Update:kamalaharris.com now redirects to an Act Blue donation page.)
President Joe Biden, writing to the American people:
It has been the greatest honor of my life to serve as your President. And while it has been my intention to seek reelection, I believe it is in the best interest of my party and the country for me to stand down and to focus solely on fulfilling my duties as President for the remainder of my term.
It’s an unprecedented move by a sitting president running for reelection.
My very first decision as the party nominee in 2020 was to pick Kamala Harris as my Vice President. And it’s been the best decision I’ve made. Today I want to offer my full support and endorsement for Kamala to be the nominee of our party this year.
I’ve been vocally against the push for President Biden to step down as the Democratic nominee. I’ve been equally vocal that if he did step aside, only one person should be seriously considered for the top of the ticket: Kamala Harris.
President Biden’s performance during The Debate (as it will now always be known) was painful, not because of what he said, but because of how he said it. As I wrote on Mastodon that night:
It frustrates me that this election will likely come down to bluster-filled lies vs. good policies delivered weakly.
From that moment, the entire Democratic establishment, the commentariat, and the media (especially the execrable New York Times) pushed the narrative that Biden was unfit to run. This exit became almost inevitable. In many ways, the pressure campaign felt like a slow-moving coup.
Despite the way this came about, it’s now imperative that the Democratic Party coalesce behind Vice President Harris. Early reports suggest this is happening, and I expect we’ll see many more over the next few hours and days.
Given the circumstances, VP Harris is not only the obvious choice to be the new nominee, I think she’s the best choice. Prosecutor vs. felon. Youth vs. age. Progressive vs. fascist. Many of the attacks Trump/Vance lodged against President Biden are blunted against VP Harris. It would be farcical, verging on negligent, to suggest VP Harris is somehow the “wrong” person to lead the ticket.
The wildcard, as always, is the American electorate. This country’s unexamined racism and misogyny will make this more challenging than it should be, but I’m sure of one thing: If a majority of today’s America is unwilling to vote for an intelligent, progressive, qualified candidate because she has brown skin and boobs, they alone own the autocracy that comes with the alternative.
Now there’s a point where we have to ask ourselves how competent and qualified a woman, especially a woman of color, has to be in this country to be taken seriously, because to say someone with all of those qualifications is incompetent or unready to lead just makes no sense.
Whether you support Kamala Harris, dislike her, or know nothing about her, take ten minutes and watch this video. It’s filled with gems I could quote at length, but really, just watch.
But allow me one more:
if we can just put aside our country’s sad history with racism and misogyny, and realize that we are in an incredibly powerful position with a kind, competent, forward thinking incrementalist running for reelection, and a powerful, passionate, brilliant progressive waiting in the wings, we will see that we have a winning ticket. And the sooner we realize that, the less powerful those who seek to undermine it will be.
I don’t know how I’ve not heard of PoliticsGirl before today. I instantly subscribed to her YouTube channel based on this one video, and the rest of what I’ve since watched are equally impressive.
She also has her first book coming out, which I’ve preordered.
Microsoft is reportedly shuttering a major diversity, equity, and inclusion (DEI) team, according to an internal email sent by the team’s leader to a significant number of Microsoft staff last week….
Color me surprised. In 2020, many companies—like Microsoft, Google, Meta, and Apple— implemented (or significantly expanded) DEI programs and racial equity initiatives under protest—literally.
In the wake of George Floyd’s murder and the subsequent protests against police brutality, corporations were feeling significant pressure from their Black employees (and customers) to demonstrate their commitment to racial justice. Few of these companies actually wanted change; they just didn’t want to appear callous and uncaring. Many of my friends and DEI colleagues had no doubt at the time that these shows of commitment would be temporary, and would go away as soon as the pressure eased, or they were given an out.
July, 2023: Fortune 100 companies were warned (paywall; Apple News+) by thirteen Republican state attorneys general about “the legal consequences for using race as a factor in hiring and employment practices” and that “Diversity, Equity and Inclusion programs could be a form of discrimination.”
August, 2023: The same people who successfully sued to end affirmative action in college admissions also sued an organization which awarded grants to Black women small-business owners for discriminating against non-Black women. (As of June, 2024 that program is now on hold following an appeals court ruling that says the program is “substantially likely to violate… equal rights under the law” clauses.)
This week came another lawsuit, accusing Northwestern Law School of hiring discrimination against “a trio of unnamed professors tenured at unspecified law schools who say they are ‘able and ready to apply’ for a job… [b]ut they have not done so, allegedly because they are ‘unable to compete on an equal basis with faculty candidates who are women, racial minorities, homosexuals, or individuals who engage in gender-nonconforming behavior or identify with a gender that departs from their biological sex.’”
I’m sure all of these lawsuits are mere coincidence, not coordination.
The email from the former Microsoft employee, as quoted by IGN, said:
Unofficially in my opinion, not specific to Microsoft alone, but Project 2025 looms and true systems change work associated with DEI programs everywhere are no longer business critical or smart as they were in 2020. Hence the purposeful and strategic 3-5 year shelf life of many company’s inclusion commitments post the murder of George Floyd are being reevaluated. And the way I see it, the timing was impeccable so businesses everywhere could reevaluate the path forward should their U.S. federal contracts be at risk if the work continues on its face.
Of courseProject 2025 is a part of this discussion; it’s effectively a polemic from and about “aggrieved white men”. Corporate America, in addition to their innate dislike of DEI programs, is still mostly run by white men, and is anticipating a far-right administration that’s deeply allergic to diversity and equity in general. As my good friend Ron Lue-Sang wrote to me,
My usual cynicism about corporate commitments to DEI led me to forget that these companies are planning for a Project 2025 future where DEI programs aren’t just labeled as unnecessary, they’d be totally seen as counterproductive with regards to currying favor with the federal government.
Is there any real surprise, then that Google and Meta started cutting programs throughout 2023? Now Microsoft. Will Apple be next?
“This is the final straw,” Musk commented on a post about a new California law protecting the privacy of transgender children. “Because of this law and the many others that preceded it, attacking both families and companies, SpaceX will now move its HQ from Hawthorne, California, to Starbase, Texas.”
So, Elon Musk is upset his bigotry is being curtailed in California, so he’s moving SpaceX to Texas, where, apparently, bigots are more welcome?
Imagine being an unbigoted Texan realizing that Texas is the place bigots want to be. Texans, ask yourselves: “Are we the baddies?
More seriously, SpaceX is the only way for the U.S. to get to the International Space Station (other than Russia—which is obviously a non-starter).
Being in business with a company run by a mercurial bigot who makes decisions on a whim is dangerous. The U.S. government needs to declare that access to SpaceX is a national security necessity—and Musk a national security risk—and nationalize SpaceX, removing Musk in the process.
President Biden is finalizing plans to endorse major changes to the Supreme Court in the coming weeks, including proposals for legislation to establish term limits for the justices and an enforceable ethics code, according to two people briefed on the plans.…
The announcement would mark a major shift for Biden, a former chair of the Senate Judiciary Committee, who has long resisted calls to make substantive changes to the high court. The potential changes come in response to growing outrage among his supporters about recent ethics scandals surrounding Justice Clarence Thomas and decisions by the new court majority that have changed legal precedent on issues including abortion and federal regulatory powers.
Long overdue. Several recent SCOTUS decisions are destabilizing our democracy. Expanding the Courts and introducing term limits is a good start.
After their term is up, justices wouldn’t resign completely, but would only hear a smaller subset of cases: Only the nine most recently appointed justices would hear most cases, while other justices would join in for cases that originate in the Supreme Court, which include disputes between states or foreign officials.
That’s a clever workaround to the constitutional “lifetime appointment” (which, as noted in the article, is stated as “judges… shall hold their Offices during good Behaviour.”)
Nearly two-thirds of U.S. adults (65%) say the way the president is elected should be changed so that the winner of the popular vote nationwide wins the presidency.
Younger people are more in favor of it than older people. 82% of Democrats support it, while only 47% of Republicans do.
The ideological divide is unsurprising. Democrats wish to press their small numerical advantage. On the flip side, Republicans recognize the massive power imbalance the Electoral College gives them.
In fact, the more politically savvy Republicans are, the more they support keeping the status quo:
[51% of] Republicans with a moderate level of engagement [want] to keep the system as is….
[70%] of Republicans with lower levels of political engagement… back moving to a popular vote.
In summary, less-engaged Republicans may believe “one person, one vote” sounds fair. More-engaged Republicans realize this likely means losing most presidential elections.
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